Bobbie Jean Bell is an avid reader and stalwart champion of authors. In a conversational forum, she asks questions of her guests that delve down to the very essence of the writing process, and it was my great pleasure to be the guest of Bobbie and Jim Bell on their show, Rendezvous with a writer, which was simulcast on LA Talk Radio. I had a great time answer questions such as what constitutes a Southern Writer, which point of view I prefer to write in, and why, then reading two excerpts from my latest novel, Little Tea, which concerns life long female friendships, Southern culture, and healing the past, in the Deep South.
A little about the show, RENDEZVOUS WITH A WRITER
Hosts OutWest Shop’s Bobbi Jean Bell and Jim Bell chat LIVE with creators of the Written Word. Unscripted. Entertaining. Informative. Tune in to enjoy live conversation with our guest about their latest project and the creative process. The guest may be an author, poet, songwriter, screenwriter or blogger. Those that support the wordsmith are included too like literary agents, publicists, publishers, editors and more!
My gratitude to Bobbie Jean and Jim Bell for being so wonderful!
Smith’s debut collection consists of 80 poems and several short stories. It is a meditation on miscommunication, childhood, Northeastern vs. Southern American culture, family, nature vs. technology, and the imagination of the introvert.
“From sonnets to somnambulance, from algae to oxytocin, from manatees to Manhattan, Smith rides the riptides of memory’s fictions and frictions in this prolific debut. The Butterfly Bruises is a gem mine of poems and stories that write through grief and growing up, personal and planetary survival, with words rugged and glistening like seashell shards.”
-Poetry Critic and Scholar, Professor Robert Dewhurst
An assembly of deep probing, masterfully crafted prose and poetry for the discerning reader. The tone is insightful, the use of language impressively beyond the pale. Thought provoking and at times seemingly personal and confessional, the contents of Palmer Smith’s The Butterfly Bruises is breathtaking as her subjects range from a mirror reflection to the death of the family dog to musings on how butterflies survive in winter. This is a book to savor; extraordinary, creative writing that reads as a series of vignettes written from a fresh perspective. A list of eleven discussion questions at the book’s end for book clubs and readers will prompt your powers of reflection, and there is much to reflect upon in this resonant, meditative book! I thoroughly enjoyed it and will certainly revisit its pages.
Meet Palmer Smith
Passionate about writing and poetry, Palmer
is a current English MA student.
Her poetry and short stories have appeared in:
The Crime Yard
Newark Library Literary Journal
The Online Journal for Person-Centered Dermatology
I’m Claire Fullerton, the traditionally published author of Little Tea, Mourning Dove, Dancing to an Irish Reel, and A Portal in Time. I also have a novella titled, Through an Autumn Window, which is included in the book, A Southern Season: Scenes from a Front Porch Swing. I grew up in Memphis, Tennessee and now live in Malibu, California.
# What is/are the real-life story(ies) behind your book(s)?
There are no “real-life” stories in my novels, though I draw from a strong sense of place and am inspired by people and events I know.
# What inspires/inspired your creativity?
People are always my inspiration, My last two novels are set in the Deep South, and the South has such wonderfully colorful characters that are part and parcel to the Southern culture. I think all stories happen because of the people involved, so my inspiration comes from simply paying attention to people’s mannerisms, the stories they tell, and their way with words.
“The Invisible Husband of Frick Island links the modern world with the past on a small island struggling to stay afloat literally and figuratively. It’s a lively, heartwarming story with eccentric characters depicting the lengths a small community will go to in support of one of its own.”
Piper Parrish lives on Frick Island and works at the local deli. At the end of every afternoon, she waits on the marina’s dock for Tom’s boat to come puffing into the harbor after “squeezing in every minute of the government-allotted eight hours of crabbing per day.” Piper and Tom are newlywed, childhood sweethearts, and Piper is patient for her husband’s return. “Time on the rustic Frick Island had always been more of a theoretical concept measured in jiffies or whiles or later ons,” so she is used to delays. When a boat captain tells her Tom radioed for help during a storm earlier that morning, and that his boat is now missing, Piper holds out hope for Tom’s return, even when his boat is found at the bottom of the sea four days later.
Colleen Oakley is the USA Today bestselling author of You Were There Too, Close Enough to Touch,Before I Go, and the forthcoming The Invisible Husband of Frick Island (May 2021). Colleen’s novels have been longlisted for the Southern Book Prize twice and Close Enough to Touch won the French Reader’s Prize. Her books have been translated into 21 languages, optioned for film and have received numerous accolades including:
A former magazine editor for Marie Claire and Women’s Health & Fitness, Colleen’s articles and essays have been featured in The New York Times, Ladies’ Home Journal, Women’s Health, Redbook, Parade, Woman’s Day, Fitness, Health, Marie Claire and Martha Stewart Weddings. A proud graduate of the University of Georgia’s school of journalism, Colleen currently lives in Atlanta with her husband, four kids, four chickens, two guinea pigs, and one fish.
Book Description: THE INVISIBLE HUSBAND OF FRICK ISLAND
Sometimes all you need is one person to really see you.
Piper Parrish’s life on Frick Island—a tiny, remote town smack in the middle of the Chesapeake Bay—is nearly perfect. Well, aside from one pesky detail: Her darling husband, Tom, is dead. When Tom’s crab boat capsized and his body wasn’t recovered, Piper, rocked to the core, did a most peculiar thing: carried on as if her husband was not only still alive, but right there beside her, cooking him breakfast, walking him to the docks each morning, meeting him for their standard Friday night dinner date at the One-Eyed Crab. And what were the townspeople to do but go along with their beloved widowed Piper?
Anders Caldwell’s career is not going well. A young ambitious journalist, he’d rather hoped he’d be a national award-winning podcaster by now, rather than writing fluff pieces for a small town newspaper. But when he gets an assignment to travel to the remote Frick Island and cover their boring annual Cake Walk fundraiser, he stumbles upon a much more fascinating tale: an entire town pretending to see and interact with a man who does not actually exist. Determined it’s the career-making story he’s been needing for his podcast, Anders returns to the island to begin covert research and spend more time with the enigmatic Piper—but he has no idea out of all the lives he’s about to upend, it’s his that will change the most.
USA Today bestselling author Colleen Oakley delivers an unforgettable love story about an eccentric community, a grieving widow, and an outsider who slowly learns that sometimes faith is more important than the facts.
WHAT PEOPLE ARE SAYING ABOUT THE INVISIBLE HUSBAND OF FRICK ISLAND:
“An utterly charming story brimming with heart and humanity. This is the hopeful book we all need right now. I loved it!” —Emily Giffin, #1 New York Times bestselling author
“Sweet, quirky, surprising, and altogether lovely, The Invisible Husband of Frick Island is everything I long for in a book. I fell in love with Oakley’s sparkling prose, charming characters, and quaint island setting. This is a story I can’t wait to revisit, again and again. A must read.”—Emily Henry, New York Times bestselling author of Beach Read
“What’s a town to do when a recent widow keeps talking to her husband that no one else can see? Follow along, of course. Colleen Oakley’s captivating The Invisible Husband of Frick Island is populated with quirky characters that stole my heart. Make this your summer read and discover the joys of a delicious Frick Island cake, the sanctuary of a tight-knit community, and the hope of second chances.”—Amy E. Reichert, author of The Coincidence of Coconut Cake
“A gently told story of grief, community and ambition, The Invisible Husband of Frick Island is imaginative, lovely and full of surprises.”—Kristan Higgins, New York Times bestselling author of Always the Last to Know
“This twisty, never-predictable novel is exactly what we’ve come to expect by Oakley—a romantic mystery with a hopeful message and wonderful characters. I was surprised on every page!”–W. Bruce Cameron, #1 New York Times bestselling author of A Dog’s Purpose
Congratulations to Lindsey Brackett on the release of her novella, Magnolia Mistletoe!
Hannah Calhoun knows what she wants for Christmas. But before she can become a full-fledged partner in her mother’s wedding planning business, she has to prove she can handle her own shortcomings.
Benjamin Townsend is an entrepreneur always looking out for the next big thing—and if hosting weddings on Edisto is it, he’s all in. Even if that does mean spending a lot of time with Hannah, whose world is way more full of happily ever after than his.
Once the magnolia and mistletoe are hung, will an Edisto Christmas be exactly the magic these two need?
AUTHOR: LINDSEY P. BRACKETT
When I’m not wrangling four kids, I sit on my back porch in the mountains and write southern fiction that’s short and long. I believe in Jesus, library fines, supper at the table, Edisto Island, and strong coffee. Pretty much in that order.
Lindsey P. Brackett writes southern fiction infused with her rural Georgia upbringing and Lowcountry roots. Her debut novel, Still Waters, inspired by family summers at Edisto Beach, released in 2017. Called “a brilliant debut” with “exquisite writing,” Still Waters was named an INSPY finalist and the 2018 Selah Book of the Year. Her second novel, The Bridge Between, releases July 31, 2019.
A member of ACFW and RWA, Lindsey mentors writers, and is a speaker on the lifelong value of reading and writing for conferences, schools, and libraries. Her syndicated column “Just Write Life” appears in several North Georgia newspapers.
Download her FREE novella, Magnolia Mistletoe, with newsletter signup at lindseypbrackett.com or on Instagram and Facebook: @lindseypbrackett.
Some say your novel The Shores Of Our Souls is a romance. Do you consider it such? What genre did you intend it to fall under when you wrote it?
I believe my novel falls on a literary fiction shelf, or an upmarket women’s fiction shelf. I wrote it to open a conversation, so it’s great for book clubs. It’s cross-genre for sure, if you’re trying to label it. It’s about war, love, and international intrigue. It’s a bildungsroman for the female character, and parts of it are historical fiction.
What do reviewers miss about your novel?
My novel is a love story, not a romance in the strict sense of the genre. It’s about why and how we love. It differs from many other love stories in that it’s told from two points of view. It was a risk on my part, but I did it to give my readers a better understanding of Arab culture, religion, experience, and values. That’s what drives any relationship – perspective and values.
It also doesn’t fall into a traditional romance trope of “Happily Ever After.” Instead, it shows what two people, damaged and alone, can do to heal and catalyze each other if they share love, even if it’s short-lived. I don’t like tied-up-with-a-bow finales, although readers who want one may like my sequel better. My sequel A Thousand Flying Things opens a decade later, and my my protagonists Dianna and Qasim have had time and space to heal inside, come into their own, before they reunite again. We’ll see if their love survives the separation. (Hint: There are some surprises that even Dianna doesn’t know about in their decade of separation.)
Call it what you will, love conquers all, especially division. It can also lead to mutual understanding. The connection and empathy it evokes can resolve conflict. Every conflict we face teaches us about each other and the world we live in, but only if we feel enough compassion for others to walk in their shoes. Rarely, love leads to a lifetime partnership. Often, it teaches us who we are.
If there was one thing you’d like to tell your readers about Shores, what would it be?
If people read only the first few scenes, they won’t understand that these two characters have been broken. They want to love, but societal wounds have rendered them incapable of it until they heal. Damaged people don’t make the best decisions. If readers stay with the story, they will watch both characters heal, and heal each other. And as they heal themselves, they widen their hearts.
If they read on, they’ll discover the potential of love to heal and transform. Yet before that point, they’ll also see how secrets lead to distrust, cause love to recede and characters (and real relationships) to backtrack. Miscommunication leads to misunderstanding, but the love endures. And it’s the love that keeps both characters moving on their Life Paths.
What themes and questions did you want to explore in your series?
Love conquers all.
How to love during conflict, be it a marital separation or a world war. (A lot of my coaching practice is about resolving conflict.)
How parental love, familial love, friendship love differ from romantic love.
And the questions I pose:
Do we choose who we love, or does love choose us?
Can we love all those who injure us? Can we forgive?
How does fleeting love change us? Catalyze us?
Can unconditional love awaken us to who we really are and thus empower us?
How did you write from a male POV so vividly?
I wrote Qasim’s POV as backstory first, to better understand him. Then my beta readers fell in love with him.
I realize it’s controversial to write in a POV different from one’s own these days. Yet I think it’s what writers do, put themselves in a situation or a point of view to better understand it, and to show others how to understand. I was trained as a child and as a writing student to put myself in another’s shoes. I may make mistakes, but I tried to portray every character authentically, and especially Qasim, as a full, complex character, who has successes and makes mistakes. Just like we all do, if we are alive.
Yet I didn’t find his voice in a vacuum. I’ve lived and worked in Africa and traveled through the Middle East. And most importantly, I had a relationship with a Middle Eastern man long ago, although the true story, the true human I loved, is nothing like Qasim and his story. Yet that person created a launching place for voice and story.
Do you consider Dianna a strong protagonist, a strong female role model?
Absolutely, although she’s young, naive and head-strong in the first novel. She’s left home and family to go seek a career in order to send money home. She hasn’t rented a brownstone with a bunch of friends and partied every night. She’s on her own. She’s striding forth in a male-dominated world and work force, and she holds her own. She holds her own when Qasim patronizes her. And I believe she evolves into a self-empowered hero, someone who paved the way for the women who came after her.
She, like Qasim, is a woman of her time. Women were just coming into their own. The employment rate for women rose from 38 percent in 1960, to 43 percent in 1970, to 52 percent in 1980, and finally reached 60 percent by 2000. Yet these stats don’t say where the women worked, or their entry annual salaries (mine was $10,600 before taxes), or the challenges they met in the workplace, or how much they earned to a man’s dollar. In 1980, women had a career map, maybe even a role model, but they faced a lot of hurdles. I asked for a raise after two years on the job, and my boss told me that the raise had to go to the man because “his wife had just had a baby.”
I’ve heard readers ask about an audible edition of both your novels? Are those forthcoming?
A strong maybe. Stay tuned.
Your book is full of visual and sensory imagery. Is that how you usually write a scene?
I start with a memory, an interesting person from my life or from history, and a question I want to figure out myself. Then I close my eyes and a story plays out in front of my eyes like a movie. I used to think that most people wrote that way.
And how do you write? Do you ever use an outline?
I write most scenes with incredible speed. Most of my language and voice comes from that very first draft, even if it does have a bad plot.
Then I outline.
Then I make sure I’ve written and approve of my beginning, middle, and end, that both the narrative and character arcs are solid.
Then I revise to the middle, then to the end.
And then revise until someone tells me I have to stop.
How much research did you do for your novels? How much comes from your life experience?
I’m including an informal bibliography in my next novel, because I’ve received this question a lot. I was a researcher for five years for National Geographic, so deep research is part of me. Also, I have a personality like a scientist’s, in that I’m incredibly curious and want to get the heart of things, to as near “truth” as I can. Shores is well-researched. I can provide a bibilography to anyone who requests it. Just sign up for my newsletter at https://shoresofoursouls.com, and I’ll send you a complete bibliography.
Yet I didn’t find the The Shores Of Our Souls story in a library. I was a humanitarian worker for nearly two decades, with a work focus in the Middle East, Africa, and Eastern Europe. I spent this time meeting and interviewing immigrants, displaced people, people in war, both civilian and military. I was an international humanitarian law instructor for the Red Cross (ie, Geneva Conventions). I witnessed these people’s life stories and I shared them with the world. I’ve spent time in Beirut, the last time in 2006, six weeks before the last war, with bombing raids already happening up the coast.
So that’s why you chose to write about Lebanon?
Not entirely. My initial protagonist hailed from Alexandria, Egypt. Every country in the world has its unique sensibilities, though. Egypt is completely different than Lebanon. Qasim fit in Lebanon, not Egypt. By the way, the man I dated was not Lebanese. But Qasim just had to be.
Do you have a favorite line in Shores?
The lines most readers love just came to me one day. “We often lose ourselves in love. Rarely do we find ourselves there. Never do we see it coming.” They open the novel.
But my favorite lines are at the book’s end. They’re an homage to E.M. Forster’s A Passage To India. The last lines of all my novels in this series will be a tribute to him. He was one of the first to write about the divide between East and West. I also added a falling feather in the scene because my BFF Laura Schmidt, an amazing writer with an amazing life, passed when I was writing the first draft of this novel. She sends me blue feathers as signs that she’s still with me, and she whispers inspiration in my ear on a regular basis.
Who are your favorite authors? Your favorite children’s authors?
My all-time favorite book is John Steinbeck’s East of Eden.
My all-time favorite books on writing are by Eudora Welty: One Writer’s Beginnings and The Eye of the Story.
I’m an avid reader of fairy tales and myths from all over the world, and my very first book was The Three Little Horses, by Piet Worm, given to me by a neighbor when I was 2 years old. I knew I’d found the man I would marry when he introduced himself as a modern-day Druid, and told me he loved Tolkien.
I also loved C.S. Lewis’ The Narnia Chronicles, and E. L. Konigsberg’s The Crazy Mixed-Up Files of Mrs. Basil E. Frankweiler changed my life – made me want to write about the world, cultures, history, and how my world related to it all. And it made me start running away from home, much to my mother’s chagrin.
My favorite contemporary authors are Isabelle Allende, Alice Hoffman, and Barbara Kingsolver.
But I almost always fall in love with any book that gets me past the second chapter with its voice and craft. Once I’m immersed in story, it’s tough for me to come out again.
What’s next for author Kathryn Brown Ramsperger?
The sequel to Shores, called A Thousand Flying Things, will be published next year. I’m working on the book cover right now. Then I hope to publish a memoir about adoption, teen suicide, and the mother-daughter bond. I have many books that are still works in progress, including a weird funny memoir on death.
I also host a Facebook Live called Story Hour most every Thursday @ 4 pm EDT on my Facebook Author page, with replays available on You Tube. I also am an intuitive coach at Ground One LLC, and a book coach with my own process. Most of my writing clients are memoirists. My method is called Step Into Your Story! (TM)
I love speaking anywhere, online or off, about story, the writing craft, global citizenship and peace.
Author Bio: Kathryn Ramsperger’s literary voice is rooted in the Southern tradition of storytelling and is informed by her South Carolina lineage. She began her career writing for The Roanoke Times and The Gazette newspapers and later managed publications for the Red Cross and Red Crescent in Geneva, Switzerland. She has contributed articles to National Geographic and Kiplinger magazines.
Writing from a global perspective, her themes are universal yet intensely personal and authentic.
A graduate of Hollins University (Roanoke, Va.), Kathryn studied under several esteemed writers including—Pulitzer Prize-winning novelist Eudora Welty; her mentor Richard Henry Wilde Dillard and Pulitzer Prize-winning poet Henry Taylor. She holds a graduate degree from George Washington University.
Winner of the Hollins University Fiction Award, Kathryn is also a finalist in novel, novel-in-progress, short story, and poetry categories in the Faulkner-Wisdom literary competition. The Shores of Our Souls won the 2017 Foreword Indies award for multicultural fiction and also won an America’s Best Book Award.
Kathryn is a mezzo-soprano, has dined with artists ranging from author Marita Golden to musician and writer Kinky Friedman, and has traveled to every continent except Antarctica and Australia. She’s worked in Europe, Africa, and the Middle East. She currently lives in Maryland with her husband and two children.
An author’s intention is telling, when they reach out to readers with questions to consider after reading their book. Because my 4th novel, Little Tea’s, themes are universal– the strong ties of long lasting female friendship, the search for home, and the power of resiliency after weathering family tragedy, my hope is the reader will view these topics through their own lens. And because Little Tea explores the racial divide in the 1980’s Deep South and packs a surprise ending, there is is much for readers and book clubs to discuss!
Here are 12 topics for readers and book clubs to discuss, as they appear on the last page of Little Tea:
1. Celia, Renny, and Ava have a friendship that spans decades. What is it that keeps their friendship thriving? Do you have similar ties with your childhood friends?
2. Ava’s marriage hangs in the balance at the center of this story. Do you find Ava’s reasoning understandable?
3. Can you discuss how it might be that Celia and Renny have different views of Ava’s marital predicament? What is it about their personalities and life experiences that shape their opinion?
4. What do you think about the appearance of Ava’s ex-boyfriend, Mark Clayton in the story? Is Ava trying to avoid her marriage by revisiting her lost youth? Can you relate?
5. What are Celia’s feelings for Tate Foley during this story? Does she experience resolution at the end?
6. Discuss Celia and Little Tea’s relationship. What are their differences? What is their common ground?
7. Celia has left the South to start anew in California. Do you find this reasonable? Can anyone ever outrun their past?
8. Celia’s backstory is set in the 1980’s South. What were the racial attitudes in the 1980’s? How have they changed now?
9. Discuss the nuances of the relationship between Hayward and Little Tea? What draws them together? Why, do you suppose, did they keep their relationship under wraps from Celia and others?
10. How do the members of Celia’s family shape the dynamic to this story?
11. Were you surprised by the ending?
12. What do you consider to be the point of the ending?
When your publisher finally gives you the release date for your novel, you start planning. You’ve been through multiple rounds of edits, decided on the book cover, have the book’s final PDF, ordered the advance review copies in print, devised a list of to whom the ARC will be sent after emailing those in the media asking for permission to send, created a folder on your computer delineating with whom you’re in correspondence, contacted book-bloggers, and organized a schedule on social media that walks the fine line of pre-release promotion and too much grandstanding, and, in my case, created a book tour that involves travelling to the Deep South from California.
I had my book tour for Little Tea planned so seamlessly, even I was impressed. I’d leave for Memphis on June 14 and stay in the Mid-South for ten days. I knew where I was going to stay, had scheduled a rented car for pick-up, an itinerary that included nine events, and embraced the logistics of running from pillar to post because it was going to be worth it. I’ve always said the best way to promote a book is to show up in person. Memphis is a long way from Malibu, but I grew up there, Little Tea is set in the region, people know me in Memphis, and the way I saw it, hustling down there would be a wise move. I did this on a small scale with my third novel, Mourning Dove, and it went so well, I figured I’d widen the parameters with Little Tea to include Lemuria Book Store in Jackson, Mississippi, and the Blytheville Book Company in Blytheville, Arkansas. The planning for Little Tea’s book tour took weeks, but I was all set to go!
Then the pandemic hit, and for months, I waited for the jury to come in on how big the impact would be. It seemed many of my scheduled tour stops held onto hope until its last gasping breath before they conceded defeat.
In stages, venues that had never thought about restructuring their business operation found a way around closing their doors. Book stores started curb-side service, looked at their in-store author event schedule and decided to hold the events via Zoom. Then libraries got on board, as did radio and TV stations. It took a while for everyone to adjust to the new normal, but by Little Tea’s May 1st release date, everyone had switched to Plan B.
I spent a week canceling everything that had gone into my trip and emailing back and forth with my book tour hosts about how to proceed. The result is that I never left my office. My husband, as luck has it, is an audio engineer and knows his way around sound and lighting.
Last week, I did my Little Tea book tour virtually, and I had a blast.
I prepared by drawing the curtains to a close behind my desk, which I hadn’t done once, in all my years of living by the ocean in Malibu, California. I had to clip them together so my desk’s monitor could see me. The overhead lighting above my desk was muted, a lamp was staged behind my 27 inch monitor, and a scarf was wrapped around the shade of my standing desk lamp. My monitor doesn’t have a microphone, but my laptop does, so I steadied it on a stack of books until the devise was close to eye-level. I replaced the wheeled swivel chair before my desk with the hardback chair from my husband’s office. Because I wanted what would appear behind me on-camera to look pretty, I put my mask on, drove down the road, and came home with this:
Here is how my office lighting turned out, as photographed as a screen-shot of my laptop:
My first Zoom meeting was with The Memphis Public Library. Fourteen avid readers joined and the meeting lasted for an hour. I did a thirty minute presentation concerning Little Tea’s premise, characters, and setting, along with how I arrived at the book’s idea. A question and answer exchange ensued next, which, for me, was the best part.
Another Zoom meeting was with WREG TV’s Live at 9 morning show with Memphis’s beloved Marybeth Conley. Let me say that 9 AM Memphis time translates to 7:00 AM in California, but the early rise was worth it!
Later that day, I had the best time, ever, as the guest of Memphis’s iconic broadcaster, Earle Farrell. We had so much fun naming our mutual acquaintances that talking about Little Tea took a back seat! Earle Farrell has had an illustrious career in media. He’s worn every shoe from reporter to anchor, and his Earle Farrell 4 Memphis show has the benefit of Facebook streaming.
I met with book clubs last week and was thrilled Last Sunday, when a Memphis friend texted me this, which kicked off the week with high-coverage of my local Zoom appearances.
The highlight of my week was a sold-out author webinar, hosted by the wildly popular Novel Book Store and moderated by fellow author, Susan Cushman, who did a first-rate job asking me questions and fielding reader’s comments. Susan Cushman is an adored author in South, and that she agreed to moderate the event was a gift beyond reason. For one author to interview another guarantees all bases will be covered! I cannot thank Susan Cushman and Novel Book Store enough. 100 attendees joined and the experience exceeded my expectations.
I have a few more Zoom meetings schedule before my Little Tea tour concludes. The great thing about doing a Zoom event is that those who missed it can watch it at their convenience on my YouTube Channel, which can be found by going to YouTube and typing in Claire Fullerton!
All told, it was a great week, and although the pandemic precluded in-person appearances, I am infinitely grateful to all who made adjustments and accommodated my schedule.