Category: Authors

Book Release: Annie’s Song by Annie McDonnell

“‘Annie’s Song’ is an open-hearted memoir about a life spent loving the most vulnerable among us. These are stories full of joy and life that keep loved ones close, even after they’ve passed from this world. This poetic writing of untiring advocacy, compassionate witness, and deep love is a gift to the enormous community of writers-yes, those who have felt seen and uplifted by Annie McDonnell over the years, but also those who might be hearing her voice saying ‘you matter’ for the first time. This book is our chance to see how a life of empathy is born.” -Diane Zinna, author of “The All-Night Sun”

My Interview with Author Annie McDonnell:

I’d like to congratulate Annie McDonnell on Annie’s Song: Dandelions, Dreams and Dogs appearing pre-release at #2 Amazon Hot New Releases in Biographies/Memoirs for People with Disabilities and #21 Amazon Hot New Releases in Poetry/Grief, Death and Loss.

Q: In the book description of Annie’s Song: Dandelions, Dreams , and Dogs, it reads: “Annie’s experiential memoir, for which she’s provided QR codes linking to her favorite songs throughout, allows the reader to get a hint of what it’s like living suspended between this earthly existence and the afterlife.”

Can you tell us what it is that makes your memoir experimental? 

A: The experiential element of this book is a vital part of my approach. I’d like the reader to have an experience when reading “Annie’s Song.” At the beginning of the book, I invite the reader to experience the book and give them ideas to engage each of the five senses. The first is the visual, and there are design elements throughout the book meant to make you slow down and absorb the essays and poems. I believe if you close your eyes, you might recall part of your own story or maybe that of a friend of yours. These stories can help you gain more empathy and compassion. The next sense will be touch, which will activate when you’re holding the book or Kindle in your hands. The next is scent, which is the most difficult one for me to offer, but a powerful one because certain scents have been proven to be a important trigger for memory. I typically offer it in all of my swag bags. Light a scented candle or some incense. I suggest choosing a scent that you absolutely adore. The next one is taste. Jennifer, who you’ll learn about, gave me a sticker that said, “She loved me more than chocolate itself, so whenever I’m reading a good book, I like to indulge in a piece of chocolate. Lastly, I invite you to enjoy your sense of hearing. I have included QR codes to add music to each essay and poem. Each song is tied to a particular person, event or time in my life, and the music fits what the memory means to me.

Q: How have you developed your career as a writer?

A: Honestly, I’ve wanted to write since third grade. But since I didn’t know how to become an author, I became a book reviewer. I absolutely love being a book reviewer. I had to learn how to be creative and interesting when I wrote the reviews. And then a few years ago, everything was just birthed from love among friends and teachers like Diane Zinna, Jennifer and Gordon, and Lauri Schoenfeld, Lisa C, Kerry Anne King and more. I started reading my essays and poems to some of my closest friends, and I was hooked. After my grief writing class, I’d call Echo Garrett of Lucid House Publishing and read my essays and poetry to her. She told me she would be honored to publish my book. She truly believed that they were wonderful. And my husband said, ”Annie, Echo believes in your work so much, you should let her publish a book she’d be the perfect person.” It’s been an amazing feat to get this book right. I had a lot of requests and then Lucid House editors and the designer had a lot of wonderful ideas.

Q: What gave you the idea to write this book? 

A: The whole premise of this book came from my grappling with trying to understand how the various traumas that I have carried through the years may have contributed to my illnesses. Sometimes I do believe I carry them because of survivor’s guilt. Other times I believe what doctors at Mayo Clinic say. They told me that when I broke my neck in a car accident in1989 that spinal fluid got into my bloodstream, which caused an infection, and that’s why I had all these illnesses. I later found that the root of most of my diseases are the genes that I was born with. However, both the accident and other traumas that I carry could certainly contribute to me not healing properly or not going into remission like some people do. My health just always seems to be declining. I’ve been bullied online by plenty of people claiming I’m not sick. Over the years, I have had some doctors misdiagnose me or doubt that I was that sick. At one point, I started doubting myself and thought maybe I was going nuts and there wasn’t really anything wrong with me. But I did not stop fighting for myself, because I knew what I was feeling was real.

My hope for “Annie’s Song” would be that readers will either see themselves or somebody they know in my story. I want my words to wrap around their heart and foster empathy, compassion, and kindness. The world needs a lot more love and understanding. Often, your struggles stem from traumas that others don’t know we have had. I have been told that I let myself be a pincushion. I have also been told that I should be over my traumas. We have to stop blaming someone who is suffering for being sick or having a hard time with a traumatic event. For those of us with invisible wounds and illnesses, such statements only add to our pain.

Q: The idea of providing QR codes to your favorite songs is unique! Can you tell us three songs that are included in your book? 

A: The idea to provide the QR codes was because we couldn’t name the artist, the group, or the song but legally we can use QR codes that connect to the performer’s personal YouTube videos. To understand a moment in time, you need to know the music of that era. Music brings it to life, and music is a healer. When I was caring for my stepmother when she had breast cancer, I would put on music and dance with her to get her to the bathroom. She would laugh, and say, “You make dying fun.“ That was one of the best compliments I’ve ever received in my life, and taking care of her was one of my highest honors. A few of the songs included are: “Easy on Me” – Adele, “World Before You” – Lauren Duski, and “Ain’t No Sunshine “ – Bill Withers

Q: What inspired your book’s title? 

A: I’m inspired by writing and songs that have a series of beats—where you feel like you can actually hear the heartbeat of the writer or the musician. Writers and musicians have so much in common. We are all storytellers. It was too perfect to name it “Annie’s Song: Dandelions, Dreams and Dogs.” If you listen to the lyrics of John Denver’s song that’s what my book is about: “You fill up my senses,” “Come Let Me love you,” and “Let me die in your arms.” His song perfectly sums up my life.

I’d also like to believe that my book has a beautiful heartbeat, a lot of love between the covers. My hope is that this book will be remembered, the kind of book that you read again and again, just as “Annie’s Song” is still beloved all these decades later.

Q: Can you tell us about your work with dogs? 

When we lost our dog Simon, who is on the cover of the book, I had to find a place to put all of his love. His presence was still in the house. I could feel it, so I started what I called #OperationSimon. I started volunteering for One Love Dog Rescue. I started off as a foster. I failed on two of them and wound up adopting them myself. One got adopted. Everything I did, I called #OperationSimon. It made me feel like he was still here. The statement “who rescued who?” is not lost on me. Then I started doing pick-ups in Queens and at JFK airport and then I went to New Jersey. I just had so much fun picking up the dogs as a FREEDOM RIDER. Not many volunteers want to do that job, but I’m in love with picking up these dogs and loving on them. When I got them in my car, I cleaned them up. I would sing to them. I would take them out of their crates. I tried to get them as comfortable as I could before we made the trek out from JFK, Newark or Queens to the eastern end of Long Island. I have some great stories about these pick-ups, and one day I hope to tell them.

I worked every fundraiser for many years. Now, I help with fundraisers when I can. I also love sending thank you cards to donors and adopters. I also help to press releases in all the local papers for events that we’re having, and I hope to God one day I get to be a freedom rider again. That’s the best thing I ever did.

Q: What is the targeted audience for your memoir?

People who have illnesses or are disabled and those who have experienced trauma, grief or loss in the course of their lives. I believe that this book is good for everybody for the simple fact that it promotes compassion and empathy for others and for those of us, who tend to be hardest of all on ourselves.

Q: Where is your book available? 

It’s available in print and eBook from independent bookstores, Bookshop.org, all major online retailers, libraries, and has global distribution in major markets around the world. An audiobook will be released at a later date.

You will laugh, cry, and be moved. In this shimmering debut, a cross-genre blend of memoir, auto-fiction, magical realism, and poetry. Annie pours out her dreams, her loves, and her hopes along with grief, medical misdiagnoses, and innumerable losses. Her determination to live a life of love, joy, and meaning despite her great suffering shines throughout her essays and poems.

Meet Annie McDonnell:

A lifelong reader and advocate for writers and books, Annie McDonnell is an Alum of High Point University, Class of 1991.

In 2006, Annie won a contest with Elle and became a book reviewer for the magazine. When Elle stopped running book reviews in print, Annie moved to blogging and The Write Review community was born.

Annie is the author of her debut “Annie’s Song: Dandelions, Dreams & Dogs,” released on 3/14/2023. Writing book reviews, blurbs, articles and beta reading for almost two decades. Annie hosts interviews authors and runs workshops. She enjoys consulting with authors and planning online events. While having fun as a co-admin to the World of the Write Review Book Club, she also runs The Write Review page and blog.

In December 2020, Annie was the recipient of the Doug Marlette Award for a lifetime achievement in book promotion.

Annie lives in Mastic, NY, with her husband, three beautiful dogs and five adorable cats. She also volunteers at One Love Dog Rescue as much as possible. Annie supports both Adult & Children’s Literacy through book drives and Operation Paperback.

#bookreview: Be an Angel by Roma Downey

As it appears in the New York Journal of Books:

A beautiful, timeless, and timely collection of inspirational passages to use as a daily touchstone, Roma Downey’s Be an Angel: Devotions to Inspire and Encourage Love and Light Along the Way makes good on its title. It’s lovely in its optimism, succinct in its knowledge, efficient in its compact arrangement, and wonderfully structured for the reader’s convenience.

That actress, producer, and author, Roma Downey is a household name due to her starring role as an angel in the nine-year run of the fantasy/drama television show, Touched by an Angel, which justifies her hand in writing this book; it is her humility to which we’re attracted. In the book’s introduction, the author states her impetus in writing the book: “Over the years, because of my role on TV, people often mistook me for an actual angel.” Realizing the responsibility of her high-profile position, she explains how she rose to the challenge: “Della taught me that if we’re going to be used by God, we need to let go of our expectations and get out of the way.”

The 52 chapters of Be an Angel encourage the book’s use as a daily devotional to ponder in an incremental manner that, once coalesced, will impress as an overall way of being in the world, “bringing light into darkness.”

The chapters are neat and accessible, each beginning with a recognizable, inspirational quote followed compatibly by a short example of Downey’s personal experience to illustrate her point. Her manner is intimate and confessional. Her concerns are universal. Her tales range from anecdotes to transparent first-person narratives. Her settings range from home and hearth to her presence on social media.: “I recently posted this verse to my social media story one morning just after dawn . . . with the rest of the world, I had been watching a terrible international conflict evolve thousands of miles away.”

There are interesting stories in this well-arranged book, and the reader is given a look behind the curtain of a person leading a fascinating life. Downey shares her acquaintances and accomplishments with awe-struck wonder. She roams out into the world to India and returns to us with a message: “In India I encountered a profound oneness with humanity. We all love and lose. We have families and dreams . . . I

learned that we can understand one another’s pain if we open ourselves to it.”

Covering such subjects as hope, faith, gratitude, forgiveness, and grace, Downey suggests with a light hand that the beginning of enduring change might all start with you: “I started looking at what irks me considering what I’d want changed then doing for someone else what I’d want done.” Downey arrives at a conclusion: “We can’t change everything, but we can work toward peace when we change ourselves . . . if we don’t tend to what’s inside, we simply don’t have the bandwidth to be the change on a grander scale.”

Though anchored in Christian doctrine, Be an Angel transcends principle to embrace a larger concept of God. “It’s so essential in our frenetic world to step aside and be with God in stillness.” The author finds God in nature, “Often, I use the shift between activities to experience His presence in nature . . . I return to being not merely doing one more thing.”

The arrangement of this book is user friendly. Be an Angel is both an owner’s manual and a guide.  Beneath each of the 14 general categories, there are three companion stories illustrating Downey’s subject in exemplary form. At the end of each essay is a prompt for the reader’s consideration written as a reflection, and the reader is invited to put what they’ve read into practice.

For dreamers and students, thinkers and searchers, Roma Downey’s Be an Angel is a collection of spellbinding essays that reads like a devotional. Its tone is enlightening and encouraging. It’s a beautiful book you’ll want to keep at your bedside and give to your family and friends.  

Claire Fullerton is a staff reviewer at New York Journal of Books.

Roma Burnett OBE is an actress from Derry, Northern Ireland. For nine seasons she played Monica the angel in the CBS television series Touched by an Angel. She produced the mini-series The Bible for the History Channel and also appeared in it as Mary, mother of Jesus. She has performed on stage with the Abbey Theatre, The National Theatre of Ireland, and has appeared both on and off Broadway. She played the leading role of Jacqueline Kennedy Onassis in the Emmy award-winning miniseries A Woman Named Jackie for NBC.

Beasts Of The Earth by James Wade

Beasts of the Earth

Image of Beasts of the Earth

Buy on Amazon

Reviewed by: 

Claire Fullerton for The New York Journal of Books

We know from the start LeBlanc is wounded, that his limping spirit is tantamount to the spare, prison-like furnishings of the low-ceilinged duplex he’s rented on the shanty side of town for the past 20 years, that his economic speech has little to do with still waters running deep, that it’s born of a wariness from what he’s hiding.

It is the economic downturn of 1987 in Coral County, Texas, where thirty-something Harlan LeBlanc works alongside the small crew of Carter Hills High School’s Grounds and Maintenance Department, and partakes of a cursory friendship with a troubled, young co-worker named Gene Thomas. A man of habit gripping to a rote, daily schedule, LeBlanc tends the high school’s football field with each step carefully taken, in a manner telling of his mind frame. “LeBlanc reveled in such undertakings—the opportunity to create boundaries, to ensure the proper area for the rules to be applied. There was an element of control, an upholding of justice, that brought peace

to his mind.”  

It is 1965 in the bayou of Assumption Parrish, Louisiana, and 13-year-old Michael Fischer’s hardscrabble world grows harder when his regionally shunned, depraved criminal father is released from prison. “A boy should be happy when his father returns, but Michael was not happy. He had memories of Munday—memories distorted by time and hearsay—and though there existed still a longing for the comfort and protection of a father, dread guided the boy.” Used to being the man of the house for his morbidly obese mother and younger sister, Michael is in fear when his hard-drinking father is home, and only breathes easy when he habitually disappears.

After home circumstances take an unspeakable, dark turn at the hands of his father, Michael flees to the woods, where he’s met with more danger still, until he’s found by a dying recluse of a poet named Remus, who takes the injured Michael to his cabin, and begins the long road to repairing the traumatized, now displaced, youth.

Over time, the strangers warm to an alliance, and Michael “played at having a father, and Remus played at being one. But the past is not a thing to sit still, and there are no new beginnings. The world itself was begun only once. And since that beginning its every rotation has depended on the one before—each circumstance born from the last.”

Cassie Harper has broken Gene Thomas’s heart. A student at Carter Hills High, there is

more to her than meets the eye. When Cassie is found murdered on school grounds, it rocks the entire community. When circumstantial evidence comes to include Gene Thomas, it strikes LeBlanc too close to home, casting aspersions on his character, and giving rise to his secret, haunted past.  

Author James Wade treads a tight wire between Beasts of the Earth’s dual storylines. He deftly keeps the reader guessing about common ground throughout the tumult of the three-part story. The tone is shadowy and off-kilter, with elements of gothic-tinged realism vested upon an innocent heart, and a mind in peril of becoming unhinged.

There is much to keep the reader invested. Wade’s pitch-perfect, personality-driven dialogue sings in the voice of life, and his ability to meld existential thought, situational metaphor, and cinematic setting is a full-bodied experience: As Harlan LeBlanc sets out to right a wrong from the past, “He walked along the river in the morning light and watched it widen and grow as it approached Port Neches and then on to the Gulf of Mexico, and he wondered if the river might hold itself or some piece of itself out there in all that ocean—might cling at some molecular level to whatever made it a river in the first place, salt or no salt. But he knew the answer and knew the difficulty in fighting back against an ever-growing tide.”

Beasts of the Earth satisfies the discerning reader. Its balanced, oscillating chapters are played out in riveting complete scenes that take you deeper into the gritty backstory of Harlan LeBlanc, a man you care about, and somehow understand from what he’s not saying, while the town around him holds him in suspicion and his moral compass covertly guides him to truth and justice sought at a personal cost.

A soul-deep exploration of a wounded man in crisis, James Wade’s Beasts of the Earth follows his two widely acclaimed novels, All Things Left Wild, and River, Sing Out, and secures his position as an author of extraordinary merit.  

Author James Wade

James Wade lives and writes in the Texas Hill Country with his wife and daughter. He is the author of River, Sing Out and All Things Left Wild, a winner of the prestigious MPIBA Reading the West Award for Debut Fiction, and a recipient of the Spur Award for Best Historical Novel from the Western Writers of America. His third novel, Beasts of the Earth, is now available from Blackstone Publishing.

Book Review: The Old Place by Bobby Finger

As it appears in The New York Journal of Books

The Old Place

Image of The Old Place

Author(s): 

Bobby Finger

Release Date: September 20, 2022

Publisher/Imprint: G.P. Putnam’s Sons

Pages: 336

Buy on Amazon

Reviewed by: 

Claire Fullerton

“Debut author Bobby Finger wields crisp, bright language in succinct, ample prose to reveal secrets deliberately hidden from the norms of social order. . . . poignant and memorable.”

Sixty-three-year-old Mary Alice Roth doesn’t know how to fill her days. Feeling wronged and slightly humiliated over her compulsory retirement as a high school teacher, she’s deeply invested in her local standing as a local Billington authority figure, though she’s unaware the community reputation she’s earned is equally divided between her abrasive personality, and sympathy for her tragic losses.

Thirty-something Josie Kerr is a fish out of water but intends to embrace it. Born and raised in Manhattan, she’s married to Travis, who grew up in an affluent family that owns a five-hundred-acre compound just north of Billington, Texas, a town “passersby didn’t really see until the fifth or sixth time they drove through it, a blip on a blip that existed mostly in retrospect.”  

When news of the death of Travis Kerr’s father arrives, Josie and Travis put their Brooklyn apartment on the market and relocate with their young son to Billington, Texas. Josie’s “New York City friends couldn’t believe how happy she seemed in a town so small it didn’t even have a Wikipedia entry.” The optimistic Josie looks on the bright side. “In Texas she had a house. And she had family nearby. She even got a job at a school where teachers never left unless they were forced out or dead.”   

Mary Alice resents the existence of Josie, whom she considers the usurper of her school position, now that Josie is her replacement. Were it not for her best friend Ellie’s advice, the intimidating Mary Alice might get away with her repeated attempts at making Josie Kerr’s life miserable.

Ellie Hall is a divorcee who works in a nearby hospital. She has been Mary Alice’s friend for years since she and her son, Kenny, moved into the house next door. As single mothers with sons the same age who formed an immediate alliance, Ellie and Mary Alice enjoyed a strong friendship, until the common tragedy of each losing their son in the same timeframe set their close friendship adrift for 12 years, until Mary Alice reaches out to Ellie from the isolation of her retirement, and the two begin to reconnect over the habit of sharing morning coffee.

At “dark-thirty,” a knock comes to Mary Alice’s front door, and she opens it to discover a ghost from her past in the form of her sister, Katherine, who lives in Atlanta. Three years younger, the once close sisters haven’t spoken to each other since Katherine’s wedding decades before. It was a fight that caused their estrangement, and “Their lives had expanded in different directions, but when you followed the stories down to their roots, you’d find them joined in a million different ways.”

The attractive, well-to-do Katherine is there in person because Mary Alice doesn’t answer her texts, emails, or phone calls. Katherine tells Mary Alice she’s there on a mission “to fix your mess,” and demands she return with her to Atlanta.

When Katherine reveals the urgency of a call to action, the stunned Mary Alice knows the time has come to address what she’s taken great pains to hide from the Billington townspeople, with regard to what really happened to her son, Michael, who had a bond with Ellie’s son, Kenny, that was more than anyone knew. Wanting to forestall public knowledge of her duplicity, Mary Alice asks Katherine to wait with her for three days, until she’s on the other side of the annual Billington community picnic, of which she’s in charge.

For three days, the sisters revisit the tragedies of the past, which were centered on their family’s rural, multi-generational property known as The Old Place, which had been in their family since the early 19th century. “It was twenty minutes outside of town. Not east, toward Trevino, or north, toward the Hill Country, or west, toward Mexico, but south, toward nothing.” “Getting there required directions, not a map. . . . You felt the trip there as much as much as you saw it.”

Because it factored significantly as the setting of troubling stories involving both her husband and son, Mary Alice fears ever returning to The Old Place. In recalling a particular night in high school, when Katherine talked her into throwing a party at The Old Place while their parents were out of town, Mary Alice has reason to consider The Old Place unlucky grounds in her personal narrative. She considers that high school party “as the prologue of her life . . . the start of everything else. And all of it, absolutely all of it, was Katherine’s fault.”  

Debut author Bobby Finger wields crisp, bright language in succinct, ample prose to reveal secrets deliberately hidden from the norms of social order. The backstories of intertwined, multiple characters are brought to a common light, thematically including fear of public opinion in a setting that sings the praise of small-town Texas. The characters are fully realized as each reconciles their part in the story. Their mindsets are understandable, and their dynamic creates a delightful arc of plausible cause and effect to immerse the reader in an experience that’s poignant and memorable.       

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

Ash Wednesday: An E-Book Short Story by Paula McClain.

An Amazon Stories E-Book.

A tragic story beautifully rendered by an author known far and wide to consistently pay attention to painstaking detail. In Ash Wednesday, Author Paula McClain depicts a harrowing moment in American history by penning a fictional account of a fire in an improperly designed school building, in as industrial area of Cleveland, Ohio, on the outskirts of downtown.

It is Ash Wednesday, 1908-, and forty-six-year-old Swiss immigrant, Fritz Hirter, is the janitor of Collinwood’s community School. It is winter, and Fritz, the father of five and married to Eva, takes pride in his supportive role, in a community that seems to give short shrift to its immigrant population. Well aware of corners cut during the school’s recent expansion, Fritz is vigilant in his task of keeping the building properly heated, in the face of the school’s structural vulnerability. It is dangerous work, tending to the basement’s boiler system, and Fritz’s heart is in every gesture of maintaining the building where his young children are being educated.

In this tightly woven, present tense short story, McClain gives minute-to-minute details of a spontaneous event spinning out of control and ending in community tragedy. Questions of responsibility, blame, and community shame are at issue in this seemingly personal story, in view of its central character.

Ash Wednesday is Paula McClain at her reliable best and is an installment in her A Point in Time, a transporting collection of short stories about pivotal moments, past and present, that change lives. It’s a riveting, compelling story with a troubling aftershock made important by the fact that McClain has expertly brought it to light. Paula McLain

Note: Ash Wednesday is available on Amazon as an E-Book!

About Paula

Paula McClain received her MFA in poetry from the University of Michigan in 1996.

McLain’s essays have appeared in Town & Country, Good Housekeeping, Real Simple, O the Oprah Magazine, Huffington Post, The Guardian, the New York Times and elsewhere. She is also the author of the memoir, Like Family: Growing up in Other People’s Houses, two collections of poetry, the debut novel, A Ticket to Ride, Circling the Sun, The Paris Wife, and When the Stars Go Dark. She lives with her family in Cleveland, Ohio.

To Dance with the White Dog by Terry Kay

My book review of this highly recommended novel:

A resonate, heart wrenching story in the best of ways, written with nostalgic subtlety detailing eighty-year-old Sam Peek’s remaining years as he adjusts to being a widower.
It is 1960’s rural Georgia, and life as Sam Peek has known it is changed when his beloved wife of 57 years dies, and his five, well-meaning children begin to hover. Alone in his house, Sam is now a focus of concern as his children strategize at keeping their father company, all within Sam’s hearing range.
A kind and patient man, Sam handles his grief with a brave face, and tries to placate his children while holding fast to the last curve of independence in a manner that won’t offend.
With pitch-perfect, Southern nuance and vernacular, author Terry Kay spins a tale from the multiple points of view of well-rounded characters that reads like a round-robin treatise detailing the push and pull of aging. It is an uncertain road navigated by the small details of day-to-day living, where Sam’s memory is a sustaining thing in a small-town environment where little has changed though his life is forever altered.
In the midst of remarkable scene setting, delightful dialogue, and wonderful pacing, a white dog enters the story and the reader questions whether it is real or due to the lonely heart of Sam Peek’s imagination. That the angelic white dog avoids the detection of all but Sam lends the story a mystical, magical air, as the “ghost dog” appears and disappears, while Sam’s children fear he might be losing his grip on reality, and the reader hopes Sam has found a faithful companion.
To Dance with the White Dog is deceptively deep in its use of clear language and resoundingly poignant. It’s a story to last the test of time, beautifully told and indelibly memorable, the kind of fully realized story that hits an existential bullseye and deserves the status of American classic.

Terry Winter Kay (February 10, 1938 – December 12, 2020) was an American author, whose novels examined life in the American South. His most well-known book, To Dance with the White Dog, was made into a Hallmark Hall of Fame television movie starring Hume Cronyn and Jessica Tandy. Three of Kay’s books became movies. TERRY KAY, was a 2006 inductee into the Georgia Writers Hall of Fame . Kay was a sportswriter and film/theater reviewer (Atlanta Journal-Constitution), a public relations executive, and a corporate officer. He was the author of nine other published novels, including The Valley of Light, Taking Lottie Home, The Kidnapping of Aaron Greene, Shadow Song, The Runaway, Dark Thirty, After Eli, and The Year the Lights Came On, as well as a book of essays (Special K) and a childrens book (To Whom the Angel Spoke).”

https://www.goodreads.com/author/show/130644.Terry_Kay

Book Release: Hannah and Ariela by Johnnie Bernhard

As it appears in The New York Journal of Books

Hannah and Ariela

Image of Hannah and Ariela

Johnnie Bernhard

Publisher/Imprint: Texas Christian University Press

Pages: 176

Buy on Amazon

Reviewed by: 

Claire Fullerton

“In this tensely wired, swiftly paced, starkly realistic story of human trafficking set beautifully among nuanced clashing cultures, author Johnnie Bernhard defines each character’s motivation to portray the collision of opposing sides while casting a wide lens on a human atrocity.”

The human heart is fearless in author Johnnie Bernhard’s Hannah and Ariela. It’s a vividly drawn, timely story shedding light on an unspeakable crime against humanity.  

Hannah Durand takes the coat her husband left by the door, wraps his scarf around her, and pushes against the winter’s howling blue norther to open the front door. Casting her teary eyes upon the 640-acre Texas working ranch that she and her husband ran for 48 years, the newly widowed, 73-year-old Hannah speaks aloud: “August Durand. I know you’re here. I can feel you in the wind and in the breaking of cedar branches covered in ice. Hold me just one more time and tell me what you think I should do with the rest of my life, my life without you.”

An unconventional, self-sufficient woman born to Anglo prosperity and the great Texas outdoors, Hannah’s life is centered on the Durand Ranch, in the town of Rocksprings, between central and West Texas, “where the land was just as hard and mean as the predators lurking in the shadows waiting for the next easy kill.” It is modern day, and facing an uncertain future, Hannah fears she might not have the stamina to stay on the land alone. Hannah thinks, “I’ve loved this land . . . I feel like I’d lose a part of myself if I sold it.”

Ariela Morales is born to Zaragoza, Mexico, where “life is hard because it was too close to the Texas border.” In a town with little opportunities, the dutiful Ariela helps her family, babysits her siblings for her mother, and squeezes in time to spend with her friend Katia. In telling of that friendship, Ariela says, “Some people in Zaragoza had a harder life than me and my family. My best friend, Katia was one of them.” Together, the teenage friends go to mass “to get our mamas off our backs,” paint their nails, read magazines, and mostly dream “about getting out of Zaragoza.” When Katia flirts with danger by consorting with two cartel members, it leads to perilous, unforeseen consequences drastically changing the trajectory of both girls’ lives.

A dog barking on a lonesome stretch of highway connects the fates of Hannah and Ariela, and wheels are set in motion affecting a cast of characters on both sides of the US/Mexico border. Bernhard portrays the landscape with laser-precision and layers the harrowing story in multiple, first-person points of view covering all angles of what spins into the urgency of safeguarding the traumatized Ariela from further ramifications having to do with the cartel’s sinister, illegal plans.

When Rocksprings’ sheriff discovers Hannah is harboring Ariela, he jumps to conclusions and wants to get border patrol involved, without knowing Ariela has just survived a terrible backstory. Taking Hannah aside, he says, “Now Hannah, I’m going to remind you of this very specific law. When someone enters the US without following immigration laws, it’s a crime.”

Joseph Gonzales is the bilingual, longtime trusted employee of the Durand Ranch, whose involvement Hannah solicits to serve as Ariela’s interpreter. When Hannah weighs the law of the land against doing the decent thing, Joseph joins Hannah in an attempt to get around punitive issues of immigration, while the cartel and law enforcement from either side of the border try to intuit their covert maneuvers, in a do-or-die dynamic begging the issue of right versus wrong.

In this tensely wired, swiftly paced, starkly realistic story of human trafficking set beautifully among nuanced clashing cultures, author Johnnie Bernhard defines each character’s motivation to portray the collision of opposing sides while casting a wide lens on a human atrocity. Hannah and Ariela is the story of one woman’s bravery in rescuing another, only to rise phoenix-like into a newly defined, far-reaching life purpose.

About Johnnie Bernhard

A former teacher and journalist, Johnnie Bernhard’s passion is reading and writing. Her work(s) have appeared in anthologies and in national and international publications, including Southern Literary Review, Houston Style Magazine, The Mississippi Press, the international Word Among Us, and the Cowbird-NPR production on small town America.

Johnnie Bernhard is a multiple, award-winning author and sought-after speaker.

Hannah and Ariela is Johnnie Bernhard’s 4th novel.

For more about Johnnie Bernhard, please visit the author’s web site at http://www.johnniebernhardauthor.com/

The Teacher of Warsaw

The Teacher of Warsaw by Mario Escobar

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Author(s): 

Mario Escobar

Release Date: June 7, 2022

Publisher/Imprint: Harper Muse

Pages: 368

Buy on Amazon

Reviewed by: 

Claire Fullerton

“An important, sensitive look at the triumph of the human spirit over evil, The Teacher of Warsaw is based on a true story and epitomizes the very best of poignant historical fiction.”

A nostalgic tone sets the stage of Mario Escobar’s The Teacher of Warsaw. In the prologue, an editor is in receipt of a hidden diary now typed as a manuscript from a woman named Agnieszka Ignaciuk, who survived the WWII, German occupation of Warsaw, Poland. The editor says, “That small, lovely woman with the wise eagle eyes placed into my hands Janusz Korczak’s typed manuscript. She acted like she was passing along a forbidden fruit that would eternally expel me from the semblance of paradise my life had recently become.” Taking the manuscript, the editor reflects upon its author, “I remembered the Teacher. Everyone I know called him the Old Doctor . . . I heard his voice. . . . It was just he and I in the middle of a ruined world.”

It is September 1939, and 60-year-old Janusz Korczak is the director of Dom Sierot, a Warsaw home for 200 orphaned children. He’s a man of deep integrity, a beloved and devoted teacher who views his job as a calling and structures the home with no differentiation based on age or rank, where tutors and students equally cohabitate as a family. When one of the orphans asks why he’d never had his own children, the unmarried Dr. Korczak reveals what he has told few others. “The truth is, my father went insane, and I’ve always been afraid that the same thing will happen to me. I thought that if I had children, they might inherit that disease.” It is this reason that makes Korczak all the more committed to the children.

Dom Sierot’s building, which houses Jewish orphans, has been in a Christian neighborhood for 27 years. Korczak shares, “We were there on purpose so that Jewish and Christian children could live together. Long ago I had learned that the only way to knock down the walls of prejudice and hatred toward difference was coexisting and building friendship that allowed the children to fight and the be reconciled again.”

It is November of 1940, and a shock to Korcsak’s system comes when the Germans relocate Dom Sierot from the working-class neighborhood outside the city to a squalid area in Warsaw’s walled Jewish ghetto, consisting of “400,000 within an area no larger than 1.3 miles.” In preparing for the change, the sensitive Korczak softens the blow to the children, “We’ll probably long to be back here in our wonderful house. But the walls that you see around us are not our real home. The real refuge of each one of us is inside our hearts. As long as we’re together, we will keep being happy and belonging to our big family.” When one little boy cries at the sight of the new living quarters, Korczak hands him the treasure map he’d prepared the night before, and says, “Treasure hunts always occur in exotic, remote places. No one’s ever done anything amazing without leaving home first.”

As winter wears upon the ghetto, living conditions become more desperate in the orphanage’s unheated, dilapidated home, where water is scarce in the midst of a food shortage, leaving Korczak to solicit and rely upon the help of charitable donors. When the Gestapo confiscates a cart of food and supplies belonging to the orphanage, Korczak bravely holds his ground and says to the German officer, “This food is for the children and under no circumstances can I allow you to take it from them.” When told to take his complaint to the Gestapo headquarters, the optimistic Korczak goes to plead his case at the German administration offices, only to be thrown in jail for not being in compliance with wearing the requisite Star of David on his arm, intended to signify those who are Jewish.

Upon being unceremoniously grabbed by a German soldier and transported to jail, Korczak says, “For them, life was a useless sketch through which to imprint their senseless brutality and show the world that they were the bosses. For me, life was a perfect beautifully framed painting full of meaning and hope. For them, life was prosaic and frivolous, ever so light, whereas for me it was so heavy I could hardly take a step without feeling the mud stuck to my feet.”

A year on since the Nazis came to Poland, nothing improves in the ghetto. Korczak writes, “Typhus had run its course around the city in recent months, given the deplorable hygienic conditions and insufficient nutrition of the population. It seemed the Germans preferred to kill us off slowly. Their program was designed to weaken our spirits and erode our morale.” Korczak, in the habit of calling assembly whenever a new problem arises, and always serving as inspirational motivator, poses the question to the orphans, “What does it mean to be happy?” “Life in and of itself is an act of happiness . . . Happiness is not about things. We look for it outside of ourselves, but it’s something that’s in our own minds. The work of our hearts is to give pure love.”

As time wears on and conditions worsen, Korczak delivers a speech intended to inspire the orphanages’ dispirited teachers and caretakers. “We sleep and dream of better days but wake to find ourselves here. Yet here, where we serve, we are doing all we can to make better days for the children. We’re in this world to serve one another, to give our very last breaths for our neighbors.”

With a supporting cast of characters in various official positions who are incrementally ready to help Dr. Korczak escape the ill-fated ghetto, the doctor refuses each offer. “Leave me be,” he says to a sympathetic German captain who knows things are nearing an end. “I will go with my children and will not leave them alone.”    

In hindsight, after the worst has happened, trusted companion and co-worker of Korczak’s, Agnieszka Ignaciuk—the deliverer of  Korczak’s left behind diary chronicling the personal tragedies of war—remembers the good doctor and says, “Janusz Korczak had lit up a country swathed in darkness. All of Poland had to know his story and admire his example. I vowed to make that happen.”

In The Teacher of Warsaw, Escobar’s intimate, first-person delivery is flawlessly researched. Its historic timeline unfurls with heightening drama from the vantage point of one selfless man dedicated to the wellbeing of Polish children in harrowing wartime conditions against all odds and costs. It’s a sobering, memorable story taking the reader through tragic events in occupied Warsaw, from September 1939 to May of 1943. An important, sensitive look at the triumph of the human spirit over evil, The Teacher of Warsaw is based on a true story and epitomizes the very best of poignant historical fiction.    

Claire Fullerton’s most recent novels are Little Tea and multiple award winner, Mourning Dove. Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

Book Review: Holding Her Breath by Eimear Ryan

Holding Her Breath: A Novel

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Author: Eimear Ryan

Release Date: May 17, 2022

Reviewed by: Claire Fullerton As it Appears in the New York Journal of Books

“Holding Her Breath is a generational story written in descriptive language with steady pacing. . . . an engaging, sensitive story set in Ireland, sure to resonate with readers far and wide.”

A compelling look at coming-of-age concerns beneath the taboo of generational mental illness, Eimear Ryan’s debut novel, Holding Her Breath, is the story of a young Irish woman coming into her own by pursuing the buried truth of family secrets.

It is modern day Dublin, and overwhelmed university freshman, Beth Crowe, has mishandled her sports scholarship. Once lauded a natural athlete in swimming, Beth remembers, “At one point in her adolescence, she realized that the adults in the club were describing her in nearly supernatural terms: unreal, savage, unbelievable.” Possessed of the discipline of devoting her youth to “getting up at dawn for training, slipping into the water again after school; her world became narrow but deep. It was only when she stopped, abruptly, that she realized how tired she was.”

After her self-imposed sabbatical, she returns with her own practice out of love for the sport.  Ryan pinpoints Beth’s affinity with water: “It feels illicit somehow, being alone in the water. No coach towering over her at the pool’s edge, saying surely she can do better than that. Now she does as she likes. After a hundred laps she feels calm and rejuvenated, her body pinging with the tremors of exercise.”

Now with a focus on psychology, the taciturn Beth is paired in college housing with the gregarious Sadie, who takes her to a campus book event and introduces her to poet and university professor, Justin Kelleher, a class lecturer on the widely acclaimed poet, Benjamin Crowe, who happens to be Beth’s deceased grandfather.

When a relationship grows between Beth and Justin, Beth is optimistic. She “never thought she could be one of those people to whom things actually happen. Every moment of drama or triumph in her life has taken place in the pool and been rendered less impactful for the hours of repetitive practice that preceded it. She is not used to things happening out of the blue.”

An hour away from campus, Beth’s mother Alice lives with her elderly mother Lydia, the widow of Benjamin Crowe. The fame of Benjamin Crowe is the stuff of legend kept under wraps by Lydia, who won’t part with her husband’s coveted archives, nor reveal what she knows of events leading to his death, a mystery that casts a wide shadow upon Beth and Alice, as well as passionate Crowe scholars.

Because Beth is hesitant to pursue the subject with the formidable Lydia, she asks Justin what he knows of rumor surrounding her grandfather’s death. When Justin mentions a never-published Crowe biography by author Julie Conlon-Hayes, he says, “It’s a story among us Crowe scholars. Now, how much is true, I don’t know. She was friends with your grandparents, so she had great access . . . But then Ben died, and Lydia squashed the project.” Continuing, Justin says, “Because of the nature of his death, we are all the time searching his work for clues and explanations. But perhaps we should consider the poems simply on their own merit.”

When Beth asks her mother what she knows of her famous father’s death, Alice skirts the issue of mental illness. “I was told Dad had an illness that made him confused, which in turn made him fall into the sea. I didn’t connect the dots.” On the tight-lipped comportment of Lydia, Alice says, “Her intent was to preserve, as she called it, the honor of the family. She didn’t want anyone poking around in Dad’s memory, and she never spoke publicly about his death.”

Sensing that the mystery at the center of her family lineage would help Beth better understand herself, Beth visits Sadie at her family’s rural home in Portlaoise, and the girls set out on an adventure to visit the elderly Julie Conlon-Hayes at her home in West Cork, in hopes of learning her side of the story concerning the events that led to Benjamin Crowe’s death, which took place in the area.

Stopping cliffside along the road to Julie Conlon-Hayes’ home, Beth “closes her eyes and tries to put herself in her grandfather’s place over thirty years ago. She pictures him barefoot, his toes gripping the earthy edge of the cliff. Crouching, tucking his chin to his chest, pointing his palms to the water. Except it couldn’t have happened like that.”

Holding Her Breath is a generational story written in descriptive language with steady pacing. Author Eimear Ryan captures youth’s perseverance in the search for one’s place in the world, and weaves in mental illness’s nuances while unravelling long guarded family secrets. It’s an engaging, sensitive story set in Ireland, sure to resonate with readers far and wide.   

Buy on Amazon

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Eimear Ryan’s debut novel Holding Her Breath is published by Penguin Sandycove (Ireland/UK) and Mariner Books (US).

Her short fiction has appeared in Granta, The Dublin Review, The Stinging Fly, The Long Gaze Back (New Island) and Town & Country (Faber). She is a co-founder and editor of the literary journal Banshee and its publishing imprint, Banshee Press.

She is a sports columnist with the Irish Examiner and has written about women in sport for The42.ie, Image, Stranger’s Guide, Winter Papers and elsewhere. She is currently working on a book about camogie. She lives, writes and plays in Cork city.

All Things Left Wild by James Wade

Reviews > All Things Left Wild

All Things Left Wild by James Wade

All Things Left Wild
by 

James Wade (Goodreads Author)

I was late to the reading of this novel, having read author James Wade’s extraordinary book, River, Sing Out, first, which made me immediately turn to this compelling debut novel.

All Things Left Wild is the ultimate “Road Trip” story, made all the better for being on horseback through the wilds of 1910 East Texas. It grips the reader from the start, with a sense of building urgency spawned from two horse thieving brothers on the run– one with a conscience; the other a loose cannon verging on sociopathic– who become entangled with disreputable characters hiding questionable agendas, while the erudite, gentleman the boys wronged is completely out of his comfort zone but has something pressing to prove by giving the brothers chase, on what becomes his life-altering, personal odyssey.

A gripping story written from two points of view, in intriguing, thought-provoking language that soars like poetry, and realistic dialogue that keeps you steeped in the moment. The story is set in the raw American West and has it all: cowboys, Indians, thieving, murder, and characters with such heart and soul as to make the whole page-turning story utterly plausible.

An action-packed, character driven, viscerally atmospheric, and stirringly beautiful story, All Things Left Wild seals the deal for me: I’ll be reading all of James Wade’s future books!

Author James Wade

An Added Bonus is to tell you that Author James Wade does a weekly video he calls Sunday Sessions, where he reads inspiring sentences from books he admires and breaks the sentences down to discuss precisely why he likes them. Interesting and informative, the videos remain up after they debut, and I recommend you follow James Wade on Instagram and Facebook to see them!

https://www.instagram.com/jameswadewriter/

https://www.facebook.com/jameswadewriter