It won’t surprise you to learn that the author of Boop and Eve’s Road (that’s me for the uninitiated) loves herself a smashing southern story. I’ve put together a refreshingly diverse list here–all southern, all sensational, but so very, very different. Do yourself a favor and pick up one (or heck y’all, all three of these reads).
Purple Lotus by Veena Rao is the story of Tara who immigrates from India to Atlanta, Georgia to be with her husband Sanjay. Theirs is a horribly ill-suited arranged marriage. Tara finds herself lost in a new country with an abusive husband and an unfortunate lack of self confidence. Eventually, she makes friends in her new community giving her the courage to leave her husband and make her own life in her new country. Some might argue that Purple Lotus is more of an immigrant story than a southern story, but I’d point out that Rao beautifully captures the experience of someone fresh to the South, that the south is more than its traditions, that the South with its world renown hospitality has room for all. Tara’s story of empowerment will steal your heart. Don’t miss it.
Sharp as a Serpent’s Tooths the best collection of short stories I have ever read. The characters, like June Bug and Eva, are delightful, quirky, and engaging. The plots are mesmerizing, unique, and page-turning. The southern country setting adds texture and delight with its Pentecostal Preachers, snakes, and speaking in tongues. Mandy Haynes has put together a beautiful collection with a southern voice that drawls off the page.
Little Tea by Claire Fullerton explores some of the more traditional southern motifs, complete with plantation homes and racial tension. Three childhood friends come together at a lake in Arkansas where an old boyfriend forces them to face the past. Through the voice of the main character, Celia Wakefield, Fullerton explores the evolution of racial relations in Mississippi. White daughter of a wealthy old southern family, Celia befriends the daughter of the black couple who runs her family’s plantation. Tucked away in the country in 1980s, their friendship flourishes. However, once the friends leave the plantation behind it becomes more difficult to navigate a mixed-race friendship in a world not quite ready for such things.
If you are a fan of all things Southern, you might also enjoy these posts:
Anna Hart is a seasoned missing persons detective in San Francisco with far too much knowledge of the darkest side of human nature. When overwhelming tragedy strikes her personal life, Anna, desperate and numb, flees to the Northern California village of Mendocino to grieve. She lived there as a child with her beloved foster parents, and now she believes it might be the only place left for her. Yet the day she arrives, she learns a local teenage girl has gone missing. The crime feels frighteningly reminiscent of the most crucial time in Anna’s childhood, when the unsolved murder of a young girl touched Mendocino and changed the community forever. As past and present collide, Anna realizes that she has been led to this moment. The most difficult lessons of her life have given her insight into how victims come into contact with violent predators. As Anna becomes obsessed with the missing girl, she must accept that true courage means getting out of her own way and learning to let others in.
Weaving together actual cases of missing persons, trauma theory, and a hint of the metaphysical, this propulsive and deeply affecting novel tells a story of fate, necessary redemption, and what it takes, when the worst happens, to reclaim our lives–and our faith in one another.
“When the Stars Go Dark is an intriguing, harrowing story that suggests we should never grow comfortable in a false sense of security . . . It’s a masterfully written story of resolution and reconciliation that operates on multiple levels of time, mind, and spirit.”
Paula McClain’s When the Stars Go Dark lures you into engaging with the story lest you miss a moment of its well-wrought beats. This is a haunting, intelligent novel for the discerning reader; the thinking man’s page-turner; a riveting crime-detective story seen through the wounded soul of 35-year old narrator Anna Hart whose life comes full circle as she tries to outrun her past.
Paula McLain is the author of the the New York Times bestselling novels The Paris Wife, Circling the Sun, and Love and Ruin. Now she introduces When the Stars Go Dark, an atmospheric tale of intertwined destinies and heart-wrenching suspense. McLain was born in Fresno, California in 1965. After being abandoned by both parents, she and her two sisters became wards of the California Court System, moving in and out of various foster homes for the next fourteen years. When she aged out of the system, she supported herself by working as a nurses aid in a convalescent hospital, a pizza delivery girl, an auto-plant worker, a cocktail waitress–before discovering she could (and very much wanted to) write. She received her MFA in poetry from the University of Michigan in 1996, and is the author of two collections of poetry, a memoir, Like Family: Growing Up in Other People’s Houses, and the debut novel, A Ticket to Ride. Her writing has appeared in The New York Times, O: the Oprah Magazine, Good Housekeeping, Real Simple, Huffington Post, the Guardian and elsewhere. She lives with her family in Cleveland.
Congratulations to Henya Drescher on the release of Stolen Truth!
An edge of your seat, twisting, turning, unpredictable story that will have you turning its pages as you try to discern what REALLY happened! A sure pleasure for thriller readers!
Bree Michaelson wakes up one day feeling drugged and confused, to find her boyfriend, Todd Armstrong, and her infant son, Noah, missing. But why does no one believe her? Lacking witnesses to her pregnancy, a birth certificate to prove a child was born, or a marriage license to prove her invisible husband ever existed, Bree will find it impossible to get the help she so desperately needs to find her baby.
Nevertheless, despite suspicious friends, family, and authorities, Bree sets out to find Todd and Noah. Only when her sister commits her to a hospital psych ward that Bree begins to doubt her own story. In the past, she suffered from a false pregnancy. Is this an imagined recurrence? She must fight to find the truth of what has happened to her—or admit that is all in her own mind.
About the Author:
Henya Drescher is often found reading a book, and that book will most likely be a psychological thriller, which she writes. Writing novels was always her wish, and now, with STOLEN TRUTH, it has become a reality. When not absorbed in writing her third novel and spending too much time on the computer, Henya’s passions include lifting weights, spinning, and cultivating her large garden. She and her husband live in New York City.
From author, Walter Cummins:
“Henya Drescher possesses a gift for creating the best kind of mystery, going far beyond the simple question of who did it to ask what was done and why and who can be trusted and believed. The novel captures the fraught frustrations of Bree, who may or may not have been the mother of a kidnapped newborn, as she plunges into her quest, facing many internal and external uncertainties. Bree bears the history of being a troubled woman, yet she is passionately determined. The complexities of her character drive the story through accumulating dead ends and detours. Her desperation pulsates through the pages of Stolen Truth as both she and the reader crave answers.”
From the Author:
I write suspense thrillers in which my heroines respond fearlessly to testing circumstances, satisfying a universal appeal by allowing readers a peek into their challenged lives
I would describe my psychological thrillers as tense with the twists and turns that keep the adrenaline flowing and activate a part of the brain that are typically not stimulated. My heroes are individuals who make difficult choices and sacrifice and others’ good. Like the characters, we struggle to figure out what is going on. And with a final shocking twist, the tension gives away exhilaration.
It is hard enough to pen a thriller that grabs you from the start and compels you to get on the journey with the protagonist. It is much harder when she is an “unreliable narrator,” one whose perceptions you doubt—just as do all the people she’s trying to convince that she’s been married, pregnant, and had a baby who has disappeared along with his father. Yet, in her sure, lyrical prose, Henya Drescher does a magnificent job of building a compelling, suspenseful story that unfurls in the wooded settings of the Berkshires (NY). The more you are swept into the story, the more you question who and what to believe. Has Bree been a victim of a manipulative man who isolated her from her family and her environment only so she can produce a child for him, or is Bree, a young, bright woman with a disturbing past of psychological delusions is just imagining this convoluted plot? In the tradition of “Gone Girl” and “The Girl on The Train,” STOLEN TRUTH will keep the readers’ attention in a can’t-put-it down, unforgettable story, that culminates with a brilliant, totally believable ending.
This was a fast read with a few surprises to keep it interesting. The character Bree wakes from a drug induced nap to discover her family missing and the house freshly scrubbed and painted. She tries to get help but not everyone believes her wild story.
Did it really happen? Was she imagining that she ever had a husband and a child? Where was the woman hired to help with childcare?
Bree must piece it all together with few clues to go on.
Every March, I look forward to St. Patrick’s Day because it triggers the memory of when I lived on the west coast of Ireland. As an American with 48% Irish DNA, I felt right at home in Inverin, which is a small village in Connemara, 2.7. miles up the road from the village of Spiddal, the next significant town being Clifden, fifty miles or so up the same road.
I lived in Ireland for more than a year and loved every minute of it.. Connemara is a land separated into geometric prisms by grey-stone walls leading down to the rock encrusted shores of the Atlantic on one side of the coast road and bog-land that stretches out forever on the other. Alongside the novelty of discovering Ireland was a curious sense of familiarity that gave way to a sense of belonging. Between the time I arrived in Ireland and the time I left, I managed to ingratiate myself into the rhythm of a land that has more soul and character than any place I’d ever imagined.
Inverin really isn’t much more than a stretch of the coast road at the gateway to the Gaeltacht, which is an area on the west coast of Ireland where Irish is spoken as a first language. Inverin is moody, pastoral, a bit desolate, and those that reside there have deep generational ties. Inverin is 13 miles up the coast road from Galway City. Here are some photographs to give you an idea of Inverin’s atmosphere:
I lived within a short walk of this graveyard. It’s down a gravel road not far from The Centra, which, for all intent and purposes, is the lone gas station/grocery store in Inverin. I have a thing about graveyards that’s hard to explain. They speak to me of the significance of human existence–of love and life and history, with indelible, reverential resonance indicative of a region’s culture. Ireland takes its cemeteries seriously, and walking through an Irish graveyard has always given me an anchored sense of place. They are lonely, haunting, and beautiful, and what I love about the graveyard pictured above is that the headstones all face the sea.
Inverin was my home base, and during the week, I took the bus from Inverin into Galway, where I worked on New Road at the Galway Music Centre. Galway is a college town, which makes it feel youthful and vibrant. Here are some photographs that illustrate my point:
The Claddagh, Galway, a port for anglers on Galway Bay.
As a writer by nature, I walk through life with a running commentary in my head, and keep a journal. I took the experience of living in Ireland and used it as a basis to write a novel about a single American female who leaves the record business in Los Angeles and relocates to rural Ireland, where she meets an Irish traditional musician who won’t come closer nor completely go away. The novel is titled “Dancing to an Irish Reel.” I went out of my way not to patronize anything about Ireland, particularly its people. I wanted to refrain from bringing an American frame of reference to the book because I felt it had been done before and somehow cheated what I wanted to be the point of the story, which concerns the ambiguity of a budding love relationship, with its attendant excitement, hope and doubt. On the one hand, this story could have happened anywhere (I know of very few people who haven’t been thrown into confusion as they navigate the minefield of new found attraction) but because this story takes place in Ireland, I had the opportunity to highlight a setting in possession of unfathomable beauty, with a history of cultural nuances worth the singing of deep praise. In writing “Dancing to an Irish Reel,” I did what all novelists do: tell about how they find the world through the vehicle of one painstakingly crafted case in point story.
In anticipation of St. Patrick’s Day, there is a Goodreads Giveaway running until March 20 of Dancing to an Irish Reel.
And this will be fun, as well as unprecedented! On Sunday, March 14, I’ll have the immense pleasure of being a part of a Facebook, multiple book page St. Patrick’s Day Parade. I’ll be in conversation with Irish author, Billy O’Callaghan, at noon, Eastern Standard Time on the Facebook page, The Write Review. We plan to talk about Irish culture, the influence of Ireland on our writing, and whatever else comes to mind. I hope to see you there! You can find all the book pages involved in this celebration on the graphic below, so if you’re on Facebook, simply go to the book pages to join in the fun!
“Written with harrowing intimacy in cadence and phrasing so poetically elegant as to be breathtaking, it sings of perseverance in the face of adversity . . .”
A thoroughly realized treatise on the familial ramifications that haunt us, the beauty in Life Sentences comes from Billy O’Callaghan’s deep-probing gift for nuance. Wielding confessional monologues, O’Callaghan unfurls an epic story woven in three compelling parts that could justifiably stand-alone, yet from the sturdy threads of O’Callaghan’s deft crafting, the reader is invested from the start in this multi-generational story.
Billy O’Callaghan was born in Cork in 1974, and is the author of four short story collections: In Exile (2008, Mercier Press), In Too Deep (2009, Mercier Press), The Things We Lose, The Things We Leave Behind (2013, New Island Books, winner of a 2013 Bord Gáis Energy Irish Book Award and selected as Cork’s One City, One Book for 2017), and The Boatman (2020, Jonathan Cape and Harper (U.S.A.)), as well as the novels The Dead House (2017, Brandon/O’Brien Press and 2018, Arcade/Skyhorse (USA)) and My Coney Island Baby, (2019, Jonathan Cape and Harper (U.S.A.)).
Billy is the winner of a Bord Gáis Energy Irish Book Award for the short story, and twice a recipient of the Arts Council of Ireland’s Bursary Award for Literature. Among numerous other honours, his story, The Boatman, was a finalist for the 2016 Costa Short Story Award, and more than a hundred of his stories have appeared or are forthcoming in literary journals and magazines around the world, including: Absinthe: New European Writing, Agni, the Bellevue Literary Review, the Chattahoochee Review, Confrontation, the Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative, Ploughshares, Salamander, and the Saturday Evening Post.
In Mandy Haynes’s collection of Southern tinged short stories, Sharp as a Serpent’s Tooth, characters are as different as Jayhawks and Starlings, they grin like possums, and, if in need while in someone’s bad graces, are told they can go get what they want “their own dang self.” Throughout the assembly of Haynes’s five, compelling stories, her character-intensive narrative is urgent and breathless, so regionally pitch-perfect as to feel indiscreet:
“Now don’t roll your eyes at me,” the narrator of short story, Junebug Fischer says. “You know dang good and well Rita’s daughter did not get pregnant on her honeymoon. And you know same as me that she shouldn’t have married that no count Tucker, pregnant or not.”
Sharp as a Serpent’s Tooth is laser-sharp, finely wrought fiction in each stand alone story. In “Eva,” the abused daughter of a con-artist preacher is depicted with such Southern Gothic surrealism as to make her seem other-worldly. In “Plans for Sweet Lorraine,” a fearlessly headstrong mother is led by gut-intuition to rescue her innocent daughter from the clutches of a smooth-talking charlatan posing as a man of God.
In each story, the narrator’s voice is chock full of gumption– the sure-footed kind grown and fostered in the hollows of the rural South. They are all unique, memorable narrators. In “The Day I threw the Rock,” the young, red-haired narrator prefers to go barefoot in overalls, in whose pocket she keeps a garden snake as she unfurls the high-drama of events that lead to her throwing the eponymous rock. In “Cussing Snakes and Candy Cigarettes,” a young girl defies common, local opinion of her dead mother’s twin sister, in an eye-opening summer that impacts her coming of age.
Author Mandy Haynes approaches her craft with an uncanny grasp on pace in perfect measure. Her authentic voice is beyond comparison. Her high-stakes stories are layered with utter unpredictability. I cannot recommend this Southern to the core collection of short stories emphatically enough. Each of the five stories in Sharp as a Serpent’s Tooth is the perfect combination of riveting story and character as place.
Mandy Haynes has spent hours on barstools, at backstage venues, and riding in vans listening to some of the best songwriters and storytellers in Nashville, Tennessee. She now lives in Fernandina Beach, Florida with her three dogs, one turtle, and a grateful liver. Her first collection, Walking the Wrong Way Home was a finalist for the Tartt Fiction Award, and selected as a bonus pick for The Pulpwood Queens’ 2020 Reading List.
A Crooked Tree is a sonorous ode to youth with all its innocence, angst, disillusionment, and unfiltered honesty. Author Una Mannion tells a coming-of-age story in its full expression as told by clear-eyed, 15-year-old Libby Gallagher, the third of five siblings born to a family most would call dysfunctional, yet with Mannion’s deft handling, we experience the family as normal; we accept as plausible the frame of reference in this heart-tugging cause and effect story.
It is the early 1980s. The five Gallagher siblings, whose ages span a decade, jostle, and spar with each other in the back seat, while their distracted mother is behind the wheel, on the eve of summer vacation. It is coming dusk as they drive home to bucolic Pennsylvania’s Valley Forge Mountain, and divorced mother, Faye, has had enough. Twelve-year-old Ellen tests Faye’s last nerve by giving her lip, and in a stunning fit of pique, Faye stops the car and demands that Ellen get out. Libby recounts what becomes the pivotal, repercussive scene, “We were still five or six miles from home. I hadn’t said anything to make my mother stop. We careened down the road, went through the covered bridge, past farmland, and fences. Beside us, the shadows of dogwoods blurred in the dark as my mother kept driving.”
Una Mannion’s debut novel A Crooked Tree will be published by Faber and Faber in the UK and Ireland and by Harper Collins in the US in 2021. It will also be published in Germany with Steidl publishing house and in Italy by Astoria.
Una has won numerous prizes for her short fiction and poetry including The Hennessy New Irish Writing Poetry Award, The Cúirt International Short Fiction Award, Doolin short story prize, Ambit fiction award, Allingham short fiction prize among others.
Her work has been published in numerous journals such as Crannóg, The Lonely Crowd, Bare Fiction, Ambit and her stories have been included in recent collections: Galway Stories: 2020 edited by Lisa Frank and Alan McMonagle (April 2020) and The Art of the Glimpse: 100 Irish Short Stories edited by Sinéad Gleeson, (autumn 2020).
Along with writers Louise Kennedy and Eoin McNamee, Una edits The Cormorant, a broadsheet of poetry and prose. She curates The Word, a monthly author series hosted by Sligo Central Library and the BA Writing + Literature at IT Sligo.
Una is represented by Peter Straus at Rogers, Coleridge & White
The Pat Conroy Literary Center is near and dear to my heart, as I had the immense pleasure of meeting Pat Conroy in person at his 70th birthday party in Beaufort, South Carolina. Pat Conroy, my favorite novelist of all times (The Prince of Tides, Beach Music, The Great Santini and others) was everything you’d want him to be in person, and more–magnanimous, big hearted, self deprecating, and above all, sincere. That October, 2016 weekend I spent in his presence with hundreds of his literary fans who came from all over the world to celebrate him as an author and, more importantly, as a person remains one for the archives of my life’s standout moments, and I, along with legions of others, mourned the loss of this literary giant who died the following March. The Pat Conroy Literary Center was created in homage to Pat Conroy, Beaufort, South Carolina’s favorite son, and I was thrilled to come upon the article below just this morning. It showcases the Pat Conroy Literary Center and a bright, young woman named Holland Perryman, who’s making significant strides with the center in such a manner that it bodes well for the future on multiple levels!
A Great Love of Language, the Arts, and Living Life
story by KAREN SNYDER photos by SUSAN DELOACH
It goes without saying that Beaufort’s much beloved literary legend, Pat Conroy, will forever represent all that is good about life in Beaufort and the Lowcountry. Well, much like Conroy, who made an indelible impression upon his peers and teachers at Beaufort High, there’s another local high school student doing much the same — meet Holland Perryman.
This vibrant 16-year-old Beaufort High School (BHS) student in many ways represents the finest qualities that Pat Conroy nurtured in others, especially young writers. It seems more than fitting then that Holland serves as the Pat Conroy Literary Center’s first official intern.
Holland joined the Center in the Spring 2019, after already being the recipient of the creative writing award for a competition inspired by the Center’s March Forth partnership with BHS. Later that summer, Holland was selected to attend the SC Governor’s School for the Arts and Humanities for their two-week Creative Writing Academy. And in 2020, she was named a finalist in the inaugural Ann Head Literary Prize for Short Story competition, established in honor of Conroy’s first creative writing teacher at BHS.
Accolades and accomplishments aside, for Holland, being a teen is really about “living and learning.” A reader and writer from an incredibly young age, Holland has a passion for language, whether written in print or spoken on stage. It is a part of her soul, she says.
“I’m so grateful for this internship,” says Holland, explaining she first was introduced to the world of publishing during a shadow-day assignment as an eighth-grader at Riverview Charter School. “I visited the Center and briefly met Executive Director Jonathan Haupt, but it wasn’t until I was a sophomore that I approached him about an internship. Mr. Haupt had mentored college students for years elsewhere, but the Conroy Center was still new, and they had never had an intern, so it was a clean slate of possibilities.”
“Holland is an inspiration. I learn as much from her as she does from me. She embraces life with genuine empathy, wondrous curiosity, and heartfelt gratitude for every opportunity to learn, to teach, or just to lighten the burden of another. Over the course of his storied life, Pat Conroy championed hundreds of writers, including me, entrusting each of us not only with the lessons he learned from his experiences and inherited from his pantheon of teachers, but also with the responsibility to teach those lessons to others in our own ways. It’s an honor and an absolute joy to now mentor Holland in that same spirit, and in full knowledge that one day she too will pass on what she’s learned.” -Jonathan Haupt, Executive Director, Pat Conroy Literary Center
Holland’s new role would become an expansive one. It would include everything from assisting with events and teaching workshops to TV news interviews to becoming a co-host and presenter at the 5th Annual Pat Conroy Literary Festival held virtually in November 2020. Just as Pat Conroy offered his mentorship and guidance to many burgeoning writers, Holland finds herself “inspired by all the wonderful and passionate people and writers” she’s met at the Center.
“Mr. Haupt has been the most wonderful mentor. I am constantly learning about the writing and publishing worlds. Sometimes it’s through intentional conversations and other times through workshops and author events I’ve attended.” Though she’s grateful for these learning opportunities, Holland admits, “I’ve come to find that there is so much to learn from every moment, and some of the most important lessons I’ve learned have been in casual conversations. He’s always teaching me something even when I don’t realize it!”
Much like any high schooler, Holland says she likes to “live in the moment and not dwell too much on the future.” Yet, exuding appreciation for the opportunities before her, she explains, “I try to focus on the present and what I can learn from the people around me. I find that when passionate people get together, amazing things can happen!”
That optimism has served her well as opportunities for Holland have continued to present themselves. She was a virtual camp counselor at the 2020 Camp Conroy, where she worked with kids from around the country. She was also the first writer to be featured twice as part of the “Lowcountry Poet’s Corner” segment of ETV’s Telly Award-winning series By the River.
Holland had her first book review published last summer in The Post and Courier, of the young adult (YA) Lowcountry adventure novel Spellbound Under the Spanish Moss (Lucid House, 2020) by Kevin and Connor Garrett. As part of the Bluffton Book Festival this fall, she and Haupt livestreamed their interview with the authors of this action-packed tale. According to Holland, she’s hoping to continue fine-tuning her “live interviewing” skills together with Haupt as part of a future endeavor featuring more authors. That opportunity may include interviewing Sara Shepard of Pretty Little Liars and debut YA novelist Kalynn Bayron, author of Cinderella Is Dead.
Holland and her older brother Walker moved with their parents to Beaufort in 2010. Holland says, like most Lowcountry kids, she’s grown up, climbing trees with feet covered in pluff mud. “My earliest memories of writing were sitting in the church pew listening to my dad’s sermons, taking notes, and writing about them.” Holland’s father is Reverend Dr. Patrick Perryman, senior pastor of First Presbyterian Church of Beaufort. As a self-proclaimed book nerd, Holland says, “My parents always read to me,” also recalling that in her family, there has not only been a love of books, but music too.
Holland’s mother, Sissy Perryman, introduced her to musical theater. “I was in second grade when I went to my first audition” at USCB Center for the Arts Beaufort Children’s Theater. Holland laughed, recalling her audition that included an impromptu rendition of Carly Rae Jepsen’s “Call Me Maybe” with a lot of hip shaking and finger wagging. Since that time, Holland has been in 18 shows, most recently appearing in Little Women. Of all the roles she’s played over the years, she shared that the Wicked Witch in the Wizard of Oz was her favorite.
Despite a remarkably busy schedule, Holland seems to have achieved a happy balance among her school, extracurricular, and work commitments. With a course-load of AP classes, Holland hopes to make the most of her high school academic experience. She is also a student leader, serving as the Student Body Vice President and playing Varsity Lacrosse. She is also a proud member of the Beaufort High “Voices” auditioned choir.
Outside school, you’ll find Holland enjoying time with her friends or working at The Kitchen selling gourmet home-cooked meals. She also loves to spend time with her church’s youth group that has a deep commitment to service to others. Holland says, “At the end of the day, I want to learn from those around me and be a part of the good in the world.”
It’s no wonder this driven and caring teen says the most impactful part of her internship experience “is witnessing the relationships within the literary community, both locally and beyond. I’ve learned how much good can be done when people lift up one other and take the time to listen to what each person has to say. It’s empowering to know that there is so much more to do in my own life and for others around me.”
Grateful for Haupt’s mentorship, Holland acknowledges, “He has taught me how to be engaged in every moment and conversation, both as a writer and as a person.”
Notwithstanding a global pandemic that no one predicted would have such far-reaching impact, Holland admits, “My world as a student looks a bit different now. I’m grateful that I’ve been surrounded by a loving family, supportive teachers and mentors, and amazing friends through all of it. If anything, this time has taught me not to rush through life, to be grounded, and live in the moment.”
It seems Holland’s writer’s voice has been found with such wise words to live by.