Sensations Summer Reads

As it appears on Mary Helen Sheriff’s July, 19 Blog

by maryhelensheriff | Jul 19, 2021 | Book Lists

It won’t surprise you to learn that the author of Boop and Eve’s Road (that’s me for the uninitiated) loves herself a smashing southern story.  I’ve put together a refreshingly diverse list here–all southern, all sensational, but so very, very different.  Do yourself a favor and pick up one (or heck y’all, all three of these reads).

Purple Lotus by Veena Rao is the story of Tara who immigrates from India to Atlanta, Georgia to be with her husband Sanjay. Theirs is a horribly ill-suited arranged marriage. Tara finds herself lost in a new country with an abusive husband and an unfortunate lack of self confidence. Eventually, she makes friends in her new community giving her the courage to leave her husband and make her own life in her new country.  Some might argue that Purple Lotus is more of an immigrant story than a southern story, but I’d point out that Rao beautifully captures the experience of someone fresh to the South, that the south is more than its traditions, that the South with its world renown hospitality has room for all.  Tara’s story of empowerment will steal your heart.  Don’t miss it.

Sharp as a Serpent’s Tooths the best collection of short stories I have ever read.  The characters, like June Bug and Eva, are delightful, quirky, and engaging.  The plots are mesmerizing, unique, and page-turning. The southern country setting adds texture and delight with its Pentecostal Preachers, snakes, and speaking in tongues. Mandy Haynes has put together a beautiful collection with a southern voice that drawls off the page. 

Little Tea by Claire Fullerton explores some of the more traditional southern motifs, complete with plantation homes and racial tension. Three childhood friends come together at a lake in Arkansas where an old boyfriend forces them to face the past. Through the voice of the main character, Celia Wakefield, Fullerton explores the evolution of racial relations in Mississippi. White daughter of a wealthy old southern family, Celia befriends the daughter of the black couple who runs her family’s plantation.  Tucked away in the country in 1980s, their friendship flourishes. However, once the friends leave the plantation behind it becomes more difficult to navigate a mixed-race friendship in a world not quite ready for such things. 

If you are a fan of all things Southern, you might also enjoy these posts:

Book Clubs that Travel: Boop and Eve’s Road Trip

A Literary Care Package for Southern Mamas

Where to Eat on Your Road Trip Through the South

Join us via Facebook here:

WEDNESDAY, JULY 21, 2021 AT 4 PM PDT

Author Road Show “Southern Fiction: There’s No Place Like Home”

The aforementioned authors will talk about the South, and what makes Southern fiction!

Free  · Online Event

The Original Post by Mary Helen Sheriff

https://linktr.ee/cffullerton

Mourning Dove

 

I want to share my latest news with you about my third traditionally published novel,  Mourning Dove, whose release date was June 29, 2018.  I am happy to share the news that just yesterday, Mourning Dove won its 7th book award. Above is a Mourning Dove video to show you sliding images of those 7 awards.

I went into the writing of Mourning Dove wanting to write about two subjects: the social mores of the Deep South as exemplified in the setting of the old guard, as its known, and the dynamic between siblings. What fascinates me the most about siblings is the idea that they come from the same history, are cut from the same cloth, yet often turn out differently. The question of why this is led me through the writing of Mourning Dove, and although I have never said this publically ( and probably never will) I wrote down three themes to guide me through the book, otherwise written without an outline. The themes were this: the search for home, the search for identity, and, very loosely, the search for God, as in finding some semblance of understanding as to who’s really in charge, along with the question of what it is that shapes a person; whether it’s nature or nurture?

And with regard to the South with all its traditions, history, and rife population of characters peacock proud to call themselves “Southern,” I thought it best to show the South through the eyes of two siblings named Millie and Finley Crossan, who were born in the North, and come to the South as outsiders during the formative stage of adolescence so they could view their environment without a filter while trying to fit into  the culture.

The sibling dynamic is a significant one to those of us lucky enough to be born to it. We learn who we are in relation to those closest to us, and when it comes to siblings, I believe there is a certain type of mirror imaging at play that helps to define us. I’ll say this about siblings: they never let you forget where you came from.

Mourning Dove’s book description says this:

“An accurate and heart-wrenching picture of the sensibilities of the American South.” Kirkus Book Reviews

The heart has a home when it has an ally.
If Millie Crossan doesn’t know anything else, she knows this one truth simply because her brother Finley grew up beside her. Charismatic Finley, eighteen months her senior, becomes Millie’s guide when their mother Posey leaves their father and moves her children from Minnesota to Memphis shortly after Millie’s tenth birthday.

Memphis is a world foreign to Millie and Finley. This is the 1970s Memphis, the genteel world of their mother’s upbringing and vastly different from anything they’ve ever known. Here they are the outsiders. Here, they only have each other. And here, as the years fold over themselves, they mature in a manicured Southern culture where they learn firsthand that much of what glitters isn’t gold. Nuance, tradition, and Southern eccentrics flavor Millie and Finley’s world as they find their way to belonging.

But what hidden variables take their shared history to leave both brother and sister at such disparate ends?

Here is one poignant reader review of Mourning Dove:

“Style and substance are the two necessary ingredients any book must have. This book exemplifies both. I was charmed and delighted by the author’s descriptive abilities. Her use of language, metaphors, turns of phrase kept me turning each page. She can make a table sound interesting.

 

I made this book trailer to give the reader an idea of the setting of Mourning Dove.

I hope you enjoy watching the Deep South as I know it!

 

 

https://www.clairefullerton.com

 

 

 

 

 

Little Tea Reader and Book Club Questions.

Little Tea Reader and Book Club Questions

An author’s intention is telling, when they reach out to readers with questions to consider after reading their book. Because my 4th novel, Little Tea’s, themes are universal– the strong ties of long lasting female friendship, the search for home, and the power of resiliency after weathering family tragedy, my hope is the reader will view these topics through their own lens. And because Little Tea explores the racial divide in the 1980’s Deep South and packs a surprise ending, there is is much for readers and book clubs to discuss!

Here are 12 topics for readers and book clubs to discuss, as they appear on the last page of Little Tea:

1. Celia, Renny, and Ava have a friendship that spans decades. What is it that keeps their friendship thriving? Do you have similar ties with your childhood friends?

2. Ava’s marriage hangs in the balance at the center of this story. Do you find Ava’s reasoning understandable?

3. Can you discuss how it might be that Celia and Renny have different views of Ava’s marital predicament? What is it about their personalities and life experiences that shape their opinion?

4. What do you think about the appearance of Ava’s ex-boyfriend, Mark Clayton in the story? Is Ava trying to avoid her marriage by revisiting her lost youth? Can you relate?

5. What are Celia’s feelings for Tate Foley during this story? Does she experience resolution at the end?

6. Discuss Celia and Little Tea’s relationship. What are their differences? What is their common ground?

7. Celia has left the South to start anew in California. Do you find this reasonable? Can anyone ever outrun their past?

8. Celia’s backstory is set in the 1980’s South. What were the racial attitudes in the 1980’s? How have they changed now?

9. Discuss the nuances of the relationship between Hayward and Little Tea? What draws them together? Why, do you suppose, did they keep their relationship under wraps from Celia and others?

10. How do the members of Celia’s family shape the dynamic to this story?

11. Were you surprised by the ending?

12. What do you consider to be the point of the ending?

Little Tea without preorder

Southern Heat and the Making of a Book Trailer

While I researched my novel, Little Tea, I visited three locations in the Deep South: Greer’s Ferry Lake in Heber Springs, Arkansas; Memphis, Tennesse, where I grew up; and Como, Mississippi, which is 45 miles south of Memphis. It was the month of July, in the high heat of summer, and if you’ve ever been to the Deep South in the month of July, you know the gauze-like, humidity is part and parcel to the experience.

I embraced it all from the second my plane from Southern California landed. Through the automatic, sliding glass doors, the humidity hit me with the life force of a raging inferno and followed me all the way to my friend’s waiting car.

In the Deep South, much thought goes into escaping the heat. People live in air-conditioned wind tunnels that drown out all sound and wear cotton sweaters inside, which seems, to me, utterly ironic, but there you have it.

There’s a specific character to the Deep South in the summertime that has much to do with the climate, a weighted sultriness that eases on the skin and slows everything down to the point that most things seem nice and easy. Nobody complains about the heat because it’s a regional given. Southerners live in harmony with the heat, build their houses with verandahs, put ceiling fans above, screens before their front doors, and rocking chairs out front because channeling the slightest of breeze is a cultural pastime.

It’d been a long time since I’d been to the South in the dead of summer, but I wanted to photograph Little Tea’s setting in the region’s full, resplendent nuance. I wanted the setting of the Little Tea to depict the South as character, and for that, I needed the trees in their fullness, the flowers in bloom, the sun’s glaring halo over Greer’s Ferry Lake, and the dirt roads fully shaded yet dry as a bone.

Photographing the setting of Little Tea, I knew, would anchor me to the South as I wrote the story, back home at my desk in California, but what I had in mind all along was a series of moving images with which I could gift the reader. After all, a picture tells a thousand words when it comes to a lasting impression. Included, here, is the book trailer of Little Tea I created. My hope is it will give Little Tea’s readers a good sense of place.

 

 

https://www.clairefullerton.com