Legions of authors adore Narrator Theresa Bakken, who produces and hosts The Desideratum Podcast. The ultimate in author-talk happens on Desideratum, and I’m excited to share that I just got booked to record for an appearance on this wonderful Podcast in late August. Watch this space! Desideratum is available now on Anchor, Spotify, Apple, Google and more! Now also carried by Authors on the Air Global Radio Network!
Desideratum is a Latin word meaning things that are desired as essential. Longing for stories to share and wishing for moments with gifted storytellers inspired this podcast. Each episode features a recorded short story or excerpt from an author’s latest book or audiobook, and a conversation with the writer about their craft and what they believe is essential. Tune in to hear an author you love, or to find your next favorite storyteller.
Meet Theresa Bakken, a multi-talented Podcast host and audiobook narrator!
It won’t surprise you to learn that the author of Boop and Eve’s Road (that’s me for the uninitiated) loves herself a smashing southern story. I’ve put together a refreshingly diverse list here–all southern, all sensational, but so very, very different. Do yourself a favor and pick up one (or heck y’all, all three of these reads).
Purple Lotus by Veena Rao is the story of Tara who immigrates from India to Atlanta, Georgia to be with her husband Sanjay. Theirs is a horribly ill-suited arranged marriage. Tara finds herself lost in a new country with an abusive husband and an unfortunate lack of self confidence. Eventually, she makes friends in her new community giving her the courage to leave her husband and make her own life in her new country. Some might argue that Purple Lotus is more of an immigrant story than a southern story, but I’d point out that Rao beautifully captures the experience of someone fresh to the South, that the south is more than its traditions, that the South with its world renown hospitality has room for all. Tara’s story of empowerment will steal your heart. Don’t miss it.
Sharp as a Serpent’s Tooths the best collection of short stories I have ever read. The characters, like June Bug and Eva, are delightful, quirky, and engaging. The plots are mesmerizing, unique, and page-turning. The southern country setting adds texture and delight with its Pentecostal Preachers, snakes, and speaking in tongues. Mandy Haynes has put together a beautiful collection with a southern voice that drawls off the page.
Little Tea by Claire Fullerton explores some of the more traditional southern motifs, complete with plantation homes and racial tension. Three childhood friends come together at a lake in Arkansas where an old boyfriend forces them to face the past. Through the voice of the main character, Celia Wakefield, Fullerton explores the evolution of racial relations in Mississippi. White daughter of a wealthy old southern family, Celia befriends the daughter of the black couple who runs her family’s plantation. Tucked away in the country in 1980s, their friendship flourishes. However, once the friends leave the plantation behind it becomes more difficult to navigate a mixed-race friendship in a world not quite ready for such things.
If you are a fan of all things Southern, you might also enjoy these posts:
Every issue is packed with great books to add to your to be read list, interesting articles, recipes, art, and surprises. What makes this magazine unique is that every author you’ll find on the pages inside is a member of The International Pulpwood Queen and Timber Guy Book Club – the largest meeting and discussing book club in the nation.
Kathy L. Murphy started this book club over twenty years ago in her hair salon. Her salon soon became the only book store/beauty salon – Beauty and The Book. The rest, as they say, is history.
Y’all, her story is amazing. You’ll find out more about her, her art, her books, and her journey in every edition. – because she is THE Pulpwood Queen – and it’s all about the story!
The Pulpwood Queens: 800 International book club chapters !
The Pulpwood Queens is a meet-and-greet book club founded in early 2000 in Jefferson, Texas, by Kathy L. Patrick in a combined beauty salon and bookstore, Beauty and the Book. In a joint effort with Random House, the club spawned an Internet book club show that began in January 2011, Beauty and the Book: Where Reading is Always in Style.
I’m Claire Fullerton, the traditionally published author of Little Tea, Mourning Dove, Dancing to an Irish Reel, and A Portal in Time. I also have a novella titled, Through an Autumn Window, which is included in the book, A Southern Season: Scenes from a Front Porch Swing. I grew up in Memphis, Tennessee and now live in Malibu, California.
# What is/are the real-life story(ies) behind your book(s)?
There are no “real-life” stories in my novels, though I draw from a strong sense of place and am inspired by people and events I know.
# What inspires/inspired your creativity?
People are always my inspiration, My last two novels are set in the Deep South, and the South has such wonderfully colorful characters that are part and parcel to the Southern culture. I think all stories happen because of the people involved, so my inspiration comes from simply paying attention to people’s mannerisms, the stories they tell, and their way with words.
In the colorful artistic underworld off-Broadway, Cammie, a dancer in her mid-thirties, has just landed her first part in a show since coming to New York City. Yet the tug of familial obligation and the guilt of what she sacrificed to be there weigh down her dancing feet. Her lover, Tom, an older piano player, came to the city as a young man in the 1980s with a story eerily in tune with Cammie’s own. Through their triumphs and failures, both learn the fleeting nature of glory, the sweetness of new love, and how a dream come true isn’t cherished until it passes. The bright lights of the stage intoxicate, while degradation and despair lurk close behind the curtain. Their sagas are marred by two pandemics, AIDS in the 1980s and COVID-19 today, which ravaged the performing arts community, leaving a permanent scar on those who lived through them. The poignant intersection of their stories reveals a love affair unbound by time, reaching across decades through the notes of a piano’s remembered song.
My Book Review:
In Gregory Phillips dynamic novel, A Season in Lights, the city of New York is in a constant state of becoming as seen from the perspective of two artists: a stary-eyed dancer named Cammie, come to the city from Lancaster, Pennsylvania in search of Broadway, and Tom, a black piano player from the mean streets of the Bronx, seeking a career as a classical pianist against all odds.
In language as fluid and graceful as the performers portrayed in alternating chapters, A Season in Lights beckons the reader to New York City’s inner sanctum. The atmosphere is electric, it glows and pulses with vibrancy, and Cammie, a ballet dancer and divorcee in her mid-thirties, sees the opportunity to dance on Broadway as her life’s second chance. Through a Times Square cab window, Cammie remarks, “I eagerly looked out at the neon glow and bustle of activity. The lights! Their glow had lured me here. The stage lights made me feel alive again.”
Tom, grounded and practical, knows a bit about life’s underbelly having witnessed the mistakes his hoodlum brother made. He takes a job as a ballet studio’s accompanist and plays it safe while keeping his eye out for classical opportunities. The ballet master takes Tom aside and insightfully says of New York City, “You get to choose your class here. It’s not determined by your upbringing. It doesn’t matter that you’re black or that I’m gay. It doesn’t even matter how much money you have. All you’ve got to do is convince people that you belong. You’ve got to tell them who you are before they tell you.”
A Season in Lights is a layered story. As the main characters struggle to actualize their dreams, each has a backstory to surmount. Small town girl Cammie feels guilty about moving to New York and abandoning her younger sister. She is prone to depression and torn over family obligations, on the fence about where to plant her roots. Of New York’s many merits, Cammie, on a visit back home, says to her sister, “What’s so wonderful about people in New York is that they’re all doing something. Nobody’s in New York by accident, not even people who were born there. Being there takes effort and purpose.” In considering her options of whether to stay in the city or move back home, Cammie realizes, “Ultimately, a good life for a dancer in New York would amount to scraping by and enjoying it.”
Tom, dutiful to his mother, is entrusted with his unpredictable brother’s safe keeping, even as his sibling plays too close to the edge. When push comes to shove, Tom prioritizes, and eventually finds the courage to save himself by walking away from his brother’s drug-related troubles.
What’s so compelling about this well-written New York set story is how well the author knows the city. The reader is taken to restaurants via hidden alleys, guided down side streets for late-night jazz, and taken into celebrated theatres both on Broadway and off. Author Gregory Phillips knows ballet positions and accurately speaks the language. When it comes to music, the writing is such that you can hear the compositions.
A Season in Lights is a modern day, tightly crafted story concerning artists living in the heartbeat of the fabled Big Apple. It’s a human story about passion and ambition; a fantastic foray that explores the myth and magic of New York City.
The author, Gregory Phillips
From a prolific literary family, Gregory Erich Phillips tells aspirational stories through strong, relatable characters that transcend time and place. Living in Seattle, Washington, he is also an accomplished tango dancer and musician.
My favorite Podcast is Charlotte Readers Podcast, hosted by Landis Wade, an author himself and “a recovering trial lawyer” who encourages authors to read and talk about their award-winning, published, and emerging works. This is the show where host, Landis Wade, visits with local, regional, national and international authors who read and discuss their work. The Charlotte Readers Podcast mission is to help authors give voice to their written words for listeners who love good books.
Host Landis Wade of The Charlotte Readers Podcast
The podcast’s community blog is populated with readerly and writerly content offered by talented writers. It contains nuggets of wisdom for readers and writers.
This week, I contribute to their Community Voices Blog with a short post about how I became a writer, and the link to the blog post, titled, There Is no There to Get to, is here:
Charlotte Readers Podcast wants to hear YOUR voice! Charlotte Readers Podcast is so grateful for the love writers are showing our blog, Community Voices, where we invite writers to submit their readerly and writerly voices to be featured on our website. The submission guidelines are simple, but must be followed for consideration. Read our latest posts, learn more about what we’re looking for, and submit your writing for consideration on our website: https://linktr.ee/CharlotteReadersPodcast
Here’s the Link to The Charlotte Readers Podcast Website:
Every March, I look forward to St. Patrick’s Day because it triggers the memory of when I lived on the west coast of Ireland. As an American with 48% Irish DNA, I felt right at home in Inverin, which is a small village in Connemara, 2.7. miles up the road from the village of Spiddal, the next significant town being Clifden, fifty miles or so up the same road.
I lived in Ireland for more than a year and loved every minute of it.. Connemara is a land separated into geometric prisms by grey-stone walls leading down to the rock encrusted shores of the Atlantic on one side of the coast road and bog-land that stretches out forever on the other. Alongside the novelty of discovering Ireland was a curious sense of familiarity that gave way to a sense of belonging. Between the time I arrived in Ireland and the time I left, I managed to ingratiate myself into the rhythm of a land that has more soul and character than any place I’d ever imagined.
Inverin really isn’t much more than a stretch of the coast road at the gateway to the Gaeltacht, which is an area on the west coast of Ireland where Irish is spoken as a first language. Inverin is moody, pastoral, a bit desolate, and those that reside there have deep generational ties. Inverin is 13 miles up the coast road from Galway City. Here are some photographs to give you an idea of Inverin’s atmosphere:
I lived within a short walk of this graveyard. It’s down a gravel road not far from The Centra, which, for all intent and purposes, is the lone gas station/grocery store in Inverin. I have a thing about graveyards that’s hard to explain. They speak to me of the significance of human existence–of love and life and history, with indelible, reverential resonance indicative of a region’s culture. Ireland takes its cemeteries seriously, and walking through an Irish graveyard has always given me an anchored sense of place. They are lonely, haunting, and beautiful, and what I love about the graveyard pictured above is that the headstones all face the sea.
Inverin was my home base, and during the week, I took the bus from Inverin into Galway, where I worked on New Road at the Galway Music Centre. Galway is a college town, which makes it feel youthful and vibrant. Here are some photographs that illustrate my point:
The Claddagh, Galway, a port for anglers on Galway Bay.
As a writer by nature, I walk through life with a running commentary in my head, and keep a journal. I took the experience of living in Ireland and used it as a basis to write a novel about a single American female who leaves the record business in Los Angeles and relocates to rural Ireland, where she meets an Irish traditional musician who won’t come closer nor completely go away. The novel is titled “Dancing to an Irish Reel.” I went out of my way not to patronize anything about Ireland, particularly its people. I wanted to refrain from bringing an American frame of reference to the book because I felt it had been done before and somehow cheated what I wanted to be the point of the story, which concerns the ambiguity of a budding love relationship, with its attendant excitement, hope and doubt. On the one hand, this story could have happened anywhere (I know of very few people who haven’t been thrown into confusion as they navigate the minefield of new found attraction) but because this story takes place in Ireland, I had the opportunity to highlight a setting in possession of unfathomable beauty, with a history of cultural nuances worth the singing of deep praise. In writing “Dancing to an Irish Reel,” I did what all novelists do: tell about how they find the world through the vehicle of one painstakingly crafted case in point story.
In anticipation of St. Patrick’s Day, there is a Goodreads Giveaway running until March 20 of Dancing to an Irish Reel.
And this will be fun, as well as unprecedented! On Sunday, March 14, I’ll have the immense pleasure of being a part of a Facebook, multiple book page St. Patrick’s Day Parade. I’ll be in conversation with Irish author, Billy O’Callaghan, at noon, Eastern Standard Time on the Facebook page, The Write Review. We plan to talk about Irish culture, the influence of Ireland on our writing, and whatever else comes to mind. I hope to see you there! You can find all the book pages involved in this celebration on the graphic below, so if you’re on Facebook, simply go to the book pages to join in the fun!
I’m delighted to be a part of the Women in Publishing Summit. It’s the first online writing and publishing conference dedicated to women, the Women in Publishing Summit is the biggest online conference for women in publishing, featuring over 70 authors, publishers, editors, graphic artists, marketers, book sellers, mindset coaches, & more!
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We celebrate the accomplishments of women in publishing – authors, publishers, editors, typesetters, cover designers, marketers, booksellers, everyone involved in creating and selling books and provide a community where we can share great resources, encouragement, tools, and mentorship for women who want to have their voices heard and stories told.
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The Women in Publishing Summit was made for women, by women.
We’re featuring publishers, authors, editors, agents, marketing experts, graphic designers, tools you need for success, and MORE to provide expert advice and resources YOU NEED to write, publish, and sell more of your book!
Register for the event and you’ll receive information to access the content from the comfort of wherever you choose to watch!
All hail The Pulpwood Queens, the largest book club in the world! The International Pulpwood Queens and Timber Guys Book Club is more than its 800 book club chapters, it’s a literary culture populated by avid readers and enthusiastic authors who fraternize under the Pulpwood Queens literary umbrella to share the love of books!
In existence for more than twenty years, The Pulpwood Queens hold an annual, book club conference experienced more like a party. Featured authors and attendees dress up in the Pulpwood Queens’ signature leopard print and tiaras for three days, in what becomes the ultimate meet and greet between authors and readers. Featured authors are panel guests in the most unique forum imaginable. Nothing staid and stuffy about the proceedings, rather, the panels are conducted as a celebration, where authors share more than the synopsis of the books they’ve written– they tell their background story: where they’re from, their writing process, and what inspired them to embark upon the craft of writing in the first place.
Since a picture tells a thousand words, here are some photographs from the Pulpwood Queens previous, annual event billed as Girlfriend Weekend:
This past Pulpwood Queens Girlfriend Weekend was different. What made the January 14-17th’s Girlfriend Weekend unique was that it was a Zoomathon fueled by the power of its good intention! Hundreds of us fretted over a possible Girlfriend Weekend cancellation due to Covid restrictions, but Kathy L. Murphy, the Pulpwood Queen herself, the visionary mastermind and rallying point of the largest book club in the world fit the needs to the moment and conducted the entire weekend on line! It was billed as The Pulpwood Queen and Timber Guy’s Reading Nation Slumber Party, and its aim was all about connections. Authors met readers, readers watched authors introduce themselves and their books, panel discussions were followed by keynote speakers, a popular audiobook narrator with a gorgeous British accent read excerpts from featured books and there was great audience participation! You can see a little about it here:
Here are highlights from the Pulpwood Queens January 14-17 Zoomathon:
I had the immense pleasure of being a part of the Pulpwood Queens’s Virtual Weekend by interviewing illustrious literary agent, Marly Rusoff, who shed light on the mysteries of the publishing world, past, present and future. Marly was fascinating, and we all were honored by her presence!
All told, the 2021 Pulpwood Queens Book Club Zoomathon was a rollicking success and an enthralling series of firsts, in that it essentially set the standard of excellence for online, book-related events!
In Mandy Haynes’s collection of Southern tinged short stories, Sharp as a Serpent’s Tooth, characters are as different as Jayhawks and Starlings, they grin like possums, and, if in need while in someone’s bad graces, are told they can go get what they want “their own dang self.” Throughout the assembly of Haynes’s five, compelling stories, her character-intensive narrative is urgent and breathless, so regionally pitch-perfect as to feel indiscreet:
“Now don’t roll your eyes at me,” the narrator of short story, Junebug Fischer says. “You know dang good and well Rita’s daughter did not get pregnant on her honeymoon. And you know same as me that she shouldn’t have married that no count Tucker, pregnant or not.”
Sharp as a Serpent’s Tooth is laser-sharp, finely wrought fiction in each stand alone story. In “Eva,” the abused daughter of a con-artist preacher is depicted with such Southern Gothic surrealism as to make her seem other-worldly. In “Plans for Sweet Lorraine,” a fearlessly headstrong mother is led by gut-intuition to rescue her innocent daughter from the clutches of a smooth-talking charlatan posing as a man of God.
In each story, the narrator’s voice is chock full of gumption– the sure-footed kind grown and fostered in the hollows of the rural South. They are all unique, memorable narrators. In “The Day I threw the Rock,” the young, red-haired narrator prefers to go barefoot in overalls, in whose pocket she keeps a garden snake as she unfurls the high-drama of events that lead to her throwing the eponymous rock. In “Cussing Snakes and Candy Cigarettes,” a young girl defies common, local opinion of her dead mother’s twin sister, in an eye-opening summer that impacts her coming of age.
Author Mandy Haynes approaches her craft with an uncanny grasp on pace in perfect measure. Her authentic voice is beyond comparison. Her high-stakes stories are layered with utter unpredictability. I cannot recommend this Southern to the core collection of short stories emphatically enough. Each of the five stories in Sharp as a Serpent’s Tooth is the perfect combination of riveting story and character as place.
Mandy Haynes has spent hours on barstools, at backstage venues, and riding in vans listening to some of the best songwriters and storytellers in Nashville, Tennessee. She now lives in Fernandina Beach, Florida with her three dogs, one turtle, and a grateful liver. Her first collection, Walking the Wrong Way Home was a finalist for the Tartt Fiction Award, and selected as a bonus pick for The Pulpwood Queens’ 2020 Reading List.