The Teacher of Warsaw

The Teacher of Warsaw by Mario Escobar

Image of The Teacher of Warsaw

Author(s): 

Mario Escobar

Release Date: June 7, 2022

Publisher/Imprint: Harper Muse

Pages: 368

Buy on Amazon

Reviewed by: 

Claire Fullerton

An important, sensitive look at the triumph of the human spirit over evil, The Teacher of Warsaw is based on a true story and epitomizes the very best of poignant historical fiction.”

A nostalgic tone sets the stage of Mario Escobar’s The Teacher of Warsaw. In the prologue, an editor is in receipt of a hidden diary now typed as a manuscript from a woman named Agnieszka Ignaciuk, who survived the WWII, German occupation of Warsaw, Poland. The editor says, “That small, lovely woman with the wise eagle eyes placed into my hands Janusz Korczak’s typed manuscript. She acted like she was passing along a forbidden fruit that would eternally expel me from the semblance of paradise my life had recently become.” Taking the manuscript, the editor reflects upon its author, “I remembered the Teacher. Everyone I know called him the Old Doctor . . . I heard his voice. . . . It was just he and I in the middle of a ruined world.”

It is September 1939, and 60-year-old Janusz Korczak is the director of Dom Sierot, a Warsaw home for 200 orphaned children. He’s a man of deep integrity, a beloved and devoted teacher who views his job as a calling and structures the home with no differentiation based on age or rank, where tutors and students equally cohabitate as a family. When one of the orphans asks why he’d never had his own children, the unmarried Dr. Korczak reveals what he has told few others. “The truth is, my father went insane, and I’ve always been afraid that the same thing will happen to me. I thought that if I had children, they might inherit that disease.” It is this reason that makes Korczak all the more committed to the children.

Dom Sierot’s building, which houses Jewish orphans, has been in a Christian neighborhood for 27 years. Korczak shares, “We were there on purpose so that Jewish and Christian children could live together. Long ago I had learned that the only way to knock down the walls of prejudice and hatred toward difference was coexisting and building friendship that allowed the children to fight and the be reconciled again.”

It is November of 1940, and a shock to Korcsak’s system comes when the Germans relocate Dom Sierot from the working-class neighborhood outside the city to a squalid area in Warsaw’s walled Jewish ghetto, consisting of “400,000 within an area no larger than 1.3 miles.” In preparing for the change, the sensitive Korczak softens the blow to the children, “We’ll probably long to be back here in our wonderful house. But the walls that you see around us are not our real home. The real refuge of each one of us is inside our hearts. As long as we’re together, we will keep being happy and belonging to our big family.” When one little boy cries at the sight of the new living quarters, Korczak hands him the treasure map he’d prepared the night before, and says, “Treasure hunts always occur in exotic, remote places. No one’s ever done anything amazing without leaving home first.”

As winter wears upon the ghetto, living conditions become more desperate in the orphanage’s unheated, dilapidated home, where water is scarce in the midst of a food shortage, leaving Korczak to solicit and rely upon the help of charitable donors. When the Gestapo confiscates a cart of food and supplies belonging to the orphanage, Korczak bravely holds his ground and says to the German officer, “This food is for the children and under no circumstances can I allow you to take it from them.” When told to take his complaint to the Gestapo headquarters, the optimistic Korczak goes to plead his case at the German administration offices, only to be thrown in jail for not being in compliance with wearing the requisite Star of David on his arm, intended to signify those who are Jewish.

Upon being unceremoniously grabbed by a German soldier and transported to jail, Korczak says, “For them, life was a useless sketch through which to imprint their senseless brutality and show the world that they were the bosses. For me, life was a perfect beautifully framed painting full of meaning and hope. For them, life was prosaic and frivolous, ever so light, whereas for me it was so heavy I could hardly take a step without feeling the mud stuck to my feet.”

A year on since the Nazis came to Poland, nothing improves in the ghetto. Korczak writes, “Typhus had run its course around the city in recent months, given the deplorable hygienic conditions and insufficient nutrition of the population. It seemed the Germans preferred to kill us off slowly. Their program was designed to weaken our spirits and erode our morale.” Korczak, in the habit of calling assembly whenever a new problem arises, and always serving as inspirational motivator, poses the question to the orphans, “What does it mean to be happy?” “Life in and of itself is an act of happiness . . . Happiness is not about things. We look for it outside of ourselves, but it’s something that’s in our own minds. The work of our hearts is to give pure love.”

As time wears on and conditions worsen, Korczak delivers a speech intended to inspire the orphanages’ dispirited teachers and caretakers. “We sleep and dream of better days but wake to find ourselves here. Yet here, where we serve, we are doing all we can to make better days for the children. We’re in this world to serve one another, to give our very last breaths for our neighbors.”

With a supporting cast of characters in various official positions who are incrementally ready to help Dr. Korczak escape the ill-fated ghetto, the doctor refuses each offer. “Leave me be,” he says to a sympathetic German captain who knows things are nearing an end. “I will go with my children and will not leave them alone.”    

In hindsight, after the worst has happened, trusted companion and co-worker of Korczak’s, Agnieszka Ignaciuk—the deliverer of  Korczak’s left behind diary chronicling the personal tragedies of war—remembers the good doctor and says, “Janusz Korczak had lit up a country swathed in darkness. All of Poland had to know his story and admire his example. I vowed to make that happen.”

In The Teacher of Warsaw, Escobar’s intimate, first-person delivery is flawlessly researched. Its historic timeline unfurls with heightening drama from the vantage point of one selfless man dedicated to the wellbeing of Polish children in harrowing wartime conditions against all odds and costs. It’s a sobering, memorable story taking the reader through tragic events in occupied Warsaw, from September 1939 to May of 1943. An important, sensitive look at the triumph of the human spirit over evil, The Teacher of Warsaw is based on a true story and epitomizes the very best of poignant historical fiction.    

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

Book Review: Holding Her Breath by Eimear Ryan

Holding Her Breath: A Novel

Image of Holding Her Breath: A Novel

Author: Eimear Ryan

Release Date: May 17, 2022

Reviewed by: Claire Fullerton As it Appears in the New York Journal of Books

Holding Her Breath is a generational story written in descriptive language with steady pacing. . . . an engaging, sensitive story set in Ireland, sure to resonate with readers far and wide.”

A compelling look at coming-of-age concerns beneath the taboo of generational mental illness, Eimear Ryan’s debut novel, Holding Her Breath, is the story of a young Irish woman coming into her own by pursuing the buried truth of family secrets.

It is modern day Dublin, and overwhelmed university freshman, Beth Crowe, has mishandled her sports scholarship. Once lauded a natural athlete in swimming, Beth remembers, “At one point in her adolescence, she realized that the adults in the club were describing her in nearly supernatural terms: unreal, savage, unbelievable.” Possessed of the discipline of devoting her youth to “getting up at dawn for training, slipping into the water again after school; her world became narrow but deep. It was only when she stopped, abruptly, that she realized how tired she was.”

After her self-imposed sabbatical, she returns with her own practice out of love for the sport.  Ryan pinpoints Beth’s affinity with water: “It feels illicit somehow, being alone in the water. No coach towering over her at the pool’s edge, saying surely she can do better than that. Now she does as she likes. After a hundred laps she feels calm and rejuvenated, her body pinging with the tremors of exercise.”

Now with a focus on psychology, the taciturn Beth is paired in college housing with the gregarious Sadie, who takes her to a campus book event and introduces her to poet and university professor, Justin Kelleher, a class lecturer on the widely acclaimed poet, Benjamin Crowe, who happens to be Beth’s deceased grandfather.

When a relationship grows between Beth and Justin, Beth is optimistic. She “never thought she could be one of those people to whom things actually happen. Every moment of drama or triumph in her life has taken place in the pool and been rendered less impactful for the hours of repetitive practice that preceded it. She is not used to things happening out of the blue.”

An hour away from campus, Beth’s mother Alice lives with her elderly mother Lydia, the widow of Benjamin Crowe. The fame of Benjamin Crowe is the stuff of legend kept under wraps by Lydia, who won’t part with her husband’s coveted archives, nor reveal what she knows of events leading to his death, a mystery that casts a wide shadow upon Beth and Alice, as well as passionate Crowe scholars.

Because Beth is hesitant to pursue the subject with the formidable Lydia, she asks Justin what he knows of rumor surrounding her grandfather’s death. When Justin mentions a never-published Crowe biography by author Julie Conlon-Hayes, he says, “It’s a story among us Crowe scholars. Now, how much is true, I don’t know. She was friends with your grandparents, so she had great access . . . But then Ben died, and Lydia squashed the project.” Continuing, Justin says, “Because of the nature of his death, we are all the time searching his work for clues and explanations. But perhaps we should consider the poems simply on their own merit.”

When Beth asks her mother what she knows of her famous father’s death, Alice skirts the issue of mental illness. “I was told Dad had an illness that made him confused, which in turn made him fall into the sea. I didn’t connect the dots.” On the tight-lipped comportment of Lydia, Alice says, “Her intent was to preserve, as she called it, the honor of the family. She didn’t want anyone poking around in Dad’s memory, and she never spoke publicly about his death.”

Sensing that the mystery at the center of her family lineage would help Beth better understand herself, Beth visits Sadie at her family’s rural home in Portlaoise, and the girls set out on an adventure to visit the elderly Julie Conlon-Hayes at her home in West Cork, in hopes of learning her side of the story concerning the events that led to Benjamin Crowe’s death, which took place in the area.

Stopping cliffside along the road to Julie Conlon-Hayes’ home, Beth “closes her eyes and tries to put herself in her grandfather’s place over thirty years ago. She pictures him barefoot, his toes gripping the earthy edge of the cliff. Crouching, tucking his chin to his chest, pointing his palms to the water. Except it couldn’t have happened like that.”

Holding Her Breath is a generational story written in descriptive language with steady pacing. Author Eimear Ryan captures youth’s perseverance in the search for one’s place in the world, and weaves in mental illness’s nuances while unravelling long guarded family secrets. It’s an engaging, sensitive story set in Ireland, sure to resonate with readers far and wide.   

Buy on Amazon

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Eimear Ryan’s debut novel Holding Her Breath is published by Penguin Sandycove (Ireland/UK) and Mariner Books (US).

Her short fiction has appeared in Granta, The Dublin Review, The Stinging FlyThe Long Gaze Back (New Island) and Town & Country (Faber). She is a co-founder and editor of the literary journal Banshee and its publishing imprint, Banshee Press.

She is a sports columnist with the Irish Examiner and has written about women in sport for The42.ie, ImageStranger’s GuideWinter Papers and elsewhere. She is currently working on a book about camogie. She lives, writes and plays in Cork city.

The Good Left Undone by Adriana Trigiani

My review, as it appears in the New York Journal of Books

Adriana Trigiani’s three-part The Good Left Undone reads like a multigenerational saga extolling the power of family. Part one begins with the sobering epigraph, “Let whoever longs to attain eternal life in heaven heed these warnings: When considering the past, contemplate these things: The evil done; The good left undone; The time wasted.” From the poignant beginning, the template is cast and incrementally filled in two timeframes fully played out by the Cabrelli family, in a pitch so passionate the reader remains personally involved throughout the story.   

The Cabrellis are working class people, proud, salt-of-the-earth Italians whose everyday lives are devoutly guided by their Catholic faith. They live among the Birtolinis, Savattinis, Spiranzas, and Mattiuzzis. They drink espresso from moka pots and dine on bombolini during coastal Viareggio’s annual Carnevale. They are jewelers, and sailors, parents, and nurses, with ties to Italy, France, and Scotland. At the center of the story is the Cabrellis’ ancestral history. The family exists in modern times because some survived the second world war.

It is 81-year-old Matelda Cabrelli Roffo’s birthday as she sits in her third generation, seaside home in the village of Viareggio, Italy. Closing her eyes, she reminisces on those now gone, and understands, “a family was only as good as their stories.”

At 25, and engaged to be married, Anina Tizzi is a dazzler. Arriving at Matelda’s house to keep their scheduled appointment, she reminds her grandmother of their family tradition and says, “Your grandmother gave you a piece of jewelry to wear on your wedding day, your mother gave jewelry to my mother, and now it’s your turn to give it to me.”

When Anina asks Matelda to disclose a bit about her own mother, Matelda looks out to the Ligurian Sea and, knowing her days are numbered as the family lore archivist, concedes, “Anina would soon find out where the sea had taken Domenica Cabrelli before it swept her away, along with her true love and their secret.”

Freeing significant family heirlooms from their hiding place to present to Anina, each a building block contributing to the overall family story, Matelda is visited by the shadow of history. It is 1920, and her mother, Domenica Cabrelli, is 11 years old, on a treasure hunt with her best friend, Silvio, along the dunes of Viareggio’s white sand beach. When bad luck finds the inseparable friends, Silvio needs stitches, and Domenica, accompanying Silvio to Dottore Pretucci’s office, decides then and there to train as a nurse. It’s a fateful decision that spawns a trajectory of events ultimately effecting Domenica’s life and carrying forth to future generations.

Upon learning something about her great grandmother’s surprising story, Anina wants to hear more, and remarks of Domenica, “There might be something else in her story that would inform my life now. One person in the family impacts the whole group.”  

The sea is a pervasive image in The Good Left Undone, as is the satisfaction an artisan receives from doing valuable work with committed hands. In the multi-layered, wider sphere, Trigiani’s focus is character driven and personal, with underlying themes of perseverance in the face of fate and chance, and an eye to preserving family lineage.

The heart and soul story of Domenica Cabrelli is thoroughly realized. It concerns the life and loves of a woman devoted to her family and heritage as set against the painstakingly researched backdrop of the Second World War, peppered with fascinating, little-known facts about the war’s impact on the Italian people.

In her compelling story, Trigiani’s detail is beautifully nuanced. Her sense of place is illuminating and vibrantly alive with the small details that make an Italian life meaningful. Matters of day-to-day survival are equally balanced with affairs of the heart in such a way that serves as a grandmother’s cautionary tale to her granddaughter. When Anina’s doubts about marriage arise, Trigiani’s dialogue is deadpan, quick-witted, and pithy as Matelda imparts her brass tack advice, “Listen to me. Love yourself. That’s the greatest adventure. When you love yourself, you want to find your purpose, something only you can do in the way only you can do it. Make things. Create. And if a man comes along—and believe me he will—the relationship is already off to a good start because both of you love the same person. You.”

The Good Left Undone is a poignant expose on the value of the unsung heroes in a multigenerational, working-class family, and through the power of story, author Adriana Trigiani reminds us that our own family stories are important. As Matelda reveals family secrets, the dawning of awareness comes to Anina. She becomes more and more enraptured and wants to hear everything about her family from her grandmother. “Mostly, Anina wanted to reach into the years ahead and bring her children into the present so her grandmother would know them. She wanted them to hear the family stories from the source. After all, her grandmother didn’t just tell the family stories; she was the story.”

Adriana Trigiani’s The Good Left Undone will delight book clubs, and those who enjoy historical fiction and women’s fiction. It’s a deeply felt, epic tale that transports the reader straight to the heart of Italy.

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

ABOUT ADRIANA

“One of the reigning queens of women’s fiction.” –USA Today

“A comedy writer with a heart of gold.” – The New York Times

“Trigiani is a master of palpable and visual detail.” – The Washington Post

Beloved by millions of readers around the world for her “dazzling” novels, (USA Today) Adriana Trigiani is the New York Times bestselling author of twenty books in fiction and nonfiction. She has been published in 38 countries around the world. The New York Times calls her “a comedy writer with a heart of gold,” her books “tiramisu for the soul.” She wrote the blockbuster The Shoemaker’s Wife, the Big Stone Gap series, the Valentine trilogy and Lucia, Lucia.  Trigiani’s themes of love and work, emphasis upon craftsmanship and family life have brought her legions of fans who call themselves Adri-addicts (a term coined by book maven Robin Kall). Their devotion has made Adriana one of “the reigning queens of women’s fiction” (USA Today).

Adriana was among the first creators on Bulletin, Facebook’s platform launched in 2021. Her newsletter “Adriana Spills the Ink,” covers all aspects of living with ideas gleaned from the world’s best authors and their books. Adriana provides the tips to help you find the tools to unleash the creativity in your own life. You can read the newsletter here.

Adriana is an award-winning playwright, television writer and producer, and filmmaker. She wrote and directed the film adaptation of her debut novel Big Stone Gap, shot entirely on location in her Virginia hometown with an all-star cast including: Ashley Judd, Patrick Wilson, Whoopi Goldberg, John Benjamin Hickey, Anthony LaPaglia, Jenna Elfman, Jane Krakowski, Judith Ivey, Mary Pat Gleason, Dagmara Dominczyk, Mary Testa, Paul Wilson, Chris Sarandon, Jasmine Guy, and introducing Erika Coleman and Bridget Gabbe, with music by John Leventhal, and songs performed by his lovely wife Rosanne Cash, the legendary Ralph Stanley, Papa Joe Smiddy and the Reedy Creek Boys, If Birds Could Fly and Michael Trigiani. Glorious local talent performed on the soundtrack and acted in the movie, sharing their gifts beyond the peaks of the Appalachian mountains.

Oliver: A Novella by Mandy Haynes

Description:

Even though eleven-year old Olivia is raised in a southern Baptist church she likes to cover all her bases when asking for a favor. Unlike her brother Oliver, she struggles with keeping her temper and staying out of trouble. But Oliver is special in more ways than one, and in the summer of ’72 he shows Olivia that there’s magic all around us. It’s up to us to see it.

On author, Mandy Haynes:

Author Mandy Haynes has a wide reputation for being one of the most authentic voices of modern-day America’s Deep South. Set in the complex rural South, her stories are alive with spot-on vernacular, her character’s are self-assured and quirky, and the predicaments they find themselves in are quintessentially Southern experiences. Reading Mandy Haynes work is an education in all that goes into the cultural hotbed of the romantic South. Her work takes you down long country roads where anything can and does happen.

My Endorsement of the delightful novella, Oliver !

“A small-town story of childhood innocence, sibling admiration, blind optimism, and plenty of shenanigans, author Mandy Haynes has penned an incomparable narrator in Sissy, who tells a multifaceted story highlighting the altruistic plans of her remarkable brother, Oliver. The Southern jargon in this charming novella is character defining, the precocious mood insightful. Oliver is about bringing out the goodness in people, even if it takes a bit of magic.”

Claire Fullerton, Author.

Other Praise for Oliver:

“Mandy Haynes takes me on a memory journey to the last great childhood of the South, a time when bicycles were a magic carpet that could take a child wherever she wanted to go. The joy of this novella is how easily I slip between the pages and live the adventures with Oliver and Olivia. Sibling love. Kindness. Good intentions gone awry and good deeds fraught with danger. This story echos with my past, and the past of many now homeless Southerners. Once you start reading, you won’t be able to put it down.”

Carolyn Haines, USA Today bestseller, is the author of over 80 books in multiple genres

“Mandy Haynes effortlessly and brilliantly writes children, a feat at which many writers struggle and fail. In Oliver, her uniquely, lyrical voice sings the reader smack dab into this heartwarming story inhabited by Oliver and Olivia, a brother and sister whose special bond is symbiotically balanced upon the other’s abilities and perspectives. I dare you to not fall immediately in love with these characters, and fret over them as I did as they make their journey through this poignant summer from long ago.”

Robert Gwaltney, author of The Cicada Tree

Author Mandy Haynes

Mandy Haynes is also the Editor of Reading Nation Magazine: (https://mandyhaynes.com/reading-nation-magazine/,) which highlights established and up-and-coming authors and their work.

Mandy Haynes writes of her career:

I decided to self-publish mainly because I am too impatient to do all the things you need to do to sell yourself to an agent, and three different indie publishers I’d corresponded with weren’t the right fit. Then it hit me – I could publish them myself. I’d already spent the money on editors. I’d had the book critiqued by one of my heroes, Suzanne Hudson, and I had a group of readers asking, “When can I get your book?” So, I started a publishing company, titled, Three Dogs Write Press and got busy. It’s been a great learning experience.

I have two collections of short stories published now, one novel in the first draft stages, and a second novel in its rough draft stage.  

I do write about some heavy subjects. But to me, those stories are important. I hope that I give the reader a satisfying ending and if they’ve struggled with some of the issues my characters face, I hope I give them closure. At least a feeling of hope and the knowledge that they aren’t alone.

Mandy Haynes Website: https://mandyhaynes.com/my-books/

Oliver is available online and at http://www.threedogswritepress.

The Lost Book of Eleanor Dare by Kimberly Brock

As my review appears in The New York Journal of Books:

The Lost Book of Eleanor Dare is historical fiction based on a true story with legendary status having to do with a mystery beginning in 1585 concerning the Lost Colony of Roanoke, whose citizens vanished without a trace during the perilous times of America’s early settlement. It’s a multigenerational story haunting Alice Merely Young, a WWII widow in her late thirties, and mother to 13-year-old daughter, Pennilyn.

It is the spring of 1945 when Alice’s small-business owning father dies in Helen, Georgia, and Alice returns to the deep roots she tried to outrun on her family’s neglected, vast acreage farm, six miles from Savannah. On riverside grounds sits a dilapidated mansion named Evertell, which Alice inherited. The house has suffered since she’s last seen it, and in Alice’s absence the secrets of her lineage once whispered by forebears, from one generation of women to the next are now silent.

Across the river by the family graveyard, in the small chapel on Bell Island, a treasured commonplace book is housed, which the mother of Alice’s ancestor, Eleanor Dare, began in England, and which Eleanor safeguarded as a Roanoke colonist with an eye

toward passing down to future generations. In the commonplace book, Eleanor Dare scratched a secret: “Every woman in Eleanor’s mother’s line waited for the day when her heart would be ready and she would have a vision, her Evertell, a sign she’d come of age and with it the gift of guidance from her forebears. . . . This is what passed from mother to daughter—a book of women’s wisdom and mysteries.”

 It is now 15 generations down Eleanor Dare’s line, and Alice knows the commonplace book rightly belongs in the hands of her daughter, yet the bravery required to confess her role in one tragic night holds Alice back as she summons the memory of the last time she saw her troubled mother. Alice thinks, “My mother taught me that a story matters, not because it is true, but because it’s been told.”

Alice carries the burden of guilt over a failed familial rite of passage involving her mother and the legacy of a stone now lying sacrosanct deep in Evertell’s woods, thought to be inscribed by Eleanor Dare’s own hand. The memory of that night haunts Alice, who stands before the Evertell woods and thinks, “Until now, I’d tried to forget what happened. I’d never planned to go back to that place. But that was before I had a daughter of my own. Now she looks at me with the question all daughters are bound to ask their mothers: Who are you?”  

Sonder Holloway has kept Evertell’s grounds for 23 years, ever since Alice and her father fled to the town of Helen after the death of Alice’s mother. Taciturn, reliable, and four years Alice’s elder, he’s a devoted man who has Alice’s best interest at heart, but the unreconciled shame Alice carries makes the reunion of the childhood friends awkward, and when Alice reports her intention of selling Evertell to finance Penn’s education, Sonder is sensitive to Alice’s past and patient.

He, and a handful of other wonderfully drawn local characters know well of Evertell’s secrets, for the tightly woven threads of Evertell’s storied fabric include many in the nearby village. All know the legend of the Dare stone connecting Alice’s family with a dark history, and though it’s of historical significance, Alice suspects that stone is the source of a family curse.

The Lost Book of Eleanor Dare is an intriguing, dreamy story about the impact of one unhealed woman who has yet to reconcile her past in such a way that lends itself to transparency with her young daughter, who, by birthright, wants to know and deserves to know about her own lineage. Author Kimberly Brock delicately balances mystery, family lore, and honoring one’s forebears in sonorous language throughout a sweeping story with three points of view, two timeframes, and remarkably steady pacing. Weaving myth and legend with historical fact pertaining to an age-old American mystery, The Lost Book of Eleanor Dare is a spellbinding, beautiful story written by a graceful hand with just the right amount of mysticism.  

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

Buy on Amazon

Kimberly Brock is the award-winning author of The Lost Book of Eleanor Dare and The River Witch.

Her debut was an Amazon bestseller featured by both national and international book clubs and included in multiple reading lists. Praised by RT Reviews and Huffington Post as a “solemn journey of redemption, enlightenment and love,” and evocative of “the stories of Flannery O’Connor and Carson McCullers,” Kimberly’s debut novel was honored with the prestigious Georgia Author of the Year Award in 2013, by the Georgia Writer’s Association.

A former actor and special needs educator, Kimberly received her bachelor’s degree from the University of West Georgia in 1996. In 2014, Kimberly founded Tinderbox Writer’s Workshop, a transformative creative experience for women in the arts. Kimberly has served as a guest lecturer for many regional and national groups, including The Women’s Fiction Writer’s annual conference and The Pat Conroy Literary Center. She lives near Atlanta with her husband and three children.

#Book Release! Greetings from Asbury Park by Daniel H. Turtel

Greetings from Asbury Park

Image of Greetings from Asbury Park

Author(s): 

Daniel Turtel

Release Date: 

April 5, 2022

Publisher/Imprint: 

Blackstone Publishing

Buy on Amazon

Reviewed in The New York Journal of Books by

Claire Fullerton

“a pithy, enjoyable, modern-day story from start to finish, with a cast of fully realized characters you’ll champion to the end.”

The sphere of activity in Daniel H. Turtel’s Greetings from Asbury Park epitomizes character as place, vacillating along the New Jersey shore between Asbury Park, Deal Lake, and Long Branch, in a vivid and vibrantly described setting. “The boardwalk followed the sand from the northern tip of Asbury Park all the way south to Belmar and beyond—a stretch of more than three miles before the Shark River Bridge interrupted it.” On the boardwalk’s half-mile commercial strip between Convention Hall and the Casino, “there were restaurants and bars all down the strip . . . and it was always busiest in the summer.”  

It is the summer of 2016, and affluent Joseph Larkin is dead. A philandering, self-serving, unlikable man who lived in a Long Branch estate, he, seemingly for the sport of creating chaos from the grave, leaves an unresolved web of interconnected characters in his wake, who are primarily unaware of each other.

Greetings from Asbury Park is Casey Larkin’s story. In his early twenties and on hiatus for one month from his job in New York City to attend Joseph Larkin’s funeral, he spends the hot summer days coming to terms with his identity against a backdrop of disparate characters from varying backgrounds all touched by the long shadow of his deceased, biological father. 

Twenty-six-year-old ne’re do well, Davey Larkin, is the pill-popping, heavy-drinking, legitimate son of Joseph Larkin, who “had a personal stool at the bar Pop’s Garage in Asbury Park and bought a drink for anybody who approached him to offer condolences.” Davey is well aware of Casey, his illegitimate half-brother born of his father’s mistress, who’s kept conveniently on the other side of town in an area named Allenhurst. Casey explains their relationship: “Davey’s mother was Joseph’s wife and Allenhurst was as close as she would allow him to keep his mistress . . . I did not even meet Davey until I was eight years old, and did not go to live with them, until three years later, when my mother decided that she’d had enough of being a mistress and headed to New York with the money she’d squeezed out of Joseph in order to try her hand at life as a single woman.”

Casey and Davey have an awkward relationship, and neither have knowledge of their biracial, half-sister, a promising teenage singer in the boardwalk nightclubs named Gabby, whose mother, it is discovered, was Joseph’s maid for 20 years. When Casey and Gabby unexpectedly meet after Joseph Larkin’s funeral through circumstances involving Casey’s inheritance, a complicated relationship ignites, and the moral line between the taboo of shared blood and the unwitting spark of attraction is highlighted.

Meredith Hawthorne is the daughter of an Irish immigrant who works as a landscaper. A year ahead of Casey while they were in middle school, Meredith grew up next door to Casey in Allenhurst and knows of his history with Joseph and Davey Larkin. In reconnecting with Casey, while he’s in town for Joseph’s funeral, Meredith is equally as tentative and inarticulate with her feelings for him as she was when they were younger.

Julie Kowalski owns an upscale boardwalk dress shop named Madame K and employs Gabby part-time. Known regionally as Madame K, Julie is the mother of the free-spirited Lena, with whom Casey has a one-night stand on the night of Joseph’s funeral, after meeting her in a boardwalk bar. Every morning, Julie takes her cup of coffee to her front porch, and watches in fascination as 19-year-old Jacob Besalel runs four laps around Deal lake’s eastern tip.

A serious, disciplined young man from a devout Syrian Jewish background, Jacob is dismayed that his younger sister, Sophia, goes beyond their strict upbringing to test society’s fringes on the boardwalk, where she crosses paths with Madame K, Gabby, and Davey. Because the Besalel family spends summer in the area, all characters in this surprising story are brought into wonderfully crafted, uncanny alignment in ways that add depth, dimension, and clever layers to the tightly entwined story of fate and chance and the inescapable bonds of family connections.  

Daniel H. Turtel artfully weaves multiple storylines centered on Asbury Park and stemming from the life of the duplicitous Joseph Larkin. Varying points of view amid clashing cultures are used throughout this modern-day, progressive story that reads like a sign of the times amid a dysfunctional family, whose hidden story is finally brought to light.

Through the use of economic language and the power of a wildly engaging story, Greetings from Asbury Park explores existential questions such as right versus wrong; nature versus nurture; morality versus self-direction, and ultimately, to whom we are accountable. It’s a pithy, enjoyable, modern-day story from start to finish, with a cast of fully realized characters you’ll champion to the end.  

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

The Butterfly Bruises by Palmer Smith

ABOUT THE BUTTERFLY BRUISES 

Smith’s debut collection consists of 80 poems and several short stories. It is a meditation on miscommunication, childhood, Northeastern vs. Southern American culture, family, nature vs. technology, and the imagination of the introvert.

“From sonnets to somnambulance, from algae to oxytocin, from manatees to Manhattan, Smith rides the riptides of memory’s fictions and frictions in this prolific debut. The Butterfly Bruises is a gem mine of poems and stories that write through grief and growing up, personal and planetary survival, with words rugged and glistening like seashell shards.”

-Poetry Critic and Scholar, Professor Robert Dewhurst 

Meet the Author

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Having grown up in NYC and the Southeast, Palmer is presently an MA student at The University of Virginia. Read More

Claire Fullerton’s Reviews > The Butterfly Bruises

The Butterfly Bruises by Palmer Smith

The Butterfly Bruises
by Palmer Smith (Goodreads Author)
Claire Fullerton‘s review  

An assembly of deep probing, masterfully crafted prose and poetry for the discerning reader. The tone is insightful, the use of language impressively beyond the pale. Thought provoking and at times seemingly personal and confessional, the contents of Palmer Smith’s The Butterfly Bruises is breathtaking as her subjects range from a mirror reflection to the death of the family dog to musings on how butterflies survive in winter. This is a book to savor; extraordinary, creative writing that reads as a series of vignettes written from a fresh perspective. A list of eleven discussion questions at the book’s end for book clubs and readers will prompt your powers of reflection, and there is much to reflect upon in this resonant, meditative book! I thoroughly enjoyed it and will certainly revisit its pages.

Meet Palmer Smith

Passionate about writing and poetry, Palmer 

is a current English MA student.

Her poetry and short stories have appeared in:

Refresh Magazine

The Crime Yard

Newark Library Literary Journal

The Online Journal for Person-Centered Dermatology

Ninshar Arts

Opal Literary

Sea Maven Magazine 

Soul Talk Magazine 
Calm Down Magazine 

For Women Who Roar

A New Ullster Magazine

Poethead: The Irish Poetry Journal

Potted Purple Magazine 

Push Up Daisies Magazine

Level: deepsouth 

The Remington Review

The Scissortail Quarterly… amongst many others.

Her poetry was recently praised by the CFO of Garden and Gun Magazine. 

The Butterfly Bruises is her first published collection of work.

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Butterfly Bruises

https://www.thebutterflybruisesbook.com/

All About The Pulpwood Queens Book Club! Virtual Weekend begins Online Tomorrow!

This is the extraordinary camaraderie of The Pulpwood Queens Book Club, whose Virtual Weekend starts tomorrow! I’ll tell you about the Free for Readers online conference next on this post, but for now, this morning I spied this Facebook post by fellow Pulpwood Queen author, Ruthie Landis, who has been championing the contributors to the recently released assembly of Works in Progress by featured authors of @thepulpwoodqueen #bookclub. The book is fun reading, as it’s 59 excerpts from various authors in one book! It’s published by and can be procured at https://threedogswritepress.com/ and can also be found on Amazon under the name of editor, Mandy Haynes.

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WORK IN PROGRESS

Have you ever finished a book and wondered, “What made the author think of that?” Or wondered if there was a chapter in the original manuscript that didn’t make it through the final edits? Maybe you’d like to get a sneak peek at what an author is currently working on. Work In Progress includes sixty excerpts from some talented authors’ works in progress in different stages of the writing process, followed up with the story behind the story of the piece, and the story behind the author who wrote it. Where did the idea come from? What were they thinking during the writing process? Why did they delete a chapter, or change a character? Find out the answers to these questions and more inside – 546 pages filled with great stories!

Now, on the Pulpwood Queens Virtual Party!

I hope to #seeyou beginning tomorrow at the Pulpwood Queens #weeklong, #virtualevent where #readers gain free admittance!

2022 International Pulpwood Queens and Timber Guys Virtual Online Zoomathon

Get Your Package for the 2022 International Pulpwood Queens and Timber Guys Week Long Online Virtual Book Club!

Readers join FREE!

Contact: Kathy L. Murphy, CEO and Founder of The International Pulpwood Queens and Timber Guys Book Club Reading Nation and Girlfriend Weekend

Email: thepulpwoodqueen@gmail.com Website: www.thepulpwoodqueens.com

This weeklong Book club event is not to be missed! It’s a great opportunity to meet multiple authors!

Book Review: Fugitive by David Butler

As it appears in The New York Journal of Books:

Fugitive: Short Stories

Image of Fugitive
Publisher ‏ : ‎ Arlen House (December 15, 2021)

Reviewed by: Claire Fullerton

“At times uproariously funny, uncannily accurate, and glaringly insightful, David Butler’s Fugitive is a collective exposé on human nature delivered in entertaining snippets with such clever finesse it will reaffirm your enjoyment of the art of the short story.”

Award-winning novelist, poet, short story writer, and playwright David Butler’s second collection of short stories, Fugitive, is a delightful assembly of character-driven stories that, when pieced together, give the reader great insight into modern-day Ireland, while simultaneously depicting universal themes. These are swaggering, anecdotal stories, everyday slices of life made significant, visual as staged plays rollicking in pitch-perfect Irish vernacular, each with a pithy conclusion like a moral to the story.

The 21 short stories that make up Fugitive are primarily short in length and deeply human. Butler’s talent is the ability to set the stage in medias res, dropping the reader into the story with an immediate sense of familiarity. His narrative is direct and conversational, as in the case of the wildly surprising, hitch-hiking story gone wrong as two youths traverse the country. The story, “Taylor Keith,” opens with, “The mist rolling off the mountain was threatening rain, otherwise we’d never have taken that lift.” The journey from Dublin to Galway with a dubious stranger becomes a nerve-wracking misadventure when one odd shock follows another, until the narrator concludes of his driver, “By Jaysus, he was some cute hoor all the same.”  

In “The Lie,” Butler posits the dilemma of Jack as he weighs the question of loyalty to a deceased friend named Ronnie to whom he’d served as best man at his wedding. Beside the casket, Ronnie’s widow asks him what really happened on that stag night long ago, remarking that ever after, Ronnie significantly changed until his life ended in suicide. Jack guards the hidden facts: “Ronnie’d had what they term ‘history.’ But what autopsy can disclose a state of mind?”

In “The Tailor’s Shears,” Butler weaves two subjects: the plight of a divorced woman past childbearing years and the frustrating unpredictability of the publishing world. After seven years of marriage, Emily Brooks wonders what to do with her life. “Spinster is a cruel word. A male word. As she examined the fissured puffiness about those eyes with a detachment that surprised her, Emily decided she would not endure the humiliation of placing herself back on the market. On the reduced to clear shelf.” When chance presents Emily with a local writing group, “It was as if a light had come on inside her head,” and the reader is taken through 25 erratic years of Emily pursuing the publication of her short story collection, in a one step forward, two steps back manner that renders the superb ending comical.

The spot-on use of Irish colloquialism throughout Fugitive animates each lively story. In “First Time,” the teammate of a deceased 16 year old meets his dead friend’s mother at the funeral and, after volunteering to help her around the yard, an improper relationship develops to dangerous proportions. The narrator says of himself, “OK, I can be a bit of a headbanger on the rugby pitch, but I’ve never been any use with the girls,” and “I’d never so much as snogged a girl.” After the illicit affair is discovered, the young man wonders, “I would love to know who dobbed us in. One of the neighbors, was it? Can you not?”

Tipping its hat to the sign of the times, the witty “Distancing” portrays the unintended consequences of social distancing when the anxious Emily calls her neighbor, in that short window of time while her husband walks the dog, to ask that her skimpily clad, 18-year-old Brazilian au pair be kept from her husband’s line of view. Nervous at being caught out by her husband, upon his return, Emily composes a smile, “the smile that, ever since the lockdown started, seemed only to put Frankie on edge.”  

At times uproariously funny, uncannily accurate, and glaringly insightful, David Butler’s Fugitive is a collective exposé on human nature delivered in entertaining snippets with such clever finesse it will reaffirm your enjoyment of the art of the short story.  

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

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David Butler is a multi-award winning novelist, poet, short-story writer and playwright. The most recent of his three published novels, City of Dis (New Island) was shortlisted for the Kerry Group Irish Novel of the Year, 2015. His poetry collections All the Barbaric Glass (2017) and Liffey Sequence (2021) are published by, and available from, Doire Press. His 11 poem cycle ‘Blackrock Sequence’, a Per Cent Literary Arts Commission illustrated by his brother Jim, won the World Illustrators Award 2018 (books, professional section). Arlen House is to bring out his second short story collection, Fugitive, in 2021. Literary prizes include the Maria Edgeworth (twice), ITT/Red Line and Fish International Award for the short story; the Scottish Community Drama, Cork Arts Theatre and British Theatre Challenge awards; and the Féile Filíochta, Ted McNulty, Brendan Kennelly and Poetry Ireland/Trocaire awards for poetry. His radio play ‘Vigil’ was shortlisted for a ZeBBie 2018. David tutors regularly at the Irish Writers Centre.

These Precious Days by Ann Patchett

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This Review first appeared in The New York Journal of Books: https://www.nyjournalofbooks.com/book-review/these-precious-days-essays-0

It takes a writer with supernatural depth of field to remind us that life’s seeming trivialities matter. In the aptly named, These Precious Days, author Ann Patchett brings a sense of the sacred to twenty-three, deeply introspective vignettes that shed light on her uncommon life even as they entertain. Each essay is a slice-of-life meditation in topics ranging from family to knitting to the incremental growth of the author’s career. In equal measure, the engaging essays are uniquely personal and resoundingly universal.

Beginning with Three Fathers, Patchett examines the oddity of her paternal background, and reflects upon the individual influences of her mother’s three husbands by noting, “Marriage has always proven irresistible to my family. We try and fail and try again, somehow maintaining our belief in an institution that has made fools of us all.” With full disclosure, Patchett adds, “My problems were never ones of scarcity. I suffered from abundance, too much and too many. There are worse problems to have.”

In The First Thanksgiving, Patchett tells the story of learning to cook as a freshman away from home for the holiday and ties it into a life lesson: “On that freezing holiday weekend when my adult life began, I not only learned how to cook, I learned to read,” and “I then went on to use this newfound understanding to great advantage for the rest of my life. Books were not just my education and my entertainment; they were my partners.”

With regard to the beginning stages of her writing career, in the essay, To the Doghouse, Patchett writes about the mysterious powers of childhood influence: “Influence is a combination of circumstance and luck: what we are shown and what we stumble upon in those brief years when our hearts and minds are fully open.” Just as the reader prepares for something erudite coming, Patchett waxes rhapsody on the dog, Snoopy, from the Charlie Brown comic strip. “Did I become a novelist because I was a loser kid who wanted to be more like the cartoon dog I admired, the confident dog I associated with the happiest days of my otherwise haphazard youth? Or did I have some nascent sense that I would be a writer, and so gravitated toward Snoopy the dog novelist?”

Going deeper into the topic of her writing career, in A Talk to the Association of Graduate School Deans in the Humanities, Patchett shares, “I went to Sarah Lawrence College in 1981 and had as good an undergraduate experience as any writer could dream up,” then goes on to depict her two-year experience at the Iowa Writer’s Workshop, in which she studied with visiting faculty while teaching literature. Patchette writes, “What I learned in those two years of graduate school came not from being taught but from teaching.” “Teaching made me a better reader and a better thinker. I became more conscious about how I expressed myself, which in turn made me a better writer.”

On friendship, the essay, Tavia, depicts a life-long friendship beginning in the second grade, in which Patchette writes, “Insofar as life is a game show, Tavia Cathcart is my lifeline.” But it is in the book’s eponymous essay, These Precious Days, that Patchett dives deepest while recounting the incremental stages of a significant friendship formed later in life. Of These Precious Days, Patchett writes in the book’s introduction, “It wasn’t until I wrote the title essay, These Precious Days, that I realized I would have to put a book together. That essay was so important to me that I wanted to build a solid shelter for it.” And Patchett did. The introspective essays that lead to the book’s focus catalogue life’s vagaries in such a way as to place your own powers of observation beneath the lens of scrutiny.

In the essay, These Precious Days, Patchett tells of the chance events that aligned to bring one Sookie Raphael into her orbit. An invitation to interview Tom Hanks on stage started a series of email correspondence with Sookie, Tom Hanks’ assistant, and the seeds of friendship planted between Ann and Sookie take root at Ann’s home in Nashville. Under uncannily coincidental circumstances having to do with sheltering Sookie during the treatment of her dire medical prognosis, the women create a dynamic bond that now reads like fate. It is a heartbreaking essay, but in the hands of Patchett it is poignant, life-affirming, and testimony to the power of friendship. In the open-ended conclusion, Patchette writes, “As it turned out, Sookie and I needed the same thing: to find someone who could see us as our best and most complete selves.”

Two more essays lead to These Precious Days epilogue, serving, by turn, as an opportunity to revisit Ann’s writing career and the subject of her biological father. At this juncture, the reader is intimately familiar with the voice of the author. They’ve been given the great largess of looking beneath the hood of a world-famous writer’s life, and the reprieve given is a chance to regroup before the last essay, A Day at the Beach, in which comes the end of the story of Patchett’s dear friend, Sookie Raphael, the vividly drawn inspiration behind the collection’s title essay.

Like a foray into the heartbeat of a widely beloved author, These Precious Days by Ann Patchett is a powerful essay collection, wonderfully executed and deeply human.

Ann Patchett is the author of six novels, including Bel Canto, which won the Orange Prize for Fiction. She writes for the New York Times Magazine, Elle, GQ, the Financial Times, the Paris Review and Vogue. She lives in Nashville, Tennessee.

Author photo by Heidi Ross

https://linktr.ee/cffullerton