Category: Book Release

The Paper Man by Billy O’Callaghan

Image of The Paper Man

Author(s): 

Billy O’Callaghan

Release Date: 

May 2, 2023

Publisher/Imprint: 

Godine

Pages: 

248

Buy on Amazon

Reviewed by: 

Claire Fullerton

“The Paper Man is a haunting story gorgeously crafted with subtle themes of identity, nationalism, dislocation, lost love, and the price of fame.”

Billy O’Callaghan’s The Paper Man slowly unveils a love story affected by pivotal world events. It weaves a compelling story in two time frames brought together from one man’s search for identity that spans two countries and leaves an impact on multiple generations. The story enthralls on many levels. It’s a deeply human one that takes its inspiration from the life of a celebrated historical figure who suffered the ramifications of the Holocaust.

It is 1980s Cork, Ireland, and 41-year-old Jack Shine’s life is now changed. In the dark, just before sleep, he whispers to his wife as much as to himself, “You think you know yourself. You fill yourself up with what you can, you grab what’s going and hold on. And then something like this happens, and suddenly you’re empty all over again.”

The emptiness Jack refers to concerns the death of his mother when he was age ten. What he knows of himself is that he is well-loved by the relatives who raised him, and that his mother, Rebekah, “had arrived here from Vienna, as vibrant and cosmopolitan a city as any in Europe . . . she’d originally been country born and bred and had kept her preference for silences and slower ways.” Jack understands that his young, Jewish mother had fled Vienna on the cusp of WWII to be out of harm’s way and found safe haven in Cork, with the family of her father’s brother. But because of his age when she died, Jack knows little of Rebekah’s backstory, including the identity of his father. His relatives are equally unaware of the details that led to Jack’s birth, having asked no questions when Rebekah arrived in Cork pregnant  and unable to speak the language.   

Local stevedore Jack lives down the street with his wife and daughter from the house in which he was raised. Now that his original family home is on the market, he clears out its contents and finds “a twine-bound grey cardboard shoebox . . . bearded in dust and probably decades hidden,” in which a series of faded newspaper clippings, love letters, and photographs are neatly preserved. The letters are written in German and addressed to his mother. “The one-sided nature of the letters, especially when considered in total, only raises further questions and deepens the sense of mystery.” What Jack recalls of his mother is that “she is timid, silent to a fault, and easily cowed, the kind to hold herself to smallness in any room.” Although he fears what the shoebox might reveal, something within him must know. Because his nearby father-in-law speaks fluent German, Jack dares to solicit his involvement. And so begins Jack’s search for identity—his father’s, and by extension, his own.

It is the dawn of WWII in 1938 Vienna, and the whole of the region puts their sense of pending doom aside in favor of the last-gasping breath of patriotism, as the Austrian and German soccer teams face off, on the last day the Austrian flag flies in front of 60,000 exuberant fans. The symbolic significance of the match cannot be overstated, when onto the playing field strolls Matthias Sindelar, the Austrian team player everyone has come to see.

Matthias Sindelar is larger than life. Regaled as the finest living soccer player, his moniker, the Paper Man, is aptly given. “When he runs, even at thirty-five, it is like watching a great dancer, that same godly elegance of power, grace, and musicality . . . he glides and slaloms among them . . . every touch, pass and dribble becomes a small glory in and of itself, an exhibition in the purest sense.” An object of Austrian pride, “The press loved him because in everything he did he was pure story. Mozart with a football.”

With all eyes upon him at the last match before the war, Sindelar is unable to resist the opportunity to publicly snub his opponents, and consequently draws the long gaze of the Gestapo when he performs a mocking gesture before a riveted crowd that feels like “a colosseum moment.”

Sindelar, reputably a ladies’ man, has his heart captured by young and innocent Rebekah from the village of Kaumberg. “The mismatch was instantly apparent: at the time of their initial encounter she had only just turned nineteen and was every bit the country innocent . . . The thirteen-year age difference felt like a hurdle impossible to overcome.” As their relationship evolves into something profound, so does tension over Germany’s occupation of Austria, setting the stage for the pair to become star-crossed lovers.

O’Callaghan’s sense of place in The Paper Man’s two time frames is cinematic. The historical accuracy of streets, buildings, and cafés in 1938 Vienna is vivid, and the humble neighborhoods of working-class, 1980s Cork are alive all the way to the waterfront docks.

The author’s knowledge of soccer’s breakneck speed dynamic is displayed with breathtaking minutiae, striking a fine balance between those cheering from the stands and those playing on the field. O’Callaghan’s use of language is the life force of the story. His long sentences are sonorous and poetic; no detail is left unattended in his masterfully fluid prose.

The Paper Man is a haunting story gorgeously crafted with subtle themes of identity, nationalism, dislocation, lost love, and the price of fame. The story informs and intrigues the most discerning reader of literary and historical fiction, and will linger long after its final page.

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

Billy O’Callaghan was born in Cork in 1974, and is the author of four short story collections: In Exile (2008, Mercier Press), In Too Deep (2009, Mercier Press), The Things We Lose, The Things We Leave Behind (2013, New Island Books, winner of a 2013 Bord Gáis Energy Irish Book Award and selected as Cork’s One City, One Book for 2017), and The Boatman (2020, Jonathan Cape and Harper (U.S.A.)), as well as the novels The Dead House (2017, Brandon/O’Brien Press and 2018, Arcade/Skyhorse (USA)), My Coney Island Baby, (2019, Jonathan Cape and Harper (U.S.A.)) and Life Sentences (2021, Jonathan Cape and Godine (U.S.A.)).

His latest novel, The Paper Man, was recently published by Jonathan Cape and Godine in May 2023. Read more about it on the Books page.

Billy is the winner of a Bord Gáis Energy Irish Book Award for the short story, and twice a recipient of the Arts Council of Ireland’s Bursary Award for Literature. Among numerous other honours, his story, The Boatman, was a finalist for the 2016 Costa Short Story Award, and more than a hundred of his stories have appeared or are forthcoming in literary journals and magazines around the world, including: Absinthe: New European Writing, Agni, the Bellevue Literary Review, the Chattahoochee Review, Confrontation, the Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative, Ploughshares, Salamander, and the Saturday Evening Post.

The Secret Book of Flora Lea by Patti Callahan Henry

The world building elements in Patti Callahan Henry’s The Secret Book of Flora Lea are as varied and finely wrought as brush strokes on canvas. In the enchanting story’s two timeframes, the reader is taken into a quaint hamlet outside Oxford; pastoral fields beside the river Thames; a stone cottage with flourishing gardens; the fairy tale setting of Whisperwood; an antiquated bookstore in London’s town center; and, at the heart of the unfolding mystery, a secret between sisters evacuated from WWII London that haunts Hazel Linden well into 1960.

Excited to be taking an upwardly mobile position at Sotheby’s, on her last day of employment at Hogan’s Rare Book Shoppe in Bloomsbury, 25-year-old Hazel receives a shocking delivery from America of a recently published book titled, Whisperwood that dredges up the central wound of her past. The associated guilt Hazel harbors is never far from mind. “The dread. The panic. The jealousy of other people having small children at their side . . . Some days, she’d turn to that loss and acknowledge it, and sometimes, for blessed hours, she would forget, but then the shadow would fall long and fast onto her soul and she’d remember this: She lost her sister.”

Examining the book in hand, Hazel’s thoughts turn to 1940s London and “Operation Pied Piper, “a nursery rhyme name for a horror of an idea” that swept 14-year-old Hazel and her five-year-old sister, Flora, to the countryside during an uncelebrated part of England’s history that saw the children of WWII’s London relocated from harm’s way. “Now in the backroom of the small Rare Book Shoppe, the past overcame her. She’d been searching for her sister for twenty years now, ever since she’d disappeared when she was six years old from the hamlet of Binsey, and now Hazel had a clue, something to grasp on to and she was not letting go.”

Hazel’s devotion to discovering the truth behind the disappearance of her sister drives the story, and at its center is a 1940s fairy tale Hazel made up, intending to distract young Flora from the war-torn reality around them. The story grows in magical increments and begins each time, “Not very long ago and not very far away, there was and still is an invisible place right here with us. And if you are born knowing, you will find your way through the woodlands to the simmering doors that lead to the land made just and exactly for you.” The details of the imagined kingdom Hazel named Whisperwood were kept secret between the displaced sisters. When the book with that title falls into Hazel’s hands, so begins an expertly crafted suspenseful mystery.

The two timeframes in The Secret Book of Flora Lea create high stakes motivation as Hazel endeavors to discover what happened to Flora, while securing her own future. By 1960, Hazel has made a neat life for herself, despite her family’s unhealed backstory. Engaged to a young man from a prominent family and on course as a purveyor of rare books, when the past comes to haunt, questions of life’s priorities come to the fore, tipping the scale to the importance of family.

The supporting characters oscillate with fluid strategy throughout the story, as Hazel Linden, against all odds, refuses to accept the final judgement on her sister’s disappearance. Callahan Henry keeps the reader in character invested suspense. When all characters are brought into surprising alignment, Hazel asks herself, “Is this where hope met despair? Where the past rushed to the present? Where joy replaced the agony of the lost?”

Patti Callahan Henry delivers, yet again, an historically layered, dreamy tale that keeps the anglophile fires burning, on the heels of her acclaimed 2021 release, Once Upon a Wardrobe. Her descriptive detail is cinematic. Fourteen-year-old Hazel Linden, newly re-homed at the Aberdeen’s countryside cottage, gazes out the kitchen window in the hamlet of Binsey: “What a place this was, Hazel thought. All the wide green space to run; the rippling of the sky that touched the horizon of trees unobstructed by a cathedral or tall building. It was as if by taking a simple train ride the world had unfolded, presenting itself in long stretches of rolling hills and heather fields.”

A charming story that weaves fairy tale, mystery, and historical importance with a good dose of romance, The Secret Book of Flora Lea will appeal to all ages, as the author unfurls a fantastic story about “an invisible place right here with us.”

Salvage This World by Michael Farris Smith

As it appears in the New York Journal of Books

Against the kinetic backdrop of a hurricane brewing and a young mother on the run from Louisiana, author Michael Farris Smith cinematically opens his Southern noir novel, Salvage This World, with a literary split screen depicting a phone call Jessie never wanted to make and Wade never wanted to answer. The desperate Jessie is in flight for her life, and the recovering alcoholic Wade never knew how to act like her father.   

When Jessie, now in her early twenties, arrives with her young son in a stolen car at her estranged father’s ramshackle house in Pike County, Mississippi, Wade stands on his porch, lights a cigarette, and thinks, “She didn’t even tell you. And he ain’t even a baby anymore. She had a baby and didn’t tell you and now the baby is a boy, and she didn’t even tell you.”  

Farris Smith sets the stage for characters wanting to connect despite the mutual, deep-seated resentment at the heart of their estrangement, when Wade dares to ask, “Where is Holt?” and Jessie says, “I can’t believe you said his name.”

Holt is the father of Jessie’s son, and his life has gone from bad to worse. A dozen years older than Jessie, the pair met at the local dairy bar, and although Jessie never asks, she knows the scars on the back of Holt’s neck chart his unlucky childhood.  

The current trouble at the center of the story begins with Holt nursing a hangover prior to meeting Jessie. “Three years before, Holt had awakened with his face in the dirt, out behind a cinderblock bar on the outskirts of St. Francisville.” When he sees a group erecting a revival tent in a nearby field, he is intrigued. It is “as if he were not only still drunk but also trapped in a lucid dream of beckoning.”

The woman spearheading the revival is named Elser. Possessed of otherworldly charisma, she drives a hearse and leads the travelling congregation of The Temple of Pain and Glory by preaching us-versus-them sermons for monetary donation throughout an impoverished South so inhospitable it’s now dwindling in population. “No matter the field or parking lot or beaten up town the Temple of Pain and Glory raised its banner.”

As for her lemming-like parishioners, Elser “beat them with the stick of distrust and they cheered their own suffering.” The cynical Holt observes Elser from the back of the tent and knows, “She had them. The small, wrinkled, lightweight monster of a woman had them.”

In it but not of it, for lack of a better place to go, Holt intuits sinister dealings behind the scenes of the Temple of Pain and Glory, and when he witnesses the handoff of a mysterious key between Elser and a dubious character, events take a turn for the worse as curiosity leads Holt to break into Elser’s lodgings to steal them, resulting in his becoming a hunted man, and sweeping Jessie into a life-threatening story.  

It is dark and disturbing dealings against a do-or-die background, and Michael Farris Smith keeps the tension off-kilter while unravelling the broken character’s surprising cause-and-effect connections. Weaving theft, murder, and kidnapping all having to do with the key, a menacing sky is sure to unleash a hurricane any minute.  

The author’s gift for oblique dialogue is scene stealing. The characters speak cryptically in regional dialect telling of their baggage and downtrodden station, and the bleak settings are commensurate with the tenor of the story, when Wade, unwittingly drawn into Holt’s drama, embarks on a high-stakes  mission in the dead of night to parts unknown. It is “A dense and untamed landscape drenched in darkness and rain. Wade drove along narrowed roads and unmarked roads and roads covered in runnels of muddy water and he went down gravel roads and slick roads that ran along overgrown fields and disappeared into thick forests and he searched and searched to find the crossing that would seem familiar to him.”   

Farris Smith is in top form at the layered story’s breathtaking climax, masterfully guiding disparate variables from a slow burn to an incendiary ending with suspenseful detail, multi-sensory pacing, and a future open to interpretation.

Salvage This World is specifically set yet transcends regional fiction. It’s a masterly drawn, tightly controlled story about the lengths one will go to safeguard their own.   

Michael Farris Smith at Square Books in Oxford, Mississippi

#bookreview: Be an Angel by Roma Downey

As it appears in the New York Journal of Books:

A beautiful, timeless, and timely collection of inspirational passages to use as a daily touchstone, Roma Downey’s Be an Angel: Devotions to Inspire and Encourage Love and Light Along the Way makes good on its title. It’s lovely in its optimism, succinct in its knowledge, efficient in its compact arrangement, and wonderfully structured for the reader’s convenience.

That actress, producer, and author, Roma Downey is a household name due to her starring role as an angel in the nine-year run of the fantasy/drama television show, Touched by an Angel, which justifies her hand in writing this book; it is her humility to which we’re attracted. In the book’s introduction, the author states her impetus in writing the book: “Over the years, because of my role on TV, people often mistook me for an actual angel.” Realizing the responsibility of her high-profile position, she explains how she rose to the challenge: “Della taught me that if we’re going to be used by God, we need to let go of our expectations and get out of the way.”

The 52 chapters of Be an Angel encourage the book’s use as a daily devotional to ponder in an incremental manner that, once coalesced, will impress as an overall way of being in the world, “bringing light into darkness.”

The chapters are neat and accessible, each beginning with a recognizable, inspirational quote followed compatibly by a short example of Downey’s personal experience to illustrate her point. Her manner is intimate and confessional. Her concerns are universal. Her tales range from anecdotes to transparent first-person narratives. Her settings range from home and hearth to her presence on social media.: “I recently posted this verse to my social media story one morning just after dawn . . . with the rest of the world, I had been watching a terrible international conflict evolve thousands of miles away.”

There are interesting stories in this well-arranged book, and the reader is given a look behind the curtain of a person leading a fascinating life. Downey shares her acquaintances and accomplishments with awe-struck wonder. She roams out into the world to India and returns to us with a message: “In India I encountered a profound oneness with humanity. We all love and lose. We have families and dreams . . . I

learned that we can understand one another’s pain if we open ourselves to it.”

Covering such subjects as hope, faith, gratitude, forgiveness, and grace, Downey suggests with a light hand that the beginning of enduring change might all start with you: “I started looking at what irks me considering what I’d want changed then doing for someone else what I’d want done.” Downey arrives at a conclusion: “We can’t change everything, but we can work toward peace when we change ourselves . . . if we don’t tend to what’s inside, we simply don’t have the bandwidth to be the change on a grander scale.”

Though anchored in Christian doctrine, Be an Angel transcends principle to embrace a larger concept of God. “It’s so essential in our frenetic world to step aside and be with God in stillness.” The author finds God in nature, “Often, I use the shift between activities to experience His presence in nature . . . I return to being not merely doing one more thing.”

The arrangement of this book is user friendly. Be an Angel is both an owner’s manual and a guide.  Beneath each of the 14 general categories, there are three companion stories illustrating Downey’s subject in exemplary form. At the end of each essay is a prompt for the reader’s consideration written as a reflection, and the reader is invited to put what they’ve read into practice.

For dreamers and students, thinkers and searchers, Roma Downey’s Be an Angel is a collection of spellbinding essays that reads like a devotional. Its tone is enlightening and encouraging. It’s a beautiful book you’ll want to keep at your bedside and give to your family and friends.  

Claire Fullerton is a staff reviewer at New York Journal of Books.

Roma Burnett OBE is an actress from Derry, Northern Ireland. For nine seasons she played Monica the angel in the CBS television series Touched by an Angel. She produced the mini-series The Bible for the History Channel and also appeared in it as Mary, mother of Jesus. She has performed on stage with the Abbey Theatre, The National Theatre of Ireland, and has appeared both on and off Broadway. She played the leading role of Jacqueline Kennedy Onassis in the Emmy award-winning miniseries A Woman Named Jackie for NBC.

Bryson City Recipes by Renea Winchester is Here!

It’s here! The recipe book that acts as a companion to Renea Winchester’s celebrated novel, Outbound Train, and first published in France is now available in the US! Bryson City Recipes was inspired by the authentic characters in the Appalachian set Outbound Train, and the classic, Southern recipes are amazingly easy to follow! From Appalachian Spiced Tea to Macaroni and Cheese with Tomatoes, you’ll delight in this recipe book!

In 1976, memories from a night near the railroad tracks sixteen years earlier haunt Barbara Parker. She wrestles with past demons every night, then wakes to the train’s five-thirty whistle. Exhausted and dreading the day, she keeps her hands busy working in Bryson City’s textile plant, known as the “blue jean plant,” all the while worrying about her teenage daughter, Carole Anne. The whistle of the train, the hum of those machines, and the struggle to survive drives Barbara. When an unexpected layoff creates a financial emergency, the desperate pressure of poverty is overwhelming.
Unbeknownst to Barbara, Carole Anne sneaks out at night to walk the tracks so she can work at Hubert’s Bar. She’s hoarding money with plans to drive her mother’s rusty, unused Oldsmobile out of Bryson City, and never return. She only needs one opportunity … if she can just find it.
When Carole Anne goes missing, Barbara finds herself at a crossroad—she must put aside old memories and past hurts to rely on a classmate for help finding her daughter. But this is the same man she blames for the incident years ago. Is she strong enough—or desperate enough—to do anything to keep her daughter safe?
In Outbound Train, the Parker women struggle to make frayed ends meet in a town where they never quite do … at least, not without expert weaving and a bit of brute force.

Renea Winchester

Renea was born and raised in Bryson City, North Carolina. She began her writing career in Georgia where she penned several non-fiction works including Farming, Friends & Fried Bologna Sandwiches (Mercer University Press) which was nominated for the prestigious SIBA award, earned Renea a nomination for Georgia Author of the Year, and received the endorsement from The Pulpwood Queens, the largest book club in the country. After winning the Wilma Dykeman Award for Essay and the Appalachian Writer’s Award, Renea focused on transitioning to fiction.

Renea has served on the Atlanta Writers Board, Georgia Writers Association, and judges multiple literary awards. In April 2020, Firefly Southern Fiction released Outbound Train. Set in her hometown of Bryson City, North Carolina, in 1976, Outbound Train is a triumphant story of perseverance and hope despite the harshness of poverty.

Renea is passionate about literacy, Appalachian Heritage, preserving rare seeds, cultivating endangered plants and meeting new friends.

Book Release: Scare Your Soul by Scott Simon

Most books are meant to be read.
This one is meant to be lived.

It’s not easy to be courageous. Feelings of fear and uncertainty often stop us dead in our tracks. But what if you had the courage to take action anyway? What changes would you make to transform your current reality into the life of your dreams?

Here’s the good news — like a muscle, courage grows stronger the more you exercise it. And Scare Your Soul will not only teach you how to exercise courage but will guide you in taking small, boundary-pushing actions to expand your comfort zone (so that you feel less fear and more confidence with each action).

By combining research on positive psychology with real-life stories of Scare Your Soul participants, international thought leader and happiness entrepreneur Scott Simon challenges you to confront your limiting beliefs. With writing prompts, activities, and real-world challenges, Scare Your Soul is an interactive roadmap to building bravery.

Scare Your Soul teaches you that the greatest antidote to much of what ails you in your life isn’t achievement, it’s action. So if you crave an extraordinary life but feel like you don’t know how to take “extra” ordinary action, this book is for you.

It’s time to Scare Your Soul.


Editorial Reviews

Review

“This is an empowering and inspiring book! If you want to lead the life you’re meant to lead, this is the compass you ought to take along.”―Tal Ben-Shahar, author of international bestsellers Happier and Being Happy

“In a world that feels so dark and full of fear, this book is a lantern for the courageous way forward.”―Jennifer Pastiloff, best-selling author of On Being Human

“I used to think being fearless was enough, until I read this book. It’s a game-changer.”―Turney Duff, author of the New York Times bestseller The Buy Side

“For any wallflowers desiring to encompass boldness—this is for you.”―Janne Robinson, author and poet –This text refers to the hardcover edition.

About the Author

Scott Simon is a happiness entrepreneur and founder of Scare Your Soul. He is dedicated to creating, curating, and leading opportunities for people around the world to be happier and more courageous. Scott founded the Scare Your Soul organization in 2015, organically growing it from one Facebook post to a global movement with sixty volunteer ambassadors worldwide. He has presented to groups around the world, appeared widely on TV and podcasts, given a TEDx Talk, and brought his passion for courage to retreats, a life coaching practice, and mindfulness meditations in person and online.

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Foster by Claire Keegan

In emotionally evocative, simplistic language, author Claire Keegan tells the story of a young girl sent to live with rural Irish relatives, while her over-burdened mother is due to have yet another baby. First-time experiences and awkward adjustments give the tentative girl her first taste of self-worth and belonging to a childless couple now aching to share their heart. A story profound in tacit nuance and cultural identity, the poignant ending resonates with an appropriateness both heart-rending and satisfying.

      Claire Keegan is an Irish writer known for her award-winning short stories. Her stories have been published in The New Yorker, Best American Short Stories, Granta, and The Paris Review; and translated into 20 languages.

An international bestseller and one of The Times’ “Top 50 Novels Published in the 21st Century,” Claire Keegan’s piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US

Book Review: The Presence of Absence by Simon Van Booy

The Presence of Absence

Image of The Presence of Absence

Author: Simon Van Booy

Buy on Amazon

Reviewed by: 

Claire Fullerton for The New York Journal of Books

Max Little is dying and wants to leave behind something of his life. A young writer of novels, novellas, and short stories, Max grew up in Wales, is of Pakistani descent, and now reclines in a New York hospital bed, in full acceptance of his terminal illness.

Not wanting to beg the reader’s pity, Max does what he does best by writing, and begins his straightforward narrative by marveling at the magic between reader and writer: “You do realize that by turning the page you’ve decided to follow a complete stranger down a possibly meaningless path?” he says. “Stories lead us behind the curtain of somebody else’s life into the deepest chambers of our own.” Max considers that by the time the reader puts eyes to his words, he, himself, might be absent. “None of that matters,” he assures, “because our lives are braided here and now by this sentence.” Seemingly delighted to embellish his point, Max continues, “For instance, I’m writing this in the present, and you’re reading it in the present. Except there is a gulf of time between us. I might even be dead. Yet here I am.”

In Simon Van Booy’s extraordinary novel, The Presence of Absence, each well-wrought sentence builds upon the next, taking us deeper into Max Little’s life with staggering lucidity. The first part of the story is constructed in descending numerical chapters that decline with a sense of fatalism as the narrator reconstructs his life’s highpoints interspersed with uncanny, existential observations on the business of life, death, and dying. Max confesses his mind’s innerworkings with adroit ease. “Do people ever walk around their homes, wondering which room they will die in? Whether it will be a Wednesday night or Saturday morning at the table with toast and coffee?”  And “What would happen to things like knives and forks once I was gone. Would my wife keep them?”

At the center of Max Little’s concern is his wife, Hadley, and the reader is taken to their first meeting even as Max shares his ruminations on how to best tell Hadley he is dying. Pondering his plight alone on a beach, he arrives at a profound spiritual truth, when he comes to consider himself in the third person. Max posits, “When you nurture the ability to witness your life in the third person, in extremis, or through prayer or meditation, there is an unavoidable shift in consciousness as you realize that who you are is not simply how you feel—but a presence beyond desire of any sort.”

Jeremy Abrams’s mother is dying. He comes into Max’s life through the coincidence of their shared New York therapist. The men bond over the similarities in their life circumstances, and as their friendship grows, it is Jeremy who suggests that Max begin keeping the journal the reader now holds in their hands. Max writes, “You might wonder what dying people look forward to. Being visited, yes, but also being left alone—though that takes a lot of practice, managing thoughts . . . I also look forward to reassuring people it’s okay this is happening.”

In The Presence of Absence, Part Two is theatrically introduced as a quick, black scene change. The section brilliantly holds the subheading, Sotto Voce. The third person story moves forward eight years in time, and fittingly alternates between breathtaking poetry, poignant one-liners, and what miraculously transpires from the connections formed in Max Little’s absence. An insight comes at the hands of one such connection, who stands at a sink washing cups in a basin and thinks, “Like the cups draining on a tea towel, absence has a practical value in how it shapes presence.”

A mind-bending, affecting story that breaks the heart open with startling clarity, this book makes the reader want to take pen in hand to underline The Presence of Absences’ passages. That author Simon Van Booy has taken a universal subject most prefer to shy away from and creatively crafted an accessible work of high art is an unparalleled literary feat. The deft use of language in this tour de force fulfills its own mission when Van Booy summarizes, “Language is a map leading to a place not on the map.”   

Simon Van Booy

Simon Van Booy is the award-winning and best-selling author of nine books of fiction, and three anthologies of philosophy.

He has written for the New York Times, the Financial Times, the New York Post, NPR, Poets & Writers, and the BBC. His books have been translated into many languages and optioned for film. He lives in New York with his wife and daughter. In 2013, he founded Writers for Children, a project which helps young people build confidence in their storytelling abilities through annual awards.

Beasts Of The Earth by James Wade

Beasts of the Earth

Image of Beasts of the Earth

Buy on Amazon

Reviewed by: 

Claire Fullerton for The New York Journal of Books

We know from the start LeBlanc is wounded, that his limping spirit is tantamount to the spare, prison-like furnishings of the low-ceilinged duplex he’s rented on the shanty side of town for the past 20 years, that his economic speech has little to do with still waters running deep, that it’s born of a wariness from what he’s hiding.

It is the economic downturn of 1987 in Coral County, Texas, where thirty-something Harlan LeBlanc works alongside the small crew of Carter Hills High School’s Grounds and Maintenance Department, and partakes of a cursory friendship with a troubled, young co-worker named Gene Thomas. A man of habit gripping to a rote, daily schedule, LeBlanc tends the high school’s football field with each step carefully taken, in a manner telling of his mind frame. “LeBlanc reveled in such undertakings—the opportunity to create boundaries, to ensure the proper area for the rules to be applied. There was an element of control, an upholding of justice, that brought peace

to his mind.”  

It is 1965 in the bayou of Assumption Parrish, Louisiana, and 13-year-old Michael Fischer’s hardscrabble world grows harder when his regionally shunned, depraved criminal father is released from prison. “A boy should be happy when his father returns, but Michael was not happy. He had memories of Munday—memories distorted by time and hearsay—and though there existed still a longing for the comfort and protection of a father, dread guided the boy.” Used to being the man of the house for his morbidly obese mother and younger sister, Michael is in fear when his hard-drinking father is home, and only breathes easy when he habitually disappears.

After home circumstances take an unspeakable, dark turn at the hands of his father, Michael flees to the woods, where he’s met with more danger still, until he’s found by a dying recluse of a poet named Remus, who takes the injured Michael to his cabin, and begins the long road to repairing the traumatized, now displaced, youth.

Over time, the strangers warm to an alliance, and Michael “played at having a father, and Remus played at being one. But the past is not a thing to sit still, and there are no new beginnings. The world itself was begun only once. And since that beginning its every rotation has depended on the one before—each circumstance born from the last.”

Cassie Harper has broken Gene Thomas’s heart. A student at Carter Hills High, there is

more to her than meets the eye. When Cassie is found murdered on school grounds, it rocks the entire community. When circumstantial evidence comes to include Gene Thomas, it strikes LeBlanc too close to home, casting aspersions on his character, and giving rise to his secret, haunted past.  

Author James Wade treads a tight wire between Beasts of the Earth’s dual storylines. He deftly keeps the reader guessing about common ground throughout the tumult of the three-part story. The tone is shadowy and off-kilter, with elements of gothic-tinged realism vested upon an innocent heart, and a mind in peril of becoming unhinged.

There is much to keep the reader invested. Wade’s pitch-perfect, personality-driven dialogue sings in the voice of life, and his ability to meld existential thought, situational metaphor, and cinematic setting is a full-bodied experience: As Harlan LeBlanc sets out to right a wrong from the past, “He walked along the river in the morning light and watched it widen and grow as it approached Port Neches and then on to the Gulf of Mexico, and he wondered if the river might hold itself or some piece of itself out there in all that ocean—might cling at some molecular level to whatever made it a river in the first place, salt or no salt. But he knew the answer and knew the difficulty in fighting back against an ever-growing tide.”

Beasts of the Earth satisfies the discerning reader. Its balanced, oscillating chapters are played out in riveting complete scenes that take you deeper into the gritty backstory of Harlan LeBlanc, a man you care about, and somehow understand from what he’s not saying, while the town around him holds him in suspicion and his moral compass covertly guides him to truth and justice sought at a personal cost.

A soul-deep exploration of a wounded man in crisis, James Wade’s Beasts of the Earth follows his two widely acclaimed novels, All Things Left Wild, and River, Sing Out, and secures his position as an author of extraordinary merit.  

Author James Wade

James Wade lives and writes in the Texas Hill Country with his wife and daughter. He is the author of River, Sing Out and All Things Left Wild, a winner of the prestigious MPIBA Reading the West Award for Debut Fiction, and a recipient of the Spur Award for Best Historical Novel from the Western Writers of America. His third novel, Beasts of the Earth, is now available from Blackstone Publishing.

Book Review: A Place to Land by Lauren Denton

A Place to Land

Image of A Place to Land

Author: Lauren K. Denton

Release Date: October 4, 2022

Publisher/Imprint: Harper Muse

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Reviewed by: 

Claire Fullerton

“Lauren Denton unfurls a mystery by reconciling a buried past with a modern-day story set in a town with vibrant characters brimming with Southern charm.”

A delightful Southern story extolling the deep bond of sisters, Lauren Denton’s A Place to Land has a heartwarming tone as it unravels a 40-year-old mystery coming back to haunt a cast of small-town characters whose lives are entwined in Sugar Bend, Alabama, which sits on Little River, with a population of under 2,000 just a few miles from the Gulf of Mexico.

Violet and Trudy Figg have an extremely close relationship. Now both in their sixties, their bond comes from “more than just being sisters, more than sharing a home and parents and a fondness for chocolate pudding.” From elder sister Violet’s point of view, “It was a single request from their fragile, damaged mother that linked them with something thicker than blood.” “With a father who was often out on the road in his eighteen-wheeler, and a mother who spent most of her energy dodging blows . . . Violet had accepted her role of Trudy’s caretaker long ago.”  

In their youth, the sisters were complimentary opposites. Trudy enjoyed a wide reputation as a popular beauty pageant queen, while Violet was the quiet, introspective sort who spent most of her time outdoors.

The sisters now keep a steady schedule. “Trudy and Violet both navigated life the best way they knew how—for Trudy, it was working with her materials and setting the pieces just right, while for Violet it was through the birds . . . helping them on their way.”

Trudy creates eclectic visual art with the likes of shells, feathers, and driftwood, while Violet works as a surveyor for the Coastal Alabama Audubon Society. Together, the sisters own and operate Two Sisters Art and Hardware Goods in downtown Sugar Bend, where Trudy’s art is sold alongside souvenirs for tourists.

Eighteen-year-old Maya is seeking her place in the world. She’d “been put in the foster care system after the death of her grandmother, and she’d lived in ten different homes since then.” After turning 18, Maya signed the appropriate papers permitting herself to strike out on her own, and following her instincts, she stumbles upon the quaint town of Sugar Bend, which leads her to Violet and Trudy. After a dubious beginning, the sisters come to embrace her.

Frank Roby has an unhealed past with Violet. A retired law enforcement officer, his long ago romance with Violet came to an inexplicable end, which caused him to jump at the first opportunity to accept a job in another town. After 40 years, Frank moves back to Sugar Bend from Pensacola as a widower. In rekindling his interest in birds, he goes to a class at the local Audubon Society, where he is unwittingly paired as a trainee with 63-year-old Violet. Cautious and still harboring feelings for Violet, he keeps his sentiments for her under wraps.  

Liza Bullock is an outsider who’s worked for a year as the editor of The Sugar Bend Observer. Frustrated by living in a backwater, uneventful town, “If she could find a story with enough meat on its bones, she could write a sizzling expose and land herself at a copy desk in Birmingham or Atlanta.” When a decrepit johnboat “awash with age and river detritus” mysteriously rises from Little River, Liza’s reporter instincts are ignited.

Frank Roby’s nephew works as a Sugar Bend policeman and is in the habit of asking his retired uncle for assistance. When he asks Frank to investigate the suspicious boat awash on the banks of Little River, memories of the year 1981 flash to Frank’s mind, when he was a rookie cop in the throes of a promising future with Violet and was sent to the exact location to investigate a domestic disturbance.  

Unbeknownst to the young Frank of 1981, Violet’s sister had recently married local celebrity, Jay Malone, a successful businessman the whole town revered, and who owned the house Frank was sent to look into. At the time, Frank was unaware Violet had fears for her sister, that she suspected there was more to Jay Malone than met the eye, and that the bruises Trudy tried to hide were inflicted by his hand.

Author Lauren Denton unfurls a mystery by reconciling a buried past with a modern-day story set in a town with vibrant characters brimming with Southern charm. Secrets, coincidence, family loyalty, life choices, and questions of right versus wrong as viewed through the lens of the law are woven neatly in two timeframes, seamlessly linking all characters until they each achieve, seemingly by kismet, the perfect place to land.  

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

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