Claire Fullerton is the multiple award winning author of 4 traditionally published novels and one novella. Her work has appeared in numerous magazines, including Celtic Life International, and The Dead Mule School of Southern Literature. Website: https://www.clairefullerton.com/
Me: Tell us about Little Tea.
Claire: Little Tea concerns Southern culture, female friendships, family tragedy, and healing the past. Little Tea is actually the nickname of a character because Southerners are fond of nicknames! The story is a celebration of those deep friendships that last a lifetime–their shared history, loyalty, unconditional acceptance, and the importance of a sense of humor.
Me: Which scene was the most difficult to write and why?
Claire: There’s a particular scene in Little Tea that is pivotal in the story. I’d never had such an experience, so I used my imagination and employed all senses. The scene came together for me when I incorporated how the atmosphere sounded.
Me: How does the Southern setting influence your story?
Claire: Southern culture is part and parcel to Little Tea. I’ll go as far to say had the story been set anywhere else, the events couldn’t have happened as they did.
Me: Describe your journey to becoming an author.
Claire: It began for me with keeping a daily journal from a very young age. I kept a journal when I lived on the west coast of Ireland. When I returned to America, I wrote the book that became Dancing to an Irish Reel from what was in my journal. It’s been a steady build from there that includes 4 novels, one novella, and a recently completed manuscript.
Me: Who has been your greatest influence in becoming a writer?
Claire: All the fearless writers who dare to write in the first person! Beyond that, I admire Donna Tartt, Pat Conroy, Ron Rash, Anne Rivers Siddons, Billy O’Callaghan, and many of the Irish authors.
The Journey of Claire Fullerton from Memphis to Malibu
Thrive Global invites voices from many spheres to share their perspectives on our Community platform. Community stories are not commissioned by our editorial team, and opinions expressed by Community contributors do not reflect the opinions of Thrive Global or its employees. More information on our Community guidelines is available here. By Jose Angel Manaiza Jr, Tutor To The Stars at Malibu Education
Our Guest Expert is Author Claire Fullerton:
Claire Fullerton is the traditionally published author of four novels and one novella. Her twenty book awards include the Literary Classics Book of the Year, the Independent Authors Network Book of the Year, and the International Book Awards Gold medal for Literary Fiction. Her work has appeared in numerous magazines including Celtic Life International and Deep South Magazine. Claire is a book reviewer for The New York Journal of Books. She is represented by Julie Gwinn of the Seymour Literary Agency and has recently completed her fifth manuscript. She hails from Memphis, Tennessee, and has lived in Western Malibu for twenty years. Visit http://www.clairefullerton.com
Q: Tell me about your journey to your success as a writer:
A: A writer’s life is built incrementally. It begins by producing the work and submitting. I now look back and realize my career began with the discipline of keeping a journal from a very young age, which helped me develop as a writer. I’ve always submitted to magazines, and I’ll now credit Malibu’s Anne Sobel of the Malibu Surfside News for inviting me to write a weekly column for a full year about life in Malibu, titled, In First Person, from 2009 to 2010. The task taught me about the fine art of brevity and the precise use of language. I am a storyteller, in that I write fiction, and yet I love writing first person narratives. My first novel, A Portal in Time was published by a small press in 2013. That press published Dancing to an Irish Reel in 2016. In 2017, I signed with a literary agent, and my novel, Mourning Dove, a family saga, set on the genteel side of 1970’s Memphis, was published by Firefly Southern Fiction the following year. Mourning Dove helped me gain wider readership and went on to receive fifteen book awards. In May of 2020, Firefly Southern Fiction published my novel, Little Tea, whose title refers to one of its characters and which is about the power of female friendships, also set in the Deep South. I am now in the editing phase of my firth manuscript, and all told, I am grateful to do the work I love and am always thrilled to meet my readers!
Q: What advice would you give to young women and girls who’d like to follow in your writer footsteps?
A: The first thing I’d say to encourage a fiction writer is remain open to finding the story you’d like to tell. Commit to the work. An author’s career is all about balancing inspiration and discipline. Most of the work goes into revision. There is an adage that says, “Writing is re-writing,” and I’ve found that to be true. Submit your stories to magazines online, and in print. Build your resume. Confer with other writers, find your writing community, stay engaged. Establish an online presence. If you’d like to be traditionally published, do your homework on writing as a business. Learn how to look for a compatible literary agent and master the query letter. And once again, writers learn much from those who write as a career. It’s important for writers to find their tribe, on the way to finding their readership.
Q: What is your vision for the next five years?
A: I’d love the grace to continue doing what I love, day in and day out. What I’ve learned about writing is there is no “there” to get to. There is only the progress made as you stay the course of the path.
Former Child Star in La Ceiba, Honduras. Jose Angel Manaiza Jr. is known as “The Tutor to The Stars” from Malibu to Beverly Hills.Teaching the children of Hollywood celebrities to achieve success. Mr. Manaiza has helped over 1,200 students. Including NCAA student-athletes from schools such as UCLA, USC, and Pepperdine University.His patented speed-reading system is endorsed by three former U.S. presidents, and he has been honored in The White House.In 2018, Jose was knighted by the order of the OSJ in NYC. He was the first SAT Instructor to be published in The Huffington Post on the topic of “The New SAT Exam.” 58 of his students received an overall average score of 1456 on the SAT exam, and earned admissions with full scholarships.He has also been given a special recognition for his work from the City of Los Angeles, and the State Of California.Mr. Manaiza served as The Speaker Program Director for The California’s Women Conference in 2019, where past keynote speakers have included Oprah Winfrey, Norma T. Hollis, Michelle Obama, Dame Mabel Katz, Laura Bush and Arianna Huffington. He is official biographer of Garifuna Writer & Historian Santos Centeno Garcia. Mr. Manaiza is a professional speechwriter who has written over 6000 speech scripts to CEOs, world leaders, and professional speakers. His famous workshop entitled “Presidential Speechwrititng” has helped many on how to write speeches.Mr. Manaiza resides in Malibu, CA and enjoys his weekends sailing in Marina Del Rey. For more information, visit http://www.tinyurl.com/Malibu90265Style
Legions of authors adore Narrator Theresa Bakken, who produces and hosts The Desideratum Podcast. The ultimate in author-talk happens on Desideratum, and I’m excited to share that I just got booked to record for an appearance on this wonderful Podcast in late August. Watch this space! Desideratum is available now on Anchor, Spotify, Apple, Google and more! Now also carried by Authors on the Air Global Radio Network!
Desideratum is a Latin word meaning things that are desired as essential. Longing for stories to share and wishing for moments with gifted storytellers inspired this podcast. Each episode features a recorded short story or excerpt from an author’s latest book or audiobook, and a conversation with the writer about their craft and what they believe is essential. Tune in to hear an author you love, or to find your next favorite storyteller.
Meet Theresa Bakken, a multi-talented Podcast host and audiobook narrator!
It won’t surprise you to learn that the author of Boop and Eve’s Road (that’s me for the uninitiated) loves herself a smashing southern story. I’ve put together a refreshingly diverse list here–all southern, all sensational, but so very, very different. Do yourself a favor and pick up one (or heck y’all, all three of these reads).
Purple Lotus by Veena Rao is the story of Tara who immigrates from India to Atlanta, Georgia to be with her husband Sanjay. Theirs is a horribly ill-suited arranged marriage. Tara finds herself lost in a new country with an abusive husband and an unfortunate lack of self confidence. Eventually, she makes friends in her new community giving her the courage to leave her husband and make her own life in her new country. Some might argue that Purple Lotus is more of an immigrant story than a southern story, but I’d point out that Rao beautifully captures the experience of someone fresh to the South, that the south is more than its traditions, that the South with its world renown hospitality has room for all. Tara’s story of empowerment will steal your heart. Don’t miss it.
Sharp as a Serpent’s Tooths the best collection of short stories I have ever read. The characters, like June Bug and Eva, are delightful, quirky, and engaging. The plots are mesmerizing, unique, and page-turning. The southern country setting adds texture and delight with its Pentecostal Preachers, snakes, and speaking in tongues. Mandy Haynes has put together a beautiful collection with a southern voice that drawls off the page.
Little Tea by Claire Fullerton explores some of the more traditional southern motifs, complete with plantation homes and racial tension. Three childhood friends come together at a lake in Arkansas where an old boyfriend forces them to face the past. Through the voice of the main character, Celia Wakefield, Fullerton explores the evolution of racial relations in Mississippi. White daughter of a wealthy old southern family, Celia befriends the daughter of the black couple who runs her family’s plantation. Tucked away in the country in 1980s, their friendship flourishes. However, once the friends leave the plantation behind it becomes more difficult to navigate a mixed-race friendship in a world not quite ready for such things.
If you are a fan of all things Southern, you might also enjoy these posts:
I’m Claire Fullerton, the traditionally published author of Little Tea, Mourning Dove, Dancing to an Irish Reel, and A Portal in Time. I also have a novella titled, Through an Autumn Window, which is included in the book, A Southern Season: Scenes from a Front Porch Swing. I grew up in Memphis, Tennessee and now live in Malibu, California.
# What is/are the real-life story(ies) behind your book(s)?
There are no “real-life” stories in my novels, though I draw from a strong sense of place and am inspired by people and events I know.
# What inspires/inspired your creativity?
People are always my inspiration, My last two novels are set in the Deep South, and the South has such wonderfully colorful characters that are part and parcel to the Southern culture. I think all stories happen because of the people involved, so my inspiration comes from simply paying attention to people’s mannerisms, the stories they tell, and their way with words.
My favorite Podcast is Charlotte Readers Podcast, hosted by Landis Wade, an author himself and “a recovering trial lawyer” who encourages authors to read and talk about their award-winning, published, and emerging works. This is the show where host, Landis Wade, visits with local, regional, national and international authors who read and discuss their work. The Charlotte Readers Podcast mission is to help authors give voice to their written words for listeners who love good books.
Host Landis Wade of The Charlotte Readers Podcast
The podcast’s community blog is populated with readerly and writerly content offered by talented writers. It contains nuggets of wisdom for readers and writers.
This week, I contribute to their Community Voices Blog with a short post about how I became a writer, and the link to the blog post, titled, There Is no There to Get to, is here:
Charlotte Readers Podcast wants to hear YOUR voice! Charlotte Readers Podcast is so grateful for the love writers are showing our blog, Community Voices, where we invite writers to submit their readerly and writerly voices to be featured on our website. The submission guidelines are simple, but must be followed for consideration. Read our latest posts, learn more about what we’re looking for, and submit your writing for consideration on our website: https://linktr.ee/CharlotteReadersPodcast
Here’s the Link to The Charlotte Readers Podcast Website:
All hail The Pulpwood Queens, the largest book club in the world! The International Pulpwood Queens and Timber Guys Book Club is more than its 800 book club chapters, it’s a literary culture populated by avid readers and enthusiastic authors who fraternize under the Pulpwood Queens literary umbrella to share the love of books!
In existence for more than twenty years, The Pulpwood Queens hold an annual, book club conference experienced more like a party. Featured authors and attendees dress up in the Pulpwood Queens’ signature leopard print and tiaras for three days, in what becomes the ultimate meet and greet between authors and readers. Featured authors are panel guests in the most unique forum imaginable. Nothing staid and stuffy about the proceedings, rather, the panels are conducted as a celebration, where authors share more than the synopsis of the books they’ve written– they tell their background story: where they’re from, their writing process, and what inspired them to embark upon the craft of writing in the first place.
Since a picture tells a thousand words, here are some photographs from the Pulpwood Queens previous, annual event billed as Girlfriend Weekend:
This past Pulpwood Queens Girlfriend Weekend was different. What made the January 14-17th’s Girlfriend Weekend unique was that it was a Zoomathon fueled by the power of its good intention! Hundreds of us fretted over a possible Girlfriend Weekend cancellation due to Covid restrictions, but Kathy L. Murphy, the Pulpwood Queen herself, the visionary mastermind and rallying point of the largest book club in the world fit the needs to the moment and conducted the entire weekend on line! It was billed as The Pulpwood Queen and Timber Guy’s Reading Nation Slumber Party, and its aim was all about connections. Authors met readers, readers watched authors introduce themselves and their books, panel discussions were followed by keynote speakers, a popular audiobook narrator with a gorgeous British accent read excerpts from featured books and there was great audience participation! You can see a little about it here:
Here are highlights from the Pulpwood Queens January 14-17 Zoomathon:
I had the immense pleasure of being a part of the Pulpwood Queens’s Virtual Weekend by interviewing illustrious literary agent, Marly Rusoff, who shed light on the mysteries of the publishing world, past, present and future. Marly was fascinating, and we all were honored by her presence!
All told, the 2021 Pulpwood Queens Book Club Zoomathon was a rollicking success and an enthralling series of firsts, in that it essentially set the standard of excellence for online, book-related events!
Happy Release day to author Michael Farris Smith! I enjoyed Nick immensely!
“The story of Nick is the story of one lost soul on automatic pilot written in four compelling parts that dovetail to weave a psychic template of a WWI survivor. Its impact is profound, its resonance subterranean.”
It will take hours to wipe the awestruck look off your face after reading the last line of the anxiously anticipated Nick by Michael Farris Smith, a writer with a wildly enthusiastic fan base that fancies itself insiders to Farris Smith’s gritty esotericism. You’re cool if you follow this Oxford, Mississippi author. You are in-crowd if you’re hip to this writer who seemed to inherit the tool kit of the great Southern writers before him. Referred to as MFS by those who take his work personally because his stories do the talking for a certain strata of a particular region, in some ways Farris Smith’s clear, direct, and economic voice is an acquired taste even as his career prospers. But the publication of Nick will change all that, and wider readership will understand the attraction of this fearless writer who transcends literary limits and boundaries and plays by his own rules.
Michael Farris Smith is the author of Blackwood, The Fighter, Desperation Road, Rivers, and The Hands of Strangers. His novels have appeared on Best of the Year lists with Esquire, Southern Living, Book Riot, and numerous others, and have been named Indie Next List, Barnes & Noble Discover, and Amazon Best of the Month selections. He has been a finalist for the Southern Book Prize, the Gold Dagger Award in the UK, and the Grand Prix des Lectrices in France. He lives in Oxford, Mississippi, with his wife and daughters.
When I sat down to give it a revision last year, the thing that really struck me and surprised me about it was how timely the novel felt. … I mean, it’s a country that was coming off World War I. It was a country in a great state of transition — which is what we are fully immersed in right now, the greedy and the rich getting richer. … [There are] characters in the novel who are coming off the war, who are very disillusioned with their own country. And it’s a country coming off a pandemic. I mean, I was just blown away like how strangely timely the novel feels now compared to, you know, 100 years ago. And if this novel would have been published in 2015, that would have all been lost. But here we are now.
A former teacher and journalist, Johnnie Bernhard’s passion is reading and writing. Her work(s) have appeared in national and international publications, including: University of Michigan Graduate Studies Publications, Southern Literary Review, Houston Style Magazine, The Mississippi Press, the international Word Among Us, and the Cowbird-NPR production on small town America. Her entry, “The Last Mayberry,” received over 7,500 views, nationally and internationally.
Her first novel, A Good Girl, is a 2017 finalist in the national Kindle Book Awards, a Pen/Bingham nominee, and shortlisted for the 2015 Wisdom-Faulkner international Writing Competition. It was chosen for panel discussion at both the 2017 Louisiana and Mississippi Book Festivals.
In 2018, A Good Girl was nominated by the Institute of Mississippi Arts and Letters for Fiction of the Year and accepted into the Texas Center for the Book permanent collection.
Her second novel, How We Came to Be, was released in 2018. It is a finalist in the 2017 Wisdom-Faulkner international Writing Competition. Chosen for panel discussion by the 2018 Louisiana Book Festival and the Mississippi Book Festival, it has received stellar reviews, including being named a “Must Read” by Southern Writers Magazine and listed as a 2018 Summer Reading List choice by Deep South Magazine. It was awarded the Summerall Book Prize by Lamar University in 2019.
Johnnie’s third novel, Sister of the Undertow was named a book of the month by the international book club, The Pulpwood Queens. It was a featured novel for panel discussion at the 2020 AWP and chosen as Best of the University Presses, 100 Books by Literary Hub and the Association of University Presses.
Johnnie was selected to be a speaker for the TEDWomen 2020: Fearless series.
Johnnie’s Third Novel, Sisters of the Undertow is making waves in the literary world,
Sisters Kim and Kathy Hodges are born sixteen months apart in a middle-class existence parented by Linda and David Hodges of Houston, Texas. The happy couple welcomes their “lucky daughter” Kim, who is physically and mentally advanced. Following several miscarriages, Linda delivers “unlucky” Kathy at twenty-nine weeks, ensuring a life of cognitive and physical disabilities. Kathy enters public school as a special education student, while Kim is recognized as gifted.
Both sisters face life and death decisions as Houston is caught in the rip current of Hurricane Harvey. Kim learns the capricious nature of luck, while Kathy continues to make her own luck, surviving Hurricane Harvey, as she has survived all undertows with the ethereal courage of the resolute.
Sisters of the Undertow examines the connotations of lucky and unlucky, the complexities of sibling rivalry, and the hand fate delivers without reason.
Fans of audiobooks! Johnnie Bernhard’s latest novel is out today for your listening pleasure. Narrated by Emmy Award winning book narrator, Theresa Bakken, Sisters of the Undertow will appeal to those who love stories about sisters, families, and the human struggle to fit in. Theresa’s voice is smooth and carries you right into the story. Come download your copy. A 2020 Pulpwood Queens Book Club selection and published by Texas Review Press.
SISTERS OF THE UNDERTOW has been chosen for the Texas Center for the Book Collection, State Library Austin.
Below: Ginger Smith, Johnnie Bernhard, Yours Truly, Kim Moon at The 2020 Pulpwood Queens Girlfriend Weekend in Jefferson, Texas.
Johnnie’s 2nd, world-class novel: How We Came to Be
Here’s my book review of How We Came to Be:
How We Came to Be is a triumph of order from chaos as told in the most accessible first-person voice I’ve had the good fortune to come across in ages. I was under narrator Karen Anders’ spell from the first because author Johnnie Bernhard came out swinging by gifting the reader with this engaging novel’s premise by the third page. Karen doesn’t look good on paper. She is a fifty-year-old, high school English teacher living in Houston; a divorced, single mother facing empty-nest syndrome, well aware of her dependency on alcohol, but nowhere near ready to quit. Why should she? Karen’s life is a mess. One would think this is a recipe for a down on its heels story, but the reader is captivated by Karen’s tell-it-as-it-is persona and—dare I say it, identifies when Karen summarizes her circumstances by confessing, “I’m hating every moment, but pretending I’m having the time of my life.” When I got to this line, I knew I was hooked. We all have that sardonic friend who manages to smile through the egg on her face. This is Karen in a nutshell, and she keeps on keeping on, trying for the upper hand, while her adopted daughter, Tiffany’s first three months away at college become a study in bad choices, of which Karen has no say beyond putting out the fires. Karen’s dilemma is a common one and raises the question of how to be an effective single parent without chasing her daughter away. In the meantime, back at the empty nest, Karen knows she must forge a life beyond the rat-wheel of predictable sameness centered on her Houston high school’s schedule. In an uncanny act of timing, Karen’s world is widened when she is befriended by WW11 Hungarian refugee, Leona Supak from across the street, and an unlikely alliance is formed that challenges Karen to grow. Having been single for decades and barely hanging on, it probably isn’t the best time for a man to come into Karen’s life, yet when Matt Broussard pursues the surprised Karen in an Austin bar, she thinks, maybe? How We Came to Be is a brass-tacks, contemporary story without a moment of campy pretention. The events are cause and effect, but the story is what goes on in the likable Karen’s head. She is not so much a victim of circumstances as she is a neophyte at growing into her own. How We Came to Be is the story of a woman drowning in deep waters, who has the sense to learn how to swim. I applaud author Johnnie Bernhard for her wizardry in crafting this perfectly paced story in a voice so unique and compelling. This is a book to read and return to. It is perfect for book clubs because there is so much in it to discuss!
And Johnnie’s first novel, A Good Girl:
A Bible’s family tree and an embroidered handkerchief hold the key to understanding the past as six generation Texan, Gracey Reiter prepares to say goodbye to her dying father, the last surviving member of the Walsh-Mueller family. The present holds the answer, and the last opportunity for Gracey to understand her father’s anger, her mother’s guilt, and her siblings’ version of the truth.
The Walsh-Mueller family begins in Texas when Patricia Walsh leaves the famine of nineteenth century Ireland, losing her parents and siblings along the way. She finds a home, love, and security with Emil Mueller in a German settlement near Indianola on the Texas Gulf Coast. They begin their lives on a small cotton farm, raising six sons. From the coastal plains of Texas, five generations survive hurricanes, wars, The Great Depression, and life, itself.
An all-encompassing novel that penetrates the core being of all who read it, A Good Girl pulls back the skin to reveal the raw actualities of life, love, and relationships. It is the ageless story of family.
One of the highlights of 2020 for many writers was watching this!
Some say your novel The Shores Of Our Souls is a romance. Do you consider it such? What genre did you intend it to fall under when you wrote it?
I believe my novel falls on a literary fiction shelf, or an upmarket women’s fiction shelf. I wrote it to open a conversation, so it’s great for book clubs. It’s cross-genre for sure, if you’re trying to label it. It’s about war, love, and international intrigue. It’s a bildungsroman for the female character, and parts of it are historical fiction.
What do reviewers miss about your novel?
My novel is a love story, not a romance in the strict sense of the genre. It’s about why and how we love. It differs from many other love stories in that it’s told from two points of view. It was a risk on my part, but I did it to give my readers a better understanding of Arab culture, religion, experience, and values. That’s what drives any relationship – perspective and values.
It also doesn’t fall into a traditional romance trope of “Happily Ever After.” Instead, it shows what two people, damaged and alone, can do to heal and catalyze each other if they share love, even if it’s short-lived. I don’t like tied-up-with-a-bow finales, although readers who want one may like my sequel better. My sequel A Thousand Flying Things opens a decade later, and my my protagonists Dianna and Qasim have had time and space to heal inside, come into their own, before they reunite again. We’ll see if their love survives the separation. (Hint: There are some surprises that even Dianna doesn’t know about in their decade of separation.)
Call it what you will, love conquers all, especially division. It can also lead to mutual understanding. The connection and empathy it evokes can resolve conflict. Every conflict we face teaches us about each other and the world we live in, but only if we feel enough compassion for others to walk in their shoes. Rarely, love leads to a lifetime partnership. Often, it teaches us who we are.
If there was one thing you’d like to tell your readers about Shores, what would it be?
If people read only the first few scenes, they won’t understand that these two characters have been broken. They want to love, but societal wounds have rendered them incapable of it until they heal. Damaged people don’t make the best decisions. If readers stay with the story, they will watch both characters heal, and heal each other. And as they heal themselves, they widen their hearts.
If they read on, they’ll discover the potential of love to heal and transform. Yet before that point, they’ll also see how secrets lead to distrust, cause love to recede and characters (and real relationships) to backtrack. Miscommunication leads to misunderstanding, but the love endures. And it’s the love that keeps both characters moving on their Life Paths.
What themes and questions did you want to explore in your series?
Love conquers all.
How to love during conflict, be it a marital separation or a world war. (A lot of my coaching practice is about resolving conflict.)
How parental love, familial love, friendship love differ from romantic love.
And the questions I pose:
Do we choose who we love, or does love choose us?
Can we love all those who injure us? Can we forgive?
How does fleeting love change us? Catalyze us?
Can unconditional love awaken us to who we really are and thus empower us?
How did you write from a male POV so vividly?
I wrote Qasim’s POV as backstory first, to better understand him. Then my beta readers fell in love with him.
I realize it’s controversial to write in a POV different from one’s own these days. Yet I think it’s what writers do, put themselves in a situation or a point of view to better understand it, and to show others how to understand. I was trained as a child and as a writing student to put myself in another’s shoes. I may make mistakes, but I tried to portray every character authentically, and especially Qasim, as a full, complex character, who has successes and makes mistakes. Just like we all do, if we are alive.
Yet I didn’t find his voice in a vacuum. I’ve lived and worked in Africa and traveled through the Middle East. And most importantly, I had a relationship with a Middle Eastern man long ago, although the true story, the true human I loved, is nothing like Qasim and his story. Yet that person created a launching place for voice and story.
Do you consider Dianna a strong protagonist, a strong female role model?
Absolutely, although she’s young, naive and head-strong in the first novel. She’s left home and family to go seek a career in order to send money home. She hasn’t rented a brownstone with a bunch of friends and partied every night. She’s on her own. She’s striding forth in a male-dominated world and work force, and she holds her own. She holds her own when Qasim patronizes her. And I believe she evolves into a self-empowered hero, someone who paved the way for the women who came after her.
She, like Qasim, is a woman of her time. Women were just coming into their own. The employment rate for women rose from 38 percent in 1960, to 43 percent in 1970, to 52 percent in 1980, and finally reached 60 percent by 2000. Yet these stats don’t say where the women worked, or their entry annual salaries (mine was $10,600 before taxes), or the challenges they met in the workplace, or how much they earned to a man’s dollar. In 1980, women had a career map, maybe even a role model, but they faced a lot of hurdles. I asked for a raise after two years on the job, and my boss told me that the raise had to go to the man because “his wife had just had a baby.”
I’ve heard readers ask about an audible edition of both your novels? Are those forthcoming?
A strong maybe. Stay tuned.
Your book is full of visual and sensory imagery. Is that how you usually write a scene?
I start with a memory, an interesting person from my life or from history, and a question I want to figure out myself. Then I close my eyes and a story plays out in front of my eyes like a movie. I used to think that most people wrote that way.
And how do you write? Do you ever use an outline?
I write most scenes with incredible speed. Most of my language and voice comes from that very first draft, even if it does have a bad plot.
Then I outline.
Then I make sure I’ve written and approve of my beginning, middle, and end, that both the narrative and character arcs are solid.
Then I revise to the middle, then to the end.
And then revise until someone tells me I have to stop.
How much research did you do for your novels? How much comes from your life experience?
I’m including an informal bibliography in my next novel, because I’ve received this question a lot. I was a researcher for five years for National Geographic, so deep research is part of me. Also, I have a personality like a scientist’s, in that I’m incredibly curious and want to get the heart of things, to as near “truth” as I can. Shores is well-researched. I can provide a bibilography to anyone who requests it. Just sign up for my newsletter at https://shoresofoursouls.com, and I’ll send you a complete bibliography.
Yet I didn’t find the The Shores Of Our Souls story in a library. I was a humanitarian worker for nearly two decades, with a work focus in the Middle East, Africa, and Eastern Europe. I spent this time meeting and interviewing immigrants, displaced people, people in war, both civilian and military. I was an international humanitarian law instructor for the Red Cross (ie, Geneva Conventions). I witnessed these people’s life stories and I shared them with the world. I’ve spent time in Beirut, the last time in 2006, six weeks before the last war, with bombing raids already happening up the coast.
So that’s why you chose to write about Lebanon?
Not entirely. My initial protagonist hailed from Alexandria, Egypt. Every country in the world has its unique sensibilities, though. Egypt is completely different than Lebanon. Qasim fit in Lebanon, not Egypt. By the way, the man I dated was not Lebanese. But Qasim just had to be.
Do you have a favorite line in Shores?
The lines most readers love just came to me one day. “We often lose ourselves in love. Rarely do we find ourselves there. Never do we see it coming.” They open the novel.
But my favorite lines are at the book’s end. They’re an homage to E.M. Forster’s A Passage To India. The last lines of all my novels in this series will be a tribute to him. He was one of the first to write about the divide between East and West. I also added a falling feather in the scene because my BFF Laura Schmidt, an amazing writer with an amazing life, passed when I was writing the first draft of this novel. She sends me blue feathers as signs that she’s still with me, and she whispers inspiration in my ear on a regular basis.
Who are your favorite authors? Your favorite children’s authors?
My all-time favorite book is John Steinbeck’s East of Eden.
My all-time favorite books on writing are by Eudora Welty: One Writer’s Beginnings and The Eye of the Story.
I’m an avid reader of fairy tales and myths from all over the world, and my very first book was The Three Little Horses, by Piet Worm, given to me by a neighbor when I was 2 years old. I knew I’d found the man I would marry when he introduced himself as a modern-day Druid, and told me he loved Tolkien.
I also loved C.S. Lewis’ The Narnia Chronicles, and E. L. Konigsberg’s The Crazy Mixed-Up Files of Mrs. Basil E. Frankweiler changed my life – made me want to write about the world, cultures, history, and how my world related to it all. And it made me start running away from home, much to my mother’s chagrin.
My favorite contemporary authors are Isabelle Allende, Alice Hoffman, and Barbara Kingsolver.
But I almost always fall in love with any book that gets me past the second chapter with its voice and craft. Once I’m immersed in story, it’s tough for me to come out again.
What’s next for author Kathryn Brown Ramsperger?
The sequel to Shores, called A Thousand Flying Things, will be published next year. I’m working on the book cover right now. Then I hope to publish a memoir about adoption, teen suicide, and the mother-daughter bond. I have many books that are still works in progress, including a weird funny memoir on death.
I also host a Facebook Live called Story Hour most every Thursday @ 4 pm EDT on my Facebook Author page, with replays available on You Tube. I also am an intuitive coach at Ground One LLC, and a book coach with my own process. Most of my writing clients are memoirists. My method is called Step Into Your Story! (TM)
I love speaking anywhere, online or off, about story, the writing craft, global citizenship and peace.
Author Bio: Kathryn Ramsperger’s literary voice is rooted in the Southern tradition of storytelling and is informed by her South Carolina lineage. She began her career writing for The Roanoke Times and The Gazette newspapers and later managed publications for the Red Cross and Red Crescent in Geneva, Switzerland. She has contributed articles to National Geographic and Kiplinger magazines.
Writing from a global perspective, her themes are universal yet intensely personal and authentic.
A graduate of Hollins University (Roanoke, Va.), Kathryn studied under several esteemed writers including—Pulitzer Prize-winning novelist Eudora Welty; her mentor Richard Henry Wilde Dillard and Pulitzer Prize-winning poet Henry Taylor. She holds a graduate degree from George Washington University.
Winner of the Hollins University Fiction Award, Kathryn is also a finalist in novel, novel-in-progress, short story, and poetry categories in the Faulkner-Wisdom literary competition. The Shores of Our Souls won the 2017 Foreword Indies award for multicultural fiction and also won an America’s Best Book Award.
Kathryn is a mezzo-soprano, has dined with artists ranging from author Marita Golden to musician and writer Kinky Friedman, and has traveled to every continent except Antarctica and Australia. She’s worked in Europe, Africa, and the Middle East. She currently lives in Maryland with her husband and two children.