Smith’s debut collection consists of 80 poems and several short stories. It is a meditation on miscommunication, childhood, Northeastern vs. Southern American culture, family, nature vs. technology, and the imagination of the introvert.
“From sonnets to somnambulance, from algae to oxytocin, from manatees to Manhattan, Smith rides the riptides of memory’s fictions and frictions in this prolific debut. The Butterfly Bruises is a gem mine of poems and stories that write through grief and growing up, personal and planetary survival, with words rugged and glistening like seashell shards.”
-Poetry Critic and Scholar, Professor Robert Dewhurst
An assembly of deep probing, masterfully crafted prose and poetry for the discerning reader. The tone is insightful, the use of language impressively beyond the pale. Thought provoking and at times seemingly personal and confessional, the contents of Palmer Smith’s The Butterfly Bruises is breathtaking as her subjects range from a mirror reflection to the death of the family dog to musings on how butterflies survive in winter. This is a book to savor; extraordinary, creative writing that reads as a series of vignettes written from a fresh perspective. A list of eleven discussion questions at the book’s end for book clubs and readers will prompt your powers of reflection, and there is much to reflect upon in this resonant, meditative book! I thoroughly enjoyed it and will certainly revisit its pages.
Meet Palmer Smith
Passionate about writing and poetry, Palmer
is a current English MA student.
Her poetry and short stories have appeared in:
The Crime Yard
Newark Library Literary Journal
The Online Journal for Person-Centered Dermatology
“At times uproariously funny, uncannily accurate, and glaringly insightful, David Butler’s Fugitive is a collective exposé on human nature delivered in entertaining snippets with such clever finesse it will reaffirm your enjoyment of the art of the short story.”
Award-winning novelist, poet, short story writer, and playwright David Butler’s second collection of short stories, Fugitive, is a delightful assembly of character-driven stories that, when pieced together, give the reader great insight into modern-day Ireland, while simultaneously depicting universal themes. These are swaggering, anecdotal stories, everyday slices of life made significant, visual as staged plays rollicking in pitch-perfect Irish vernacular, each with a pithy conclusion like a moral to the story.
The 21 short stories that make up Fugitive are primarily short in length and deeply human. Butler’s talent is the ability to set the stage in medias res, dropping the reader into the story with an immediate sense of familiarity. His narrative is direct and conversational, as in the case of the wildly surprising, hitch-hiking story gone wrong as two youths traverse the country. The story, “Taylor Keith,” opens with, “The mist rolling off the mountain was threatening rain, otherwise we’d never have taken that lift.” The journey from Dublin to Galway with a dubious stranger becomes a nerve-wracking misadventure when one odd shock follows another, until the narrator concludes of his driver, “By Jaysus, he was some cute hoor all the same.”
In “The Lie,” Butler posits the dilemma of Jack as he weighs the question of loyalty to a deceased friend named Ronnie to whom he’d served as best man at his wedding. Beside the casket, Ronnie’s widow asks him what really happened on that stag night long ago, remarking that ever after, Ronnie significantly changed until his life ended in suicide. Jack guards the hidden facts: “Ronnie’d had what they term ‘history.’ But what autopsy can disclose a state of mind?”
In “The Tailor’s Shears,”Butler weaves two subjects:the plight of a divorced woman past childbearing years and the frustrating unpredictability of the publishing world. After seven years of marriage, Emily Brooks wonders what to do with her life. “Spinster is a cruel word. A male word. As she examined the fissured puffiness about those eyes with a detachment that surprised her, Emily decided she would not endure the humiliation of placing herself back on the market. On the reduced to clear shelf.” When chance presents Emily with a local writing group, “It was as if a light had come on inside her head,” and the reader is taken through 25 erratic years of Emily pursuing the publication of her short story collection, in a one step forward, two steps back manner that renders the superb ending comical.
The spot-on use of Irish colloquialism throughout Fugitive animateseach lively story. In “First Time,” the teammate of a deceased 16 year old meets his dead friend’s mother at the funeral and, after volunteering to help her around the yard, an improper relationship develops to dangerous proportions. The narrator says of himself, “OK, I can be a bit of a headbanger on the rugby pitch, but I’ve never been any use with the girls,” and “I’d never so much as snogged a girl.” After the illicit affair is discovered, the young man wonders, “I would love to know who dobbed us in. One of the neighbors, was it? Can you not?”
Tipping its hat to the sign of the times, the witty “Distancing”portrays the unintended consequences of social distancing when the anxious Emily calls her neighbor, in that short window of time while her husband walks the dog, to ask that her skimpily clad, 18-year-old Brazilian au pair be kept from her husband’s line of view. Nervous at being caught out by her husband, upon his return, Emily composes a smile, “the smile that, ever since the lockdown started, seemed only to put Frankie on edge.”
At times uproariously funny, uncannily accurate, and glaringly insightful, David Butler’s Fugitive is a collective exposé on human nature delivered in entertaining snippets with such clever finesse it will reaffirm your enjoyment of the art of the short story.
Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.
David Butler is a multi-award winning novelist, poet, short-story writer and playwright. The most recent of his three published novels, City of Dis (New Island) was shortlisted for the Kerry Group Irish Novel of the Year, 2015. His poetry collections All the Barbaric Glass (2017) and Liffey Sequence (2021) are published by, and available from, Doire Press. His 11 poem cycle ‘Blackrock Sequence’, a Per Cent Literary Arts Commission illustrated by his brother Jim, won the World Illustrators Award 2018 (books, professional section). Arlen House is to bring out his second short story collection, Fugitive, in 2021. Literary prizes include the Maria Edgeworth (twice), ITT/Red Line and Fish International Award for the short story; the Scottish Community Drama, Cork Arts Theatre and British Theatre Challenge awards; and the Féile Filíochta, Ted McNulty, Brendan Kennelly and Poetry Ireland/Trocaire awards for poetry. His radio play ‘Vigil’ was shortlisted for a ZeBBie 2018. David tutors regularly at the Irish Writers Centre.
It takes a writer with supernatural depth of field to remind us that life’s seeming trivialities matter. In the aptly named, These Precious Days, author Ann Patchett brings a sense of the sacred to twenty-three, deeply introspective vignettes that shed light on her uncommon life even as they entertain. Each essay is a slice-of-life meditation in topics ranging from family to knitting to the incremental growth of the author’s career. In equal measure, the engaging essays are uniquely personal and resoundingly universal.
Beginning with Three Fathers, Patchett examines the oddity of her paternal background, and reflects upon the individual influences of her mother’s three husbands by noting, “Marriage has always proven irresistible to my family. We try and fail and try again, somehow maintaining our belief in an institution that has made fools of us all.” With full disclosure, Patchett adds, “My problems were never ones of scarcity. I suffered from abundance, too much and too many. There are worse problems to have.”
In The First Thanksgiving, Patchett tells the story of learning to cook as a freshman away from home for the holiday and ties it into a life lesson: “On that freezing holiday weekend when my adult life began, I not only learned how to cook, I learned to read,” and “I then went on to use this newfound understanding to great advantage for the rest of my life. Books were not just my education and my entertainment; they were my partners.”
With regard to the beginning stages of her writing career, in the essay, To the Doghouse, Patchett writes about the mysterious powers of childhood influence: “Influence is a combination of circumstance and luck: what we are shown and what we stumble upon in those brief years when our hearts and minds are fully open.” Just as the reader prepares for something erudite coming, Patchett waxes rhapsody on the dog, Snoopy, from the Charlie Brown comic strip. “Did I become a novelist because I was a loser kid who wanted to be more like the cartoon dog I admired, the confident dog I associated with the happiest days of my otherwise haphazard youth? Or did I have some nascent sense that I would be a writer, and so gravitated toward Snoopy the dog novelist?”
Going deeper into the topic of her writing career, in A Talk to the Association of Graduate School Deans in the Humanities, Patchett shares, “I went to Sarah Lawrence College in 1981 and had as good an undergraduate experience as any writer could dream up,” then goes on to depict her two-year experience at the Iowa Writer’s Workshop, in which she studied with visiting faculty while teaching literature. Patchette writes, “What I learned in those two years of graduate school came not from being taught but from teaching.” “Teaching made me a better reader and a better thinker. I became more conscious about how I expressed myself, which in turn made me a better writer.”
On friendship, the essay, Tavia, depicts a life-long friendship beginning in the second grade, in which Patchette writes, “Insofar as life is a game show, Tavia Cathcart is my lifeline.” But it is in the book’s eponymous essay, These Precious Days, that Patchett dives deepest while recounting the incremental stages of a significant friendship formed later in life. Of These Precious Days, Patchett writes in the book’s introduction, “It wasn’t until I wrote the title essay, These Precious Days, that I realized I would have to put a book together. That essay was so important to me that I wanted to build a solid shelter for it.” And Patchett did. The introspective essays that lead to the book’s focus catalogue life’s vagaries in such a way as to place your own powers of observation beneath the lens of scrutiny.
In the essay, These Precious Days, Patchett tells of the chance events that aligned to bring one Sookie Raphael into her orbit. An invitation to interview Tom Hanks on stage started a series of email correspondence with Sookie, Tom Hanks’ assistant, and the seeds of friendship planted between Ann and Sookie take root at Ann’s home in Nashville. Under uncannily coincidental circumstances having to do with sheltering Sookie during the treatment of her dire medical prognosis, the women create a dynamic bond that now reads like fate. It is a heartbreaking essay, but in the hands of Patchett it is poignant, life-affirming, and testimony to the power of friendship. In the open-ended conclusion, Patchette writes, “As it turned out, Sookie and I needed the same thing: to find someone who could see us as our best and most complete selves.”
Two more essays lead to These Precious Days epilogue, serving, by turn, as an opportunity to revisit Ann’s writing career and the subject of her biological father. At this juncture, the reader is intimately familiar with the voice of the author. They’ve been given the great largess of looking beneath the hood of a world-famous writer’s life, and the reprieve given is a chance to regroup before the last essay, A Day at the Beach, in which comes the end of the story of Patchett’s dear friend, Sookie Raphael, the vividly drawn inspiration behind the collection’s title essay.
Like a foray into the heartbeat of a widely beloved author, These Precious Days by Ann Patchett is a powerful essay collection, wonderfully executed and deeply human.
Ann Patchett is the author of six novels, including Bel Canto, which won the Orange Prize for Fiction. She writes for the New York Times Magazine, Elle, GQ, the Financial Times, the Paris Review and Vogue. She lives in Nashville, Tennessee.
In 114 pages, author Claire Keegan delivers an odyssey of the soul in her gem of a novel, Small Things Like These, without leaving the setting of New Ross, beside the River Barrow.
It is 1985 Ireland, and coal and timber merchant Bill Furlong knows times are hard with Christmas coming. The married father of five girls, Furlong is a self-made man who comes from nothing, his deceased mother having lived with shame as an unwed mother who reared her child by being a domestic servant of the wealthy, Protestant Mrs. Wilson.
Furlong’s days feel mechanical for all their routine. “Lately, he had begun to wonder what mattered, apart from Eileen and the girls. He was touching forty but didn’t feel himself to be getting anywhere or making any headway and could not but sometimes wonder what the days were for.”
Just days before Christmas, Furlong keeps his employees at the yard while he makes deliveries to customers long loyal to his business. When a large order from the Good Shepherds Convent arrives, Furlong takes personal responsibility for delivery, but shudders with the recollection of the troubling time he’d last had on the grounds, when he was approached by a waif of a girl asking him to help her escape. The memory haunts Furlong, who recalls his wife’s response when he’d voiced his concerns over the place purported to be a training school for girls that also ran a laundry business.
Furlong knows well of the harsh rumors attached to the convent as a place for wayward girls, and author Claire Keegan, capturing the very bone marrow of Irish sensibility, writes of Eileen’s response to her husband’s worry: “She sat up rigid and said such things had nothing to do with them, and that there was nothing they could do, and didn’t those girls up there need a fire to warm themselves, like everyone?” The pragmatic Eileen continues, “If you want to get on with life, there’s things you have to ignore, so you can keep on.”
Furlong has conflicted feelings about his own childhood. Raised in his mother’s employers’ home, he knows had it not been for the sufferance of Mrs. Wilson, his life would be disadvantageously different. Feeling hit close to home, Furlong responds to his wife’s comments, “Isn’t it a good job Mrs. Wilson didn’t share your ideas? Where would my mother have gone? Where would I be now?”
Furlong’s Christmas delivery trip to the convent is fateful. While opening the latched storage shed to unload his coal, he discovers a young girl trapped within, and, when he takes issue with the nuns on the girl’s behalf, he suspects all is not as it seems. Being told one thing by Sister Carmel at the convent, his heart intuits a darker truth that rings in a similar tone to the plight of his mother, and in time, Furlong is inspired to act. “He found himself asking was there any point in being alive without helping one another?” Furlong wonders, “Was it possible that the best bit of him was shining forth, and surfacing?”
Spontaneously spurred to action to help the young girl, Furlong knows, “The worst was yet to come.” “But the worst that could have happened was also already behind him; the thing not done, which could have been—which he would have had to live with for the rest of his life.”
Small Things Like These is a succinct, heart and soul story of a man coming to terms with a consciousness born of his personal narrative. In precise, unadorned language, it personalizes a once taboo subject recently come to the fore, and now considered a blight on Irish history.
All praise to author, Claire Keegan, for masterfully adding to her arsenal of widely acclaimed, human interest stories. Small Things Like These is a fathoms-deep, poignant novel that will appeal to fiction readers enamored of the sub-genre categories small town and rural fiction; holiday fiction; and family life.
Tina invited her friend Erica to attend a popular Tchaikovsky’s Spectacular concert on a summer evening with her parents. During the intermission, her dad left the seat to buy some snacks. Tina and Erica followed him wanting to use the restroom. The shoving crowd pushed them away, and they lost sight of him. It would be impossible to fight through the 18,000 people to find him or go back to Tina’s mom. This story tells about what happened to Tina and Erica after they got lost. Children can adapt to the learning from different situations they may observe or encounter. Adults could have discussions with the children about the situations to help them develop problem-solving skills.
My review of this delightful children’s book:
Third grader, Tina Tyler, looks forward to summer. It is the last day of classes, and she has had such a great school year that she hopes the next year will pair her with her teacher, Mrs. Jackson, who stands outside smiling and waving goodbye to her students and reminds Tina that the fourth grade will be a new adventure, a prospect that Tina readily embraces.
Tina is the exuberant sort, and when her mother takes her home to officially begin summer break, the two sit down at the kitchen table and prepare a ten-point list of best case scenario summer activities, and thus the merits of planning are demonstrated to the reader. Tina is excited by the prospects of swimming and asks her mother if she can host a sleepover party for her friends, which her mother encourages because it is important to be appreciative of one’s friends.
In a delightful surprise for Tina, Mrs. Tyler tells her daughter there will be an outdoor concert at the Hollywood Bowl where an orchestra will play Tina’s favorite music: Tchaikovsky’s Sleeping Beauty and Swan Lake. Tina, wanting to include her best friend, asks if she may invite Erica, and when her mother says yes, Tina jumps for joy and claps her hands.
There is much to look forward to at the concert, and Tina’s parents take her and Erica on a two hour train ride to the outdoor event, which will include a picnic and culminate in a fireworks display more resplendent than any Tina has seen prior.
But one has to be prepared for the unexpected, and when in dire circumstances, a child does well to remember the wise counsel of their parents, so when Tina and Erica discover they are lost in a crowd of thousands of people, Erica despairs, until Tina says, “We should stay here. I remember Mom told me a long time ago that if I could not see her, stay where I am, and she would come to find me.”
Miriam Hurdle’s Tina Lost in a Crowd is a joyous, vibrantly illustrated parable designed to depict the safety and security that comes from listening to and trusting one’s parents. In seamless companionship with the gorgeous artwork of Victoria Skakandi, it demonstrates that having a plan to resort to when in the grips of uncertainty will lead to a certain solution where all will be well.
Meet author Miriam Hurdle:
Miriam Hurdle is a member of the Society of Children’s Book Writers and Illustrators (SCBWI). She published four children’s books at twenty-six years old. Her poetry collection received the Solo “Medalist Winner” for the New Apple Summer eBook Award and achieved bestseller status on Amazon.
Miriam writes poetry, short stories, memoir, and children’s books. She earned a Doctor of Education from the University of La Verne in California. After two years of rehabilitation counseling, fifteen years of public-school teaching and ten years in school district administration, she retired and enjoys life with her husband in southern California, and the visits to her daughter, son-in-law, and granddaughters in Oregon. When not writing, she engages in blogging, gardening, photography, and traveling.
Writer, Carla the Reader, writes this in her book review of Tina Lost in the Crowd:
“I read this book to my two oldest grandchildren (5 and 7) and we had some wonderful discussions. We read it straight through the first time, but on the second reading, boy did they open up. We talked about school ending and things they like to do in the summer. Fireworks are a favorite summer activity during the first weekend in July and as a family we go and watch them as well as have a BBQ. Swimming is another wonderful activity and then we talked about outdoor concerts. After all that, I brought them around to discussing what to do if they get lost. The oldest had a lot of ideas involving finding someone in a uniform, finding a mommy or daddy with kids to ask for help and find someone with a ph0ne to call their parents. We discussed what Tina and Erica did and decided that would also work well if mommy and daddy knew what direction they were heading. Even if they chose other options when they get lost, it opened up some great learning moments.”
Congratulations to author Miriam Hurdle on the April 15, 2021 release of this wonderful children’s book, which is available on Amazon!
“The Invisible Husband of Frick Island links the modern world with the past on a small island struggling to stay afloat literally and figuratively. It’s a lively, heartwarming story with eccentric characters depicting the lengths a small community will go to in support of one of its own.”
Piper Parrish lives on Frick Island and works at the local deli. At the end of every afternoon, she waits on the marina’s dock for Tom’s boat to come puffing into the harbor after “squeezing in every minute of the government-allotted eight hours of crabbing per day.” Piper and Tom are newlywed, childhood sweethearts, and Piper is patient for her husband’s return. “Time on the rustic Frick Island had always been more of a theoretical concept measured in jiffies or whiles or later ons,” so she is used to delays. When a boat captain tells her Tom radioed for help during a storm earlier that morning, and that his boat is now missing, Piper holds out hope for Tom’s return, even when his boat is found at the bottom of the sea four days later.
Colleen Oakley is the USA Today bestselling author of You Were There Too, Close Enough to Touch,Before I Go, and the forthcoming The Invisible Husband of Frick Island (May 2021). Colleen’s novels have been longlisted for the Southern Book Prize twice and Close Enough to Touch won the French Reader’s Prize. Her books have been translated into 21 languages, optioned for film and have received numerous accolades including:
A former magazine editor for Marie Claire and Women’s Health & Fitness, Colleen’s articles and essays have been featured in The New York Times, Ladies’ Home Journal, Women’s Health, Redbook, Parade, Woman’s Day, Fitness, Health, Marie Claire and Martha Stewart Weddings. A proud graduate of the University of Georgia’s school of journalism, Colleen currently lives in Atlanta with her husband, four kids, four chickens, two guinea pigs, and one fish.
Book Description: THE INVISIBLE HUSBAND OF FRICK ISLAND
Sometimes all you need is one person to really see you.
Piper Parrish’s life on Frick Island—a tiny, remote town smack in the middle of the Chesapeake Bay—is nearly perfect. Well, aside from one pesky detail: Her darling husband, Tom, is dead. When Tom’s crab boat capsized and his body wasn’t recovered, Piper, rocked to the core, did a most peculiar thing: carried on as if her husband was not only still alive, but right there beside her, cooking him breakfast, walking him to the docks each morning, meeting him for their standard Friday night dinner date at the One-Eyed Crab. And what were the townspeople to do but go along with their beloved widowed Piper?
Anders Caldwell’s career is not going well. A young ambitious journalist, he’d rather hoped he’d be a national award-winning podcaster by now, rather than writing fluff pieces for a small town newspaper. But when he gets an assignment to travel to the remote Frick Island and cover their boring annual Cake Walk fundraiser, he stumbles upon a much more fascinating tale: an entire town pretending to see and interact with a man who does not actually exist. Determined it’s the career-making story he’s been needing for his podcast, Anders returns to the island to begin covert research and spend more time with the enigmatic Piper—but he has no idea out of all the lives he’s about to upend, it’s his that will change the most.
USA Today bestselling author Colleen Oakley delivers an unforgettable love story about an eccentric community, a grieving widow, and an outsider who slowly learns that sometimes faith is more important than the facts.
WHAT PEOPLE ARE SAYING ABOUT THE INVISIBLE HUSBAND OF FRICK ISLAND:
“An utterly charming story brimming with heart and humanity. This is the hopeful book we all need right now. I loved it!” —Emily Giffin, #1 New York Times bestselling author
“Sweet, quirky, surprising, and altogether lovely, The Invisible Husband of Frick Island is everything I long for in a book. I fell in love with Oakley’s sparkling prose, charming characters, and quaint island setting. This is a story I can’t wait to revisit, again and again. A must read.”—Emily Henry, New York Times bestselling author of Beach Read
“What’s a town to do when a recent widow keeps talking to her husband that no one else can see? Follow along, of course. Colleen Oakley’s captivating The Invisible Husband of Frick Island is populated with quirky characters that stole my heart. Make this your summer read and discover the joys of a delicious Frick Island cake, the sanctuary of a tight-knit community, and the hope of second chances.”—Amy E. Reichert, author of The Coincidence of Coconut Cake
“A gently told story of grief, community and ambition, The Invisible Husband of Frick Island is imaginative, lovely and full of surprises.”—Kristan Higgins, New York Times bestselling author of Always the Last to Know
“This twisty, never-predictable novel is exactly what we’ve come to expect by Oakley—a romantic mystery with a hopeful message and wonderful characters. I was surprised on every page!”–W. Bruce Cameron, #1 New York Times bestselling author of A Dog’s Purpose
“In lively, descriptive language, Dianna Rostad has penned a heart-warming, epic story built on the premise of a search for belonging that reads as an odyssey in all that it takes to find the heart of one’s family.”
A sweeping, atmospheric story set in cattle country, Bull Mountain, Montana, You Belong Here Now is a heart-tugging, home on the range story told through a wide-view lens with panoramic perfection.
Author Dianna Rostad gives context for this enthralling story in her author’s note on page one: “From 1853 through the early 1900’s, The Children’s Aid Society in New York rescued over 120,000 orphans living on the city streets in the aftermath of war, Spanish Flu, and immigration. The orphan train carried them out to the rick soils of farms and ranches.”
Dianna Rostad was born and raised in the Pacific Northwest. Her parents and extended family come from the ranches of Montana and the farms of Arkansas. Dianna raised three kind, human beings, and when they began to test their wings, she took to writing with a passion, completing Southern Methodist University Writer’s Path program in 2009. A favorite task of her creative endeavors is the discovery and research of people and places where her novels are set. She has traveled extensively to pursue the last artifacts of our shared history and breathe life, truth, and hope into her novels. Now living in Florida, Dianna continues to write big-hearted novels for wide audiences everywhere.
In this brilliant debut, three children take the orphan train from New York City to the Big Sky Country of Montana, hoping for a better life where beautiful wild horses roam free.
Montana: 1925. An Irish boy orphaned by Spanish flu, a tiny girl who won’t speak, and a volatile young man who lies about his age to escape Hell’s Kitchen, are paraded on train platforms across the Midwest to work-worn folks. They journey countless miles, racing the sun westward.
Before they reach the last rejection and stop, the oldest, Charles, comes up with a daring plan, and alone, they set off toward the Yellowstone River and grassy mountains where the wild horses roam.
Fate guides them toward the ranch of a family stricken by loss. Nara, the daughter of a successful cattleman, has grown into a brusque spinster who refuses the kids on sight. She’s worked hard to gain her father’s respect and hopes to run their operation, but if the kids stay, she’ll be stuck in the kitchen.
Nara works them without mercy, hoping they’ll run off, but they buck up and show spirit, and though Nara will never be motherly, she begins to take to them. So, when Charles is jailed for freeing wild horses that were rounded up for slaughter, and an abusive mother from New York shows up to take the youngest, Nara does the unthinkable, risking everything she holds dear to change their lives forever.
PRAISE FOR YOU BELONG HERE NOW
“Dianna Rostad has written a story in a narrative voice so fine and true it settles over you like a warm comforter. Set against the harsh backdrop of western Montana, You Belong Here Now is a novel as straightforward and powerful as the characters who populate it. I love this book, and I guarantee you won’t find a finer debut work anywhere.” William Kent Krueger, New York Times bestselling author of This Tender Land
“From the moment the reader steps on the train with these orphaned children, You Belong Here Now shows how beauty can emerge from even the darkest places.” Erika Robuck, bestselling author of Hemingway’s Girl
“Rostad has successfully crafted a heartwarming, unflinching story of orphans, family, and horses, wrought in finely chiseled prose. Timeless, irresistible, You Belong Here Now, set in the wild grasslands of Montana, is for fans of Orphan Train and all of us who long for acceptance. A brilliant debut!” Weina Dai Randel, award-winning author of The Moon in the Palace
“Rostad’s bighearted debut is full of surprises, and warm with wisdom about what it means to be family.” Meg Waite Clayton, New York Times bestselling author of The Last Train to London
Anna Hart is a seasoned missing persons detective in San Francisco with far too much knowledge of the darkest side of human nature. When overwhelming tragedy strikes her personal life, Anna, desperate and numb, flees to the Northern California village of Mendocino to grieve. She lived there as a child with her beloved foster parents, and now she believes it might be the only place left for her. Yet the day she arrives, she learns a local teenage girl has gone missing. The crime feels frighteningly reminiscent of the most crucial time in Anna’s childhood, when the unsolved murder of a young girl touched Mendocino and changed the community forever. As past and present collide, Anna realizes that she has been led to this moment. The most difficult lessons of her life have given her insight into how victims come into contact with violent predators. As Anna becomes obsessed with the missing girl, she must accept that true courage means getting out of her own way and learning to let others in.
Weaving together actual cases of missing persons, trauma theory, and a hint of the metaphysical, this propulsive and deeply affecting novel tells a story of fate, necessary redemption, and what it takes, when the worst happens, to reclaim our lives–and our faith in one another.
“When the Stars Go Dark is an intriguing, harrowing story that suggests we should never grow comfortable in a false sense of security . . . It’s a masterfully written story of resolution and reconciliation that operates on multiple levels of time, mind, and spirit.”
Paula McClain’s When the Stars Go Dark lures you into engaging with the story lest you miss a moment of its well-wrought beats. This is a haunting, intelligent novel for the discerning reader; the thinking man’s page-turner; a riveting crime-detective story seen through the wounded soul of 35-year old narrator Anna Hart whose life comes full circle as she tries to outrun her past.
Paula McLain is the author of the the New York Times bestselling novels The Paris Wife, Circling the Sun, and Love and Ruin. Now she introduces When the Stars Go Dark, an atmospheric tale of intertwined destinies and heart-wrenching suspense. McLain was born in Fresno, California in 1965. After being abandoned by both parents, she and her two sisters became wards of the California Court System, moving in and out of various foster homes for the next fourteen years. When she aged out of the system, she supported herself by working as a nurses aid in a convalescent hospital, a pizza delivery girl, an auto-plant worker, a cocktail waitress–before discovering she could (and very much wanted to) write. She received her MFA in poetry from the University of Michigan in 1996, and is the author of two collections of poetry, a memoir, Like Family: Growing Up in Other People’s Houses, and the debut novel, A Ticket to Ride. Her writing has appeared in The New York Times, O: the Oprah Magazine, Good Housekeeping, Real Simple, Huffington Post, the Guardian and elsewhere. She lives with her family in Cleveland.
“Surviving Savannah is an epic novel that explores the metal of human spirit in crisis. It is an expertly told, fascinating story that runs fathoms deep on multiple levels.”
Fate, chance, choices, and destiny are mere concepts until an inspired author comes along and depicts the essence of each through the power of story. Patti Callahan has done just that in her widely anticipated Surviving Savannah. The New York Times bestselling author sets historical fiction’s stage in a mahogany paneled library before a roaring fire, where six- and eight-year-old sisters, Everly and Allyn Winthrop, sit at their pipe-smoking grandfather’s knee, while he spins yet another fantastic version of the ill-fated, steamship, Pulaski. Haunting imagery of the Pulaski looms in the family’s multi-generational, Georgian style house on Savannah’s historic Jones Street: “Above the fireplace hung an oil painting of a lustrous steamship with its sails spread wide and its wheels churning the water into whipped foam, the sky clear and bluer than the sea as human figures on the deck regarded the vast sea.”
It was called “The Titanic of the South.” The luxury steamship sank in 1838 with Savannah’s elite on board; through time, their fates were forgotten—until the wreck was found, and now their story is finally being told in this breathtaking novel from the New York Times bestselling author of Becoming Mrs. Lewis.
Patti Callahan Henry is a New York Times and USA Today best-selling author of sixteen novels and podcast host. She is the recipient of The Christy Award — A 2019 Winner “Book of the Year”; The Harper Lee Distinguished Writer of the Year for 2020 and the Alabama Library Association Book of the Year for 2019. She is the co-host and co-creator of the popular weekly online Friends and Fiction live web show and podcast. A full-time author and mother of three children, she now resides in both Mountain Brook, Alabama, and Bluffton, South Carolina with her husband.
“Lovely, lyrical, and often profound,The Sweet Taste of Muscadines is women’s fiction at its finest and then something more. . . . the search for truth on the backdrops of Wesleyan and a remote island off the coast of Scotland is breathtakingly visceral, in an emotionally evocative story with a strong sense of place.”
Southern tradition, cultural nuance, and unresolved childhood memories lie at the foundation of this engaging story, which begins with a Southern funeral. Narrator Lila Breedlove is a transplanted Southerner now living as a young widow on Wigeon Island, off the coast of Maine. A graduate of the Rhode Island School of Design, she lives quietly and successfully seaside, designing and creating woven garments, an occupation metaphoric of The Sweet Taste of Muscadines’ intricately woven tale.