Bobbie Jean Bell is an avid reader and stalwart champion of authors. In a conversational forum, she asks questions of her guests that delve down to the very essence of the writing process, and it was my great pleasure to be the guest of Bobbie and Jim Bell on their show, Rendezvous with a writer, which was simulcast on LA Talk Radio. I had a great time answer questions such as what constitutes a Southern Writer, which point of view I prefer to write in, and why, then reading two excerpts from my latest novel, Little Tea, which concerns life long female friendships, Southern culture, and healing the past, in the Deep South.
A little about the show, RENDEZVOUS WITH A WRITER
Hosts OutWest Shop’s Bobbi Jean Bell and Jim Bell chat LIVE with creators of the Written Word. Unscripted. Entertaining. Informative. Tune in to enjoy live conversation with our guest about their latest project and the creative process. The guest may be an author, poet, songwriter, screenwriter or blogger. Those that support the wordsmith are included too like literary agents, publicists, publishers, editors and more!
My gratitude to Bobbie Jean and Jim Bell for being so wonderful!
An uplifting, modern day love story written in au currant language that will delight romance readers and more. Author Carol Van Den Hende keeps the reader engaged throughout the story of twenty-seven-year-old Orchard Paige, a beauty industry marketer who hopes to land a job through her company that will give her the chance to work in China, the land of her deceased mother’s ancestry. Orchid perseveres in the face of her unhealed wounds concerning her parents’ tragic death, even as she intends to work with the attractive, Phoenix, who runs a nonprofit organization aimed at supporting veterans with post-traumatic stress disorder. The author’s knowledge of marketing is informative and impressive, and her taut portrayal of the push and pull of attraction on the road to the eventual allowance of love will keep the reader rooting for Orchid’s happiness with page-turning, even-handed pacing. A heartwarming story full of hope and the promise of happy endings, Orchid Blooming will appeal to lovers of urban fiction and multi-cultural fiction.
A childhood tragedy followed her into adult life. Will she ever claim real happiness again?
Kind and generous, twenty-seven-year-old Orchid Paige will never forget that day. Living as best she can after witnessing her parents’ fatal accident, the beauty industry marketer yearns to win a promotion to China to connect to her mom’s ancestry. But with competition fierce, she despairs she’ll never make the grade… until she meets an encouraging man who makes her feel safe despite her usual distrust.
After Orchid convinces the handsome entrepreneur to let her gain experience at his nonprofit project, she’s determined to keep their relationship professional and ignore their powerful attraction. But when working on his military ad campaign for veterans triggers her own unresolved PTSD, she fears her confident mentor may be too good to be true even if she could trust him with her heart.
Can she conquer her vulnerabilities before she loses her chance at forever?
Orchid Blooming is the captivating first book in the Goodbye, Orchid women’s fiction series, and can be read as a standalone. If you like complex characters overcoming trauma, heart-warming stories, and compassionate connections, then you’ll adore award-winning author Carol Van Den Hende’s emotionally satisfying page-turner.
Carol Van Den Hende is the award-winning author of “Orchid Blooming” and “Goodbye, Orchid” which are inspired by wounded veterans and have won 20+ literary awards, including the American Fiction Award, IAN Outstanding Fiction First Novel Award, and 2020 Royal Dragonfly for Disability Awareness.
Buzzfeed, Parade, and Travel+Leisure named “heartwarming, heartbreaking” Goodbye, Orchid a most anticipated read. Glamour Magazine recommended this “modern, important take on the power of love.” The International Pulpwood Queens, selected Goodbye, Orchid as a 2022 Bonus Book-of-the-Month.
Carol’s mission is unlocking optimism as a writer, speaker, strategist, Board member and Climate Reality Leader. One secret to her good fortune? Her humorous husband and twins, who prove that love really does conquer all.
Q : Orchid Blooming follows your 2020, debut novel, Goodbye Orchid: To love Her, He Had to Leave Her. Can you tell us about the premise and continuation of the story?
A: Thanks for asking, Claire! For both books, I was inspired by people facing challenges. And honestly, who hasn’t faced difficulties in their life? Specifically, the story came to me after seeing a story in the news about a wounded veteran. However, the characters aren’t military people themselves. Rather, they work on military ad campaigns to help veterans.
Here’s the story. In Goodbye, Orchid, generous entrepreneur Phoenix Walker suffers an accident that changes him forever. When he wakes in the hospital, he’s thinking about the woman he loves, half-Asian Orchid Paige. He also remembers that she witnessed the death of her parents as a child, and is sensitive to images of trauma. Now that he’s become the very image of trauma, he has to decide – to love her, will he have to leave her without explaining why?
Orchid Blooming goes back in time to when this couple met. In this prequel, Orchid has worked hard to make a path for herself after being orphaned at the age of twelve. As an adult and successful executive in the beauty industry, she’s motivated to win a work assignment to China, to feel closer to her mother’s ancestry. However, competition is fierce and her best chance is to undertake nonprofit work with Phoenix. Except she must ignore their growing attraction and keep the relationship professional. Then, when they finally begin to admit their emotions, a secret threatens to implode all the trust they’ve built. One beta reader said that the secret “made my jaw drop!”
Q : In your September 2022 release, Orchid Blooming, Orchid Page, the 27-year-old main character, is a beauty industry marketer. What prepared you to write about her background in beauty marketing?
A : I’ve been fortunate to enjoy a long career as a brand marketer and strategist in the fun categories of chocolate, treats and snacks. During these 15+ years, I’ve named and launched new products, worked with amazing agencies on packaging design, been on set for advertising shoots, and so much more. I leaned on some of my favorite parts of these experiences, and also have friends who’ve worked in beauty.
Specifically, Orchid has the opportunity to work with an ad agency founder, and write what’s known as the “brief” for a new ad campaign. (The brief is just industry lingo for a document that lets the creative team know about the relevant target, insights, and benefits of the ad).
Beauty is a fitting industry for Orchid Paige because she comes into the story believing that the perfection of beauty and its curated images might protect her from negative experiences that could remind her of her traumatic past. As with character-driven novels, she’ll find the flaw in her misbelief.
Q : Orchid Blooming is both multicultural romance, and contemporary women’s fiction. Can you tell us how the story fits these genres?
Orchid Blooming has won awards for multicultural fiction and women’s fiction. People are often interested how the series fits these genres (as well as contemporary fiction!) First, the main character Orchid Paige is half-Asian and seeks to travel to China to feel closer to her mother’s memory. Secondly, the story is about her growth as she deals with traumatic events from her past. Ultimately, readers appreciate the hope and optimism in the book’s messages!
Q : Do you anticipate Orchid Blooming appealing to a particular reader demographic?
A: My Goodbye Orchid series appeals to book clubs, men and women, readers who enjoy multicultural characters, disability advocates, and wounded warriors, who inspired Phoenix and Orchid’s story.
Fans explain that they can relate to characters who’ve experienced difficulties in life, or they are readers who appreciate having their empathy deepened.
Q: In your book, you discuss post-traumatic stress disorder (PTSD). What draws you to that subject?
A : Because Goodbye, Orchid was inspired by combat-wounded veterans, my research taught me about the challenges that they can face, including the physical and emotional journey to healing, the effects of PTSD, and sometimes, difficulty transitioning to a civilian career. Each book in this trilogy deals with an aspect of these challenges. My first novel, Goodbye, Orchid, describes Phoenix’s journey after a disabling accident, and was deeply researched with wounded veterans, medical professionals and psychologists.
Experts played a key role in my newest novel, Orchid Blooming, as well. SSGT Aaron Michael Grant read my entire manuscript and shared invaluable input based on his personal experience with PTSD. Clinical Director and trauma specialist Joe Dennis provided important perspective on healing trauma. They’re both thanked in my book acknowledgements, along with scores of others who’ve made this trilogy possible.
Speaking of trilogy, my third book is releasing in 2023. This book, titled Always Orchid, will touch on the difficulty veterans can face when demonstrating that their military skills are transferable to civilian jobs. Early readers have said “This story was captivating from beginning to end!”
Q : The character, Orchid Paige, is interested in connecting with her mother’s Chinese ancestry. What prepared you to write about this subject?
A : Like Orchid, I’m American born and ancestrally Chinese and likewise, I was intrigued how it’d feel to visit my parents’ home country. For more on this topic, please visit Claire Chao’s Remembering Shanghai blog in September, where I’ll be writing about that experience!
Q : . Can you tell us about your background in public speaking?
A : I’m an MBA, global brand marketer and digital strategist for Mars Incorporated, which has given me multiple opportunities to speak publicly.
When I joined the writing community, I was motivated to contribute by translating my experience into actionable knowledge for authors and publishers. For the last decade, I’ve taught foundational workshops on personal brand, visual identity and cover design, marketing strategies and mindset, among other topics at conferences like Writers’ Digest, Rutgers’ Writers Conference, RWA, IBPA and Novelists Inc. I’m proud when attendees provide testimonials like “Carol inspires me and fires me up every time!”
Writers can also find my advice in my Author Marketing Toolkit column at DIYMFA.
Q : You founded Azine Press, which is known for having social and environmental goals into its mission. What inspired you to create Azine Press?
I’m a purpose-driven leader who aims to inspire hope and empathy for people and planet. So when I decided to start a publishing company, it was important that it be registered as a B Corps, or benefits corporation. B Corps “envision a global economy that uses business as a force for good…which is purpose-driven and creates benefit for all stakeholders, not just shareholders.” This is consistent with my mission to share stories that encourage inclusivity and recognize humanity’s interconnectedness, while pushing the boundaries of why and how we do business.
What great questions, Claire, thanks so much for welcoming me here!
ORCHID BLOOMING HONORS ■ 2022 International Book Award Finalist: Women’s Fiction and Multicultural Fiction ■ 2022 Beach Book Festival General Fiction Honorable Mention ■ 2022 New York Book Festival General Fiction Honorable Mention ■ 2022 July International Impact Award Multicultural Fiction ■ 2022 Summer Outstanding Creator Awards Grand Prize Honorable Mention; 2nd Place Women’s Fiction, Multicultural, Romance, and Drama; 3rd Place Literary & Contemporary Fiction; Honorable Mention Best Couple ■ 2022 Hollywood Book Festival Honorable Mention General Fiction
“In this tensely wired, swiftly paced, starkly realistic story of human trafficking set beautifully among nuanced clashing cultures, author Johnnie Bernhard defines each character’s motivation to portray the collision of opposing sides while casting a wide lens on a human atrocity.”
The human heart is fearless in author Johnnie Bernhard’s Hannah and Ariela. It’s a vividly drawn, timely story shedding light on an unspeakable crime against humanity.
Hannah Durand takes the coat her husband left by the door, wraps his scarf around her, and pushes against the winter’s howling blue norther to open the front door. Casting her teary eyes upon the 640-acre Texas working ranch that she and her husband ran for 48 years, the newly widowed, 73-year-old Hannah speaks aloud: “August Durand. I know you’re here. I can feel you in the wind and in the breaking of cedar branches covered in ice. Hold me just one more time and tell me what you think I should do with the rest of my life, my life without you.”
An unconventional, self-sufficient woman born to Anglo prosperity and the great Texas outdoors, Hannah’s life is centered on the Durand Ranch, in the town of Rocksprings, between central and West Texas, “where the land was just as hard and mean as the predators lurking in the shadows waiting for the next easy kill.” It is modern day, and facing an uncertain future, Hannah fears she might not have the stamina to stay on the land alone. Hannah thinks, “I’ve loved this land . . . I feel like I’d lose a part of myself if I sold it.”
Ariela Morales is born to Zaragoza, Mexico, where “life is hard because it was too close to the Texas border.” In a town with little opportunities, the dutiful Ariela helps her family, babysits her siblings for her mother, and squeezes in time to spend with her friend Katia. In telling of that friendship, Ariela says, “Some people in Zaragoza had a harder life than me and my family. My best friend, Katia was one of them.” Together, the teenage friends go to mass “to get our mamas off our backs,” paint their nails, read magazines, and mostly dream “about getting out of Zaragoza.” When Katia flirts with danger by consorting with two cartel members, it leads to perilous, unforeseen consequences drastically changing the trajectory of both girls’ lives.
A dog barking on a lonesome stretch of highway connects the fates of Hannah and Ariela, and wheels are set in motion affecting a cast of characters on both sides of the US/Mexico border. Bernhard portrays the landscape with laser-precision and layers the harrowing story in multiple, first-person points of view covering all angles of what spins into the urgency of safeguarding the traumatized Ariela from further ramifications having to do with the cartel’s sinister, illegal plans.
When Rocksprings’ sheriff discovers Hannah is harboring Ariela, he jumps to conclusions and wants to get border patrol involved, without knowing Ariela has just survived a terrible backstory. Taking Hannah aside, he says, “Now Hannah, I’m going to remind you of this very specific law. When someone enters the US without following immigration laws, it’s a crime.”
Joseph Gonzales is the bilingual, longtime trusted employee of the Durand Ranch, whose involvement Hannah solicits to serve as Ariela’s interpreter. When Hannah weighs the law of the land against doing the decent thing, Joseph joins Hannah in an attempt to get around punitive issues of immigration, while the cartel and law enforcement from either side of the border try to intuit their covert maneuvers, in a do-or-die dynamic begging the issue of right versus wrong.
In this tensely wired, swiftly paced, starkly realistic story of human trafficking set beautifully among nuanced clashing cultures, author Johnnie Bernhard defines each character’s motivation to portray the collision of opposing sides while casting a wide lens on a human atrocity. Hannah and Ariela is the story of one woman’s bravery in rescuing another, only to rise phoenix-like into a newly defined, far-reaching life purpose.
About Johnnie Bernhard
A former teacher and journalist, Johnnie Bernhard’s passion is reading and writing. Her work(s) have appeared in anthologies and in national and international publications, including Southern Literary Review, Houston Style Magazine, The Mississippi Press, the international Word Among Us, and the Cowbird-NPR production on small town America.
Johnnie Bernhard is a multiple, award-winning author and sought-after speaker.
Hannah and Ariela is Johnnie Bernhard’s 4th novel.
My review, as it appears in the New York Journal of Books
Adriana Trigiani’s three-part TheGood Left Undone reads like a multigenerational saga extolling the power of family. Part one begins with the sobering epigraph, “Let whoever longs to attain eternal life in heaven heed these warnings: When considering the past, contemplate these things: The evil done; The good left undone; The time wasted.” From the poignant beginning, the template is cast and incrementally filled in two timeframes fully played out by the Cabrelli family, in a pitch so passionate the reader remains personally involved throughout the story.
The Cabrellis are working class people, proud, salt-of-the-earth Italians whose everyday lives are devoutly guided by their Catholic faith. They live among the Birtolinis, Savattinis, Spiranzas, and Mattiuzzis. They drink espresso from moka pots and dine on bombolini during coastal Viareggio’s annual Carnevale. They are jewelers, and sailors, parents, and nurses, with ties to Italy, France, and Scotland. At the center of the story is the Cabrellis’ ancestral history. The family exists in modern times because some survived the second world war.
It is 81-year-old Matelda Cabrelli Roffo’s birthday as she sits in her third generation, seaside home in the village of Viareggio, Italy. Closing her eyes, she reminisces on those now gone, and understands, “a family was only as good as their stories.”
At 25, and engaged to be married, Anina Tizzi is a dazzler. Arriving at Matelda’s house to keep their scheduled appointment, she reminds her grandmother of their family tradition and says, “Your grandmother gave you a piece of jewelry to wear on your wedding day, your mother gave jewelry to my mother, and now it’s your turn to give it to me.”
When Anina asks Matelda to disclose a bit about her own mother, Matelda looks out to the Ligurian Sea and, knowing her days are numbered as the family lore archivist, concedes, “Anina would soon find out where the sea had taken Domenica Cabrelli before it swept her away, along with her true love and their secret.”
Freeing significant family heirlooms from their hiding place to present to Anina, each a building block contributing to the overall family story, Matelda is visited by the shadow of history. It is 1920, and her mother, Domenica Cabrelli, is 11 years old, on a treasure hunt with her best friend, Silvio, along the dunes of Viareggio’s white sand beach. When bad luck finds the inseparable friends, Silvio needs stitches, and Domenica, accompanying Silvio to Dottore Pretucci’s office, decides then and there to train as a nurse. It’s a fateful decision that spawns a trajectory of events ultimately effecting Domenica’s life and carrying forth to future generations.
Upon learning something about her great grandmother’s surprising story, Anina wants to hear more, and remarks of Domenica, “There might be something else in her story that would inform my life now. One person in the family impacts the whole group.”
The sea is a pervasive image in The Good Left Undone, as is the satisfaction an artisan receives from doing valuable work with committed hands. In the multi-layered, wider sphere, Trigiani’s focus is character driven and personal, with underlying themes of perseverance in the face of fate and chance, and an eye to preserving family lineage.
The heart and soul story of Domenica Cabrelli is thoroughly realized. It concerns the life and loves of a woman devoted to her family and heritage as set against the painstakingly researched backdrop of the Second World War, peppered with fascinating, little-known facts about the war’s impact on the Italian people.
In her compelling story, Trigiani’s detail is beautifully nuanced. Her sense of place is illuminating and vibrantly alive with the small details that make an Italian life meaningful. Matters of day-to-day survival are equally balanced with affairs of the heart in such a way that serves as a grandmother’s cautionary tale to her granddaughter. When Anina’s doubts about marriage arise, Trigiani’s dialogue is deadpan, quick-witted, and pithy as Matelda imparts her brass tack advice, “Listen to me. Love yourself. That’s the greatest adventure. When you love yourself, you want to find your purpose, something only you can do in the way only you can do it. Make things. Create. And if a man comes along—and believe me he will—the relationship is already off to a good start because both of you love the same person. You.”
The Good Left Undone is a poignant expose on the value of the unsung heroes in a multigenerational, working-class family, and through the power of story, author Adriana Trigiani reminds us that our own family stories are important. As Matelda reveals family secrets, the dawning of awareness comes to Anina. She becomes more and more enraptured and wants to hear everything about her family from her grandmother. “Mostly, Anina wanted to reach into the years ahead and bring her children into the present so her grandmother would know them. She wanted them to hear the family stories from the source. After all, her grandmother didn’t just tell the family stories; she was the story.”
Adriana Trigiani’s The Good Left Undone will delight book clubs, and those who enjoy historical fiction and women’s fiction. It’s a deeply felt, epic tale that transports the reader straight to the heart of Italy.
Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.
“One of the reigning queens of women’s fiction.” –USA Today
“A comedy writer with a heart of gold.” – The New York Times
“Trigiani is a master of palpable and visual detail.” – The Washington Post
Beloved by millions of readers around the world for her “dazzling” novels, (USA Today) Adriana Trigiani is the New York Times bestselling author of twenty books in fiction and nonfiction. She has been published in 38 countries around the world. The New York Times calls her “a comedy writer with a heart of gold,” her books “tiramisu for the soul.” She wrote the blockbuster The Shoemaker’s Wife, the Big Stone Gap series, the Valentine trilogy and Lucia, Lucia. Trigiani’s themes of love and work, emphasis upon craftsmanship and family life have brought her legions of fans who call themselves Adri-addicts (a term coined by book maven Robin Kall). Their devotion has made Adriana one of “the reigning queens of women’s fiction” (USA Today).
Adriana was among the first creators on Bulletin, Facebook’s platform launched in 2021. Her newsletter “Adriana Spills the Ink,” covers all aspects of living with ideas gleaned from the world’s best authors and their books. Adriana provides the tips to help you find the tools to unleash the creativity in your own life. You can read the newsletter here.
Adriana is an award-winning playwright, television writer and producer, and filmmaker. She wrote and directed the film adaptation of her debut novel Big Stone Gap, shot entirely on location in her Virginia hometown with an all-star cast including: Ashley Judd, Patrick Wilson, Whoopi Goldberg, John Benjamin Hickey, Anthony LaPaglia, Jenna Elfman, Jane Krakowski, Judith Ivey, Mary Pat Gleason, Dagmara Dominczyk, Mary Testa, Paul Wilson, Chris Sarandon, Jasmine Guy, and introducing Erika Coleman and Bridget Gabbe, with music by John Leventhal, and songs performed by his lovely wife Rosanne Cash, the legendary Ralph Stanley, Papa Joe Smiddy and the Reedy Creek Boys, If Birds Could Fly and Michael Trigiani. Glorious local talent performed on the soundtrack and acted in the movie, sharing their gifts beyond the peaks of the Appalachian mountains.
As my review appears in The New York Journal of Books:
The Lost Book of Eleanor Dare is historical fiction based on a true story with legendary status having to do with a mystery beginning in 1585 concerning the Lost Colony of Roanoke, whose citizens vanished without a trace during the perilous times of America’s early settlement. It’s a multigenerational story haunting Alice Merely Young, a WWII widow in her late thirties, and mother to 13-year-old daughter, Pennilyn.
It is the spring of 1945 when Alice’s small-business owning father dies in Helen, Georgia, and Alice returns to the deep roots she tried to outrun on her family’s neglected, vast acreage farm, six miles from Savannah. On riverside grounds sits a dilapidated mansion named Evertell, which Alice inherited. The house has suffered since she’s last seen it, and in Alice’s absence the secrets of her lineage once whispered by forebears, from one generation of women to the next are now silent.
Across the river by the family graveyard, in the small chapel on Bell Island, a treasured commonplace book is housed, which the mother of Alice’s ancestor, Eleanor Dare, began in England, and which Eleanor safeguarded as a Roanoke colonist with an eye
toward passing down to future generations. In the commonplace book, Eleanor Dare scratched a secret: “Every woman in Eleanor’s mother’s line waited for the day when her heart would be ready and she would have a vision, her Evertell, a sign she’d come of age and with it the gift of guidance from her forebears. . . . This is what passed from mother to daughter—a book of women’s wisdom and mysteries.”
It is now 15 generations down Eleanor Dare’s line, and Alice knows the commonplace book rightly belongs in the hands of her daughter, yet the bravery required to confess her role in one tragic night holds Alice back as she summons the memory of the last time she saw her troubled mother. Alice thinks, “My mother taught me that a story matters, not because it is true, but because it’s been told.”
Alice carries the burden of guilt over a failed familial rite of passage involving her mother and the legacy of a stone now lying sacrosanct deep in Evertell’s woods, thought to be inscribed by Eleanor Dare’s own hand. The memory of that night haunts Alice, who stands before the Evertell woods and thinks, “Until now, I’d tried to forget what happened. I’d never planned to go back to that place. But that was before I had a daughter of my own. Now she looks at me with the question all daughters are bound to ask their mothers: Who are you?”
Sonder Holloway has kept Evertell’s grounds for 23 years, ever since Alice and her father fled to the town of Helen after the death of Alice’s mother. Taciturn, reliable, and four years Alice’s elder, he’s a devoted man who has Alice’s best interest at heart, but the unreconciled shame Alice carries makes the reunion of the childhood friends awkward, and when Alice reports her intention of selling Evertell to finance Penn’s education, Sonder is sensitive to Alice’s past and patient.
He, and a handful of other wonderfully drawn local characters know well of Evertell’s secrets, for the tightly woven threads of Evertell’s storied fabric include many in the nearby village. All know the legend of the Dare stone connecting Alice’s family with a dark history, and though it’s of historical significance, Alice suspects that stone is the source of a family curse.
The Lost Book of Eleanor Dare is an intriguing, dreamy story about the impact of one unhealed woman who has yet to reconcile her past in such a way that lends itself to transparency with her young daughter, who, by birthright, wants to know and deserves to know about her own lineage. Author Kimberly Brock delicately balances mystery, family lore, and honoring one’s forebears in sonorous language throughout a sweeping story with three points of view, two timeframes, and remarkably steady pacing. Weaving myth and legend with historical fact pertaining to an age-old American mystery, The Lost Book of Eleanor Dare is a spellbinding, beautiful story written by a graceful hand with just the right amount of mysticism.
Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.
Her debut was an Amazon bestseller featured by both national and international book clubs and included in multiple reading lists. Praised by RT Reviews and Huffington Post as a “solemn journey of redemption, enlightenment and love,” and evocative of “the stories of Flannery O’Connor and Carson McCullers,” Kimberly’s debut novel was honored with the prestigious Georgia Author of the Year Award in 2013, by the Georgia Writer’s Association.
A former actor and special needs educator, Kimberly received her bachelor’s degree from the University of West Georgia in 1996. In 2014, Kimberly founded Tinderbox Writer’s Workshop, a transformative creative experience for women in the arts. Kimberly has served as a guest lecturer for many regional and national groups, including The Women’s Fiction Writer’s annual conference and The Pat Conroy Literary Center. She lives near Atlanta with her husband and three children.
Claire Fullerton is the multiple award winning author of 4 traditionally published novels and one novella. Her work has appeared in numerous magazines, including Celtic Life International, and The Dead Mule School of Southern Literature. Website: https://www.clairefullerton.com/
Me: Tell us about Little Tea.
Claire: Little Tea concerns Southern culture, female friendships, family tragedy, and healing the past. Little Tea is actually the nickname of a character because Southerners are fond of nicknames! The story is a celebration of those deep friendships that last a lifetime–their shared history, loyalty, unconditional acceptance, and the importance of a sense of humor.
Me: Which scene was the most difficult to write and why?
Claire: There’s a particular scene in Little Tea that is pivotal in the story. I’d never had such an experience, so I used my imagination and employed all senses. The scene came together for me when I incorporated how the atmosphere sounded.
Me: How does the Southern setting influence your story?
Claire: Southern culture is part and parcel to Little Tea. I’ll go as far to say had the story been set anywhere else, the events couldn’t have happened as they did.
Me: Describe your journey to becoming an author.
Claire: It began for me with keeping a daily journal from a very young age. I kept a journal when I lived on the west coast of Ireland. When I returned to America, I wrote the book that became Dancing to an Irish Reel from what was in my journal. It’s been a steady build from there that includes 4 novels, one novella, and a recently completed manuscript.
Me: Who has been your greatest influence in becoming a writer?
Claire: All the fearless writers who dare to write in the first person! Beyond that, I admire Donna Tartt, Pat Conroy, Ron Rash, Anne Rivers Siddons, Billy O’Callaghan, and many of the Irish authors.
Eve Prince is done—with college, with her mom, with guys, and with her dream of fashion design. But when her best friend goes MIA, Eve must gather together the broken threads of her life in order to search for her.
When Eve’s grandmother, Boop, a retiree dripping with Southern charm, finds out about the trip, she—desperate to see her sister, and also hoping to alleviate Eve’s growing depression—hijacks her granddaughter’s road trip. Boop knows from experience that healing Eve will require more than flirting lessons and a Garlic Festival makeover. Nevertheless, Boop is frustrated when her feeble efforts yield the same failure that her sulfur-laced sip from the Fountain of Youth wrought on her age. She knows that sharing the secret that’s haunted her for sixty years might be the one thing that will lessen Eve’s growing depression—but she also fears that if she reveals it, she’ll lose her family and her own hard-won happiness.
2020 American Fiction Awards Winner in Coming of Age 2021 Eric Hoffer Montaigne Medal Finalist 2021 Eric Hoffer Category Finalist Buzzfeed’s 12 Most Anticipated Books of Fall Popsugar’s “The 21 Most Exciting New Releases Hitting Bookshelves Throughout October” Parade’s “Highly Anticipated Books of Fall” Frolic’s “Ten Books Perfect for Your Book Club”
“A touching intergenerational romp through the coastal South.” —Kirkus Reviews“
Boop and Eve’s Road Trip will touch your heart. A beautiful and emotional story of sisterhood, family, and friendship. From the first page, Mary Helen Sheriff’s lush and lyrical writing draws you in. Fans of Patti Callahan Henry and Kristy Woodson Harvey will adore this debut.”
–Kerry Lonsdale, Wall Street Journal bestselling author of Last Summer“
Boop and Eve’s Road Trip is warm, witty, and wise, with characters I loved and characters I loved to hate. Filled with twists and turns and many a bump in the road, this trip is a delight from beginning to end.” –Han Nolan, National Book Award-winning author of Dancing on the Edge
MeetMary Helen Sheriff
When I was a kid I wanted to be a model, an actress, a teacher, and a writer. Lack of height, smoking good looks, and talent lost the first two of those professions for me, but I’ve had the pleasure of exploring the latter two.
I’ve spent 14 years in classrooms teaching elementary school, middle school, college, and professionals.
During this time, I’ve also had the pleasure of dabbling in writing for children, teenagers, and adults in a variety of forms including fiction, poetry, blogs, and nonfiction. I even spent several summers immersed in an MFA program in children’s literature at Hollins University (which I suppose isn’t exactly dabbling).
I’m taking a break from the classroom to concentrate on my writing. My debut southern women’s fiction, Boop and Eve’s Road Trip, was published on October 6, 2020
Great E-Book Deal!
Ebook on sale for the first time ever! Boop and Eve’s Road Trip was just nominated for a Zibby Award for best opening sentence: “Boop loved her daughter to the moon and back, but Justine had a way of sucking the joy out of a room faster than a vampire bat.”
It won’t surprise you to learn that the author of Boop and Eve’s Road (that’s me for the uninitiated) loves herself a smashing southern story. I’ve put together a refreshingly diverse list here–all southern, all sensational, but so very, very different. Do yourself a favor and pick up one (or heck y’all, all three of these reads).
Purple Lotus by Veena Rao is the story of Tara who immigrates from India to Atlanta, Georgia to be with her husband Sanjay. Theirs is a horribly ill-suited arranged marriage. Tara finds herself lost in a new country with an abusive husband and an unfortunate lack of self confidence. Eventually, she makes friends in her new community giving her the courage to leave her husband and make her own life in her new country. Some might argue that Purple Lotus is more of an immigrant story than a southern story, but I’d point out that Rao beautifully captures the experience of someone fresh to the South, that the south is more than its traditions, that the South with its world renown hospitality has room for all. Tara’s story of empowerment will steal your heart. Don’t miss it.
Sharp as a Serpent’s Tooths the best collection of short stories I have ever read. The characters, like June Bug and Eva, are delightful, quirky, and engaging. The plots are mesmerizing, unique, and page-turning. The southern country setting adds texture and delight with its Pentecostal Preachers, snakes, and speaking in tongues. Mandy Haynes has put together a beautiful collection with a southern voice that drawls off the page.
Little Tea by Claire Fullerton explores some of the more traditional southern motifs, complete with plantation homes and racial tension. Three childhood friends come together at a lake in Arkansas where an old boyfriend forces them to face the past. Through the voice of the main character, Celia Wakefield, Fullerton explores the evolution of racial relations in Mississippi. White daughter of a wealthy old southern family, Celia befriends the daughter of the black couple who runs her family’s plantation. Tucked away in the country in 1980s, their friendship flourishes. However, once the friends leave the plantation behind it becomes more difficult to navigate a mixed-race friendship in a world not quite ready for such things.
If you are a fan of all things Southern, you might also enjoy these posts:
I woke up this morning to the surprise of this on Goodreads.
This, I think, is proof of the scales balancing in that Little Tea was released at the beginning of the pandemic, which meant the book tour primarily in the Deep South that I had scheduled was canceled. I had ten events scheduled, back-to-back, in three Southern states including radio, bookstores, and television. The cancelation left me, as well as legions of authors, not only disappointed, but baffled about how to get the word out about our books. I owe endless gratitude to WordPress Bloggers, book clubs, podcasts, libraries, Facebook book pages and book groups. ZOOM and StreamYard have been phenomenal venues.
Below is Landis Wade of the Charlotte Reader’s Podcast.
Southern Culture … Old Friendships … Family Tragedy
One phone call from Renny to come home and “see about” the capricious Ava and Celia Wakefield decides to overlook her distressful past in the name of friendship.
For three reflective days at Renny’s lake house in Heber Springs, Arkansas, the three childhood friends reunite and examine life, love, marriage, and the ties that bind, even though Celia’s personal story has yet to be healed. When the past arrives at the lake house door in the form of her old boyfriend, Celia must revisit the life she’d tried to outrun.
As her idyllic coming of age alongside her best friend, Little Tea, on her family’s ancestral grounds in bucolic Como, Mississippi unfolds, Celia realizes there is no better place to accept her own story than in this circle of friends who have remained beside her throughout the years. Theirs is a friendship that can talk any life sorrow into a comic tragedy, and now that the racial divide in the Deep South has evolved, Celia wonders if friendship can triumph over history.
Little Tea is available at online book outlets and book stores!
Asia Butler and her sister, Ivy Butler Morelli, have not spoken in fifteen years. The two endured brutal emotional abuse from their mother, Veronica, and want only to forget the past . . . and each other.
But the past comes calling when they each receive a letter from Veronica’s attorney promising much needed cash if they will fulfill her dying wish and consent to cleaning out their childhood home. Asia and Ivy reluctantly return to their hometown of Emerson, Florida, only to discover the house is a hoarder’s nightmare filled with strange mementos and clues hinting that they were not the only victims of Veronica’s sadistic nature. Can this new pain be the path to their healing? Will they be able to choose forgiveness over resentment?
“A powerful story about the wounds we carry, and the courage it takes to let them go.” –Zena Dell Lowe, The Storytellers Mission
Donna Mumma’s debut novel, Fresh Scars, is a moving and poignant tale that shows just how strong the human spirit can be. “This one touches all the emotions, and readers may very well find the courage to face a few of their own difficulties after reading it! Don’t miss this well-crafted and redemptive story!” –Jennifer Uhlarik 2020 Will Rogers Medallion Award Finalist, Sand Creek Serenade
“Fresh Scars immerses readers in the skin of characters who battle the trauma of childhood abuse and discover the spiritual strength to overcome it. Author Donna Mumma crafts an authentic depiction of anxiety, sibling rivalry among survivors, and the triggers which draw each sister back to relive the past. The tangles of psychological realism weave themselves around a compelling mystery while the drama proves equally captivating. I felt entwined with the characters until reaching the perfect and satisfying ending. I couldn’t recommend Mumma’s novel more highly.” –Tina Yeager, LMHC, Life Coach, Author, Speaker, and Host of the Flourish-Meant Podcast –This text refers to the paperback edition.
About the Author
I am a native Floridian, farm kid and dreamer. I was blessed with two wonderful parents who taught me how stories enable us to learn, escape, connect and be inspired.
My writing inspiration also comes from the folks I knew in my growing up years. I came from a small town in Central Florida filled with some of the greatest storytellers. Tales of hunting trips gone awry, flipped airboats, eccentric relatives and beloved dogs seasoned my childhood.
From the stories of my parents and neighbors, I learned two important lessons. First, life comes with sunshine and hurricanes. Second, with God’s help, we can flourish in both.
My parents had a saying. It’s not important that you get knocked down but that you get back up. I write stories about people who fall, stand and press forward with God’s help.
I invite you to come with me on this writing journey. My hope is somewhere along the way we can discover all the Good Lord intended when He set us on this path.
Donna Mumma has been writing since age eight. She has won awards for speculative and women’s fiction as well as devotions. An avid believer in education, she holds a BAE and M.Ed. in Elementary Education. She serves as a chapter mentor for Word Weavers International. Donna now lives on the West Coast of Florida with her husband. She is the mom of two college boys and one energetic collie named Duke. Her favorite things are faith, family, alligators, a warm cup of tea and sunflowers