The Charlotte Readers Podcast: Authors on Books and Writing!

My favorite Podcast is Charlotte Readers Podcast, hosted by Landis Wade, an author himself and “a recovering trial lawyer” who encourages authors to read and talk about their award-winning, published, and emerging works. This is the show where host, Landis Wade, visits with local, regional, national and international authors who read and discuss their work. The Charlotte Readers Podcast mission is to help authors give voice to their written words for listeners who love good books.

Host Landis Wade of The Charlotte Readers Podcast

The podcast’s community blog is populated with readerly and writerly content offered by talented writers. It contains nuggets of wisdom for readers and writers.

This week, I contribute to their Community Voices Blog with a short post about how I became a writer, and the link to the blog post, titled, There Is no There to Get to, is here:

There is No There to Get to – Charlotte Readers Podcast

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Authors, look at this!

Charlotte Readers Podcast wants to hear YOUR voice! Charlotte Readers Podcast is so grateful for the love writers are showing our blog, Community Voices, where we invite writers to submit their readerly and writerly voices to be featured on our website. The submission guidelines are simple, but must be followed for consideration. Read our latest posts, learn more about what we’re looking for, and submit your writing for consideration on our website: https://linktr.ee/CharlotteReadersPodcast

Here’s the Link to The Charlotte Readers Podcast Website:

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I’ll see you at The Charlotte Readers Podcast!

https://linktr.ee/cffullerton

The Women in Publishing Summit Begins Next Week !

I’m delighted to be a part of the Women in Publishing Summit. It’s the first online writing and publishing conference dedicated to women, the Women in Publishing Summit is the biggest online conference for women in publishing, featuring over 70 authors, publishers, editors, graphic artists, marketers, book sellers, mindset coaches, & more! 

One Week of Featured Speakers of the Publishing Business
Held annually the first week of March we’ll end with a bang on International Women’s Day. The next event will be online March 1-8, 2021 and you must register to access. The Summit is a combination of guest expert interviews, panel discussions, tutorial presentations, and LIVE interviews, run completely online that you can enjoy from your phone, computer, or tablet. 
My talk will air on Friday March 5 at 2:00 PM Eastern Standard Time! In my talk, I explained how I prepared for the book launches of Mourning Dove and Little Tea. Both books are set in the Deep South and depict Southern culture, female friendships, coming of age, and the family dynamic! A lot of preparation went into the launch of both books, and I had a wonderful time explaining my launch strategy for the Women in Publishing Summit.
About Jane Friedman (quickly)
Jane Friedman has 20 years of experience in the publishing industry, with expertise in business strategy for authors and publishers. She’s the editor of The Hot Sheet, the essential industry newsletter for authors, and has previously worked for F+W Media and the Virginia Quarterly Review. In 2019, Jane was awarded Publishing Commentator of the Year by Digital Book World; her newsletter was awarded Media Outlet of the Year in 2020.
Jane’s newest book is The Business of Being a Writer (University of Chicago Press); Publishers Weekly said that it is “destined to become a staple reference book for writers and those interested in publishing careers.” Also, in collaboration with The Authors Guild, she wrote The Authors Guild Guide to Self-Publishing.
In addition to being a professor with The Great Courses, Jane maintains an award-winning blog for writers at JaneFriedman.com; her expertise has been featured by The New York Times, The Washington Post, Publishers Weekly, NPR, PBS, CBS, the National Press Club and many other outlets.
Jane has delivered keynotes and workshops on the digital era of authorship at worldwide industry events, including the Writer’s Digest annual conference, Stockholm Writers Festival, San Miguel Writers Conference, The Muse & The Marketplace, Frankfurt Book Fair, BookExpo America, and Digital Book World. She’s also served on grant panels for the National Endowment for the Arts and the Creative Work Fund, and has held positions as a professor of writing, media, and publishing at the University of Cincinnati and University of Virginia.
In her spare time, Jane writes creative nonfiction, which has been included in the anthologies Every Father’s Daughter and Drinking Diaries. If you look hard enough, you can also find her embarrassing college poetry
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Women In Publishing Mission & Vision

We celebrate the accomplishments of women in publishing – authors, publishers, editors, typesetters, cover designers, marketers, booksellers, everyone involved in creating and selling books and provide a community where we can share great resources, encouragement, tools, and mentorship for women who want to have their voices heard and stories told.

Get Your Ticket Now!

The Women in Publishing Summit was made for women, by women.

We’re featuring publishers, authors, editors, agents, marketing experts, graphic designers, tools you need for success, and MORE to provide expert advice and resources YOU NEED to write, publish, and sell more of your book!

Register for the event and you’ll receive information to access the content from the comfort of wherever you choose to watch!

Don’t miss it!2021 TICKET INFO

I’ll look forward to seeing you there!

https://linktr.ee/cffullerton

Magic Moments with Pat Conroy

I had a few magic encounters that can only be described as “Pat moments” at the 2015 “Pat Conroy at 70” celebration” in Beaufort, South Carolina. And there I was a complete stranger to Pat, but by the end of the three day festival, you wouldn’t have thought this. Sometimes in life you just flat connect with someone through mysterious forces, and when you do, it feels something like recognition. I felt this way the first time I locked eyes with Pat Conroy, and although I was decidedly star-struck, he wasn’t having any of it.

I was late to the screening of “The Great Santini.” Most everyone was seated in the auditorium, and the film was set to begin any minute. I rushed into the scantily populated lobby of the USCB’s Center for the Arts, flustered and apologetic to the nice woman behind the table, who took my name and handed me my event tickets for the following two days. As I turned to head for the auditorium, there was Pat, wearing a red t-shirt, a big smile, and walking straight towards me. His face was aglow with child-like delight and his blue eyes beamed with the kind of enthusiasm you’d jump to upon spotting a friend. Now, mind you, I’d rushed to the conference all the way from California, and in that moment I had yet to find my bearings. I’d hoped at some point during the conference I’d be lucky enough to exchange a few words with Pat, get it off my chest how much his writing affects me, tell him that he’d singlehandedly shown me what is possible with the written word, and illustrate his impact upon me by saying if I were a musician, he’d be my Mick Jagger. I didn’t expect to walk through the door and find him there like a one man welcoming committee. In that destabilizing moment that caught me off-guard, I was so startled to see my literary hero in the flesh that my text book Southern manners flew out the window and speech completely failed me. So I did what anybody would do: I looked Pat Conroy straight in his Irish eyes and said, “I love you.” To which he threw back his head and laughed.

“I flew all the way from California to see you, “I gushed, and without skipping a beat, Pat said, “You’re crazy,” to which I replied, “I know.”

“My daughter lives in California, let me go get her,” Pat said, then he walked away and returned with his daughter, Megan. As Megan and I stood talking about California, Pat sauntered off then reappeared with his brother, Tim. I couldn’t tell you now if Tim wondered who I was or why Pat found me worthy of introduction, but all three Conroy’s stood friendly and smiling, as if they were legitimately thrilled to see me.

“Let me ask you something,” Pat said. He spoke haltingly, searchingly, as if he were thinking something through, though he gave me a look that shot straight through me as if willing the power of his steady gaze to sear something into me. “Can you remember this street address? I want you to come over to the house for a drink or something.”

“When?” I said. It was all I could think to ask.

“Sometime during all this,” he said, waving his hand. “Whenever there’s downtime,” he said, as if it’d be obvious, as if I’d know when there’d be a lull in the conference and could just mosey on over to find him lounging around.

“Oh, wait, they’re telling me it’s time to go in,” Pat said, “Let’s go.” I trailed behind Pat into the auditorium, and when the room rose to its feet in reverence at the sight of him, I ducked discretely out of the way and made for the auditorium’s back row, dumbfounded and lit by the fire of Pat’s personal attention.

Another of my “Pat moments” occurred while standing in line, holding my copy of “The Prince of Tides” in the creeping queue that snaked along in slow motion. Nobody seemed to mind that it took forever to reach Pat; we were all so animated to be in his jurisdiction, we didn’t begrudge a soul their moment in his sun. The air was charged with Pat fever. We were a chatting, laughing, fraternizing assembly linked by a warm inner knowing that we were all members of a secret society, waiting our turn for a moment in Pat Conroy’s sphere of luminosity. Eventually, the line progressed, and I got within clear sight of Pat. There were only three people ahead of me when I spied a regal, chestnut haired woman rounding the banquet table to stand beside him. She held a drink in her hand as she leaned down to say something, and I saw Pat rear back in blindsided astonishment at her appearance. His face flushed adolescent pink, there was glee in his smile and joy in his eyes, which cast around excitedly as if looking for someone to say something to, and I knew in that moment Pat Conroy was bursting with story. I looked around to see if anyone else was paying attention then leaned forward to say, “What is it, Pat?” and he spilled forth with, “You’re not going to believe this story!”

Never before have I been a more willing audience than I was as Pat launched into his story, which was a humorous take on unrequited love.

“Twenty five letters I wrote to this woman when I was in college, and not once, not once did she ever respond,” he shared, as the object of this story shook her head and protested. It was then I pulled out my camera. I ran into her much later, at the catered party the festival had on the last night of the weekend. Her name was Terry, and she felt moved to straighten me out with the facts.

“Already he could write better than anyone else, how in the world could I ever respond?” she insisted.

My Pat moments didn’t end there, nowhere near it. During what turned out to be a three-day love fest in honor of Pat Conroy, it seemed every time I turned around, he was there exuberant and smiling. We were friends now and he wanted my story; he wanted to know what I thought about the poetry panel, and he told me the panel discussions by the authors of “Story River Books” would be right up my alley. And they were, and it all was. Every moment of each day during the “Pat Conroy at 70” celebration was a gift that keeps on giving for many reasons, but mostly because of my magic moments with Pat.

I understand the USC Press and the USCB Center for the Arts will hold its first annual literary conference this October in honor of Pat Conroy, where his spirit, no doubt, will be hovering. To this I have one thing to say:

I’m looking forward.

How Does One Become a Writer?

My mother was not a writer, but maybe she should have been. She was one of the most natural born story tellers I’ve ever had chance to come across, and she glowed under a willing audience, well aware when she had one in the palm of her hand. She was a product of what I now call the old south, raised in an era when ladies were cultured and charming. Her name was Shirley, and never was a woman more appropriately named. To me, the name tinkles like Champagne in cut glass: captivating and celebratory in its effervescence, happened upon only on rare occasions. Never have I seen a woman occupy a chair quite like Shirley, who could be found at the cocktail hour holding court in the card room in the house I grew up in with one feminine leg tucked beneath her and the other dangling freely at her seductive crossed knee. This was how she observed the end of the day, for in her mind, there was much to discuss. She was fascinated in the players who populated her extravagant world and had an uncanny ability to dissect their character down to the last nuance. I couldn’t say now if she was insightful or just plain observant, whether she was legitimately concerned or liked to gossip, but she had a way of telling a story that could turn a trip to the grocery store into the most enviable journey ever taken. I used to watch my mother—study her with adolescent awe, looking for clues on how to evolve from an inchoate girl into her replica. I could have come out and asked her, but I always knew she wasn’t the type to ever confess. She is nine long years in heaven now, but the reverberating shadow she cast keeps her never far from reach. I was asked just the other day how I became a writer; whether I studied it in college or took some other road. It’d be so convenient to say I have an accredited piece of paper granting me permission, but the truth is I have much more than that: I grew up under the tutelage of a southern shanachie, who showed me the seemingly ordinary in life is actually extraordinary; it all depends on how the story is told.