Celebrating Literary Connections!

This post is in celebration of the surprising connections made from years of being a writer. I have four books and one novella out in the world, and another–fingers crossed- hopefully, making its way through the labyrinthian path from my computer to bookstores, but that’s another subject!

I’m thinking about the countless, sung and unsung heroes with whom I’ve had the pleasure to align over the years. “Book people” are passionate people committed to staying the course of what can only be described as an incremental growth pattern fueled by perseverance and dedication to the love of reading and writing. I’ve found the two arenas are tightly woven. You simply cannot have one without the other. It’s a particular breed of cat who knows this, and they are the breed who derive great satisfaction and personal fulfillment in centering their days on the written word.

Writers, and, readers, and bloggers, and book promoters breathe the very life force into the existence of a writer. They are the stalwart citizens of the literary world who take a writer’s work and magnify it, launching it into a wider sphere by ripple effect, creating attenuation by virtue of the fact that they have an audience of like-minded fellows. My gratitude for these passionate people is endless. They understand the solitary creation of writing as an art, and their support is humbling, sustaining, and imperative.

It’s fair to say that authors spend just as much time promoting their books as they do writing them. On average, each of my books took two years to produce, and that’s about the same amount of time I’ve dedicated to book promotion. It takes time to get the word out that a book exists in the first place, and getting to readers is not something that happens overnight; it’s a process, a build that feels like an uphill climb with countless stops along the way. One cannot do it alone. It takes a village, and much is furthered when an author takes the time to compare notes with those who have gone before them.

Which brings me back to the connections worth celebrating made from being a writer. I will now combine a radio host, an author, and a particular outfit dedicated to championing the literary arts to illustrate a case in point:

Bobbie Jean Bell has enjoyed a long career as the co-host of The Writers Block show on LA Talk Radio, which you can access from their online website. It has been a high honor, over the years, for me to appear on the show three times. Sadly, Jim Christina, Bobbie Jean’s charismatic, one-of a kind co-host of many years, died this past year. With continued commitment and touching sensitivity, Bobbie Jean Bell took the show into her own hands in honor of Jim, and rebranded the show, Rendezvous with a Writer, which airs every Thursday night on LA Talk-Radio. https://www.latalkradio.com/content/rendezvous-writer

Johnnie Berhard is the author of four gorgeous novels. She currently lives in Mississippi, and maintains a strong rapport with her native Texas. Looking back now, I cannot recall how I first crossed paths with this extraordinary writer, but I can report I met her in person at The Pulpwood Queens Girlfriend Weekend in Jefferson, Texas in 2020– or was it 2018? I think it was both, but I digress. Let’s just say the fruits of coming to know Johnnie Bernhard are endless. It has been my pleasure to feature Johnnie’s work here on my blogsite. In a minute, I’ll tell you how Johnnie fits into this, but while I’ve got you, look into Johnnie Here: http://johnniebernhardauthor.com/bio

The Catholic Literary Arts is an outfit that conducts itself in the highest manner. Their mission, as stated on their website ( https://www.catholicliteraryarts.org/) is this: “Catholic Literary Arts exists to provide a welcoming home for people of all faiths and goodwill to learn, to improve writing skills, to meet fellow writers and publishers, and to enjoy spiritual and intellectual formation in the great literary traditions of Western civilization.”

How the aforementioned entities collided with yours truly now delighted to be right in the middle is this: I had the pleasure of watching author Johnnie Bernhard teach a virtual class on the mechanics of writing fiction for The Catholic Literary Arts, and in later talking with her about the endless merits of such an important forum, Johnnie introduced me to Sarah Cortez, in the hope she and I would explore common ground. We did. Our common ground is this: Sarah Cortez is the president and founder of The Catholic Literary Arts, and I have much to say about the art of launching a book! Ms. Cortez took me seriously when I told her it would be my honor to teach a class for her noble organization. I am enthusiastic to report I will do just this on Tuesday, September 27th at 7:00 CST. Here is the link to register: https://www.eventbrite.com/e/363439757097

And because Bobbie Jean Bell invited me to be a guest on Rendezvous with a Writer from 6:00PM to 6:50 PST on Thursday, September 15, to talk about books and writing, we will also be talking about my virtual class on Preparing to Launch a Book!

This is what I meant when I said I celebrate the surprising connections made from years of being a writer. The magical alchemy that results from staying the course is the gift that keeps on giving!

I hope you’ll join me on Rendezvous with a Writer on Thursday, September 15th ( link above) and that you’ll register for the class and tell your friends about my virtual class with The Catholic Literary Arts where I share all I know about preparing to launch a book!~

Join Me in a Virtual Class to talk about Your Book Launch!

Having written 4 novels and one novella, I’ve devised a strategy in preparation for each book launch, and I’ll be a teaching an online class about it, for The Catholic Literary Arts on September 27th at 7 PM, Central Standard Time.

I’ll be talking about the steps to take in creating a solid foundation months before the release date of your book, and where to establish an online presence with strong connections that will support your efforts at book promotion, once your book is out in the world.

You’ve, no doubt, written a best seller; now it’s time for you to get ready to introduce your book to the world.

Because preparation for a book launch can be daunting, I will share the tried and true steps that can make it fun. I’ll be available for your questions in a question and answer forum at the end of the class, and I hope you join me!

You can register now for the class at http://www.catholicliteraryarts.org.

Find me here:

https://www.goodreads.com/author/show/7388895.Claire_Fullerton

https://www.instagram.com/cffullerton/

https://www.linkedin.com/in/claire-fullerton-68033321/

https://www.clairefullerton.com/

Recommendation for a Fantastic Writer’s Workshop!

May be an image of 1 person and text that says 'ialjeng The Path to Publication: the Query Letter and the Synopsis Workshop Byoи ApoeldMhsdhen0 Tuesdays January 25 and February 1, 2022 7:00 p.m. CST Johnnie Bernhard Instructor CATHOLIG LITERARY ARTS Where Nrite Spirit Register at www.catholicliteraryarts.org'
Johnnie Bernhard

Register Here! https://www.catholicliteraryarts.org/Johnnie Bernhard

Johnnie Bernhard

A former teacher and journalist, Johnnie Bernhard’s passion is reading and writing. Her work(s) have appeared in national and international publications, including: University of Michigan Graduate Studies Publications, Southern Literary Review, Houston Style Magazine, The Mississippi Press, the international Word Among Us, and the Cowbird-NPR production on small town America. Her entry, “The Last Mayberry,” received over 7,500 views, nationally and internationally. Her first novel, A Good Girl, is a 2017 finalist in the national Kindle Book Awards, a Pen/Bingham nominee, and shortlisted for the 2015 Wisdom-Faulkner international Writing Competition. It was chosen for panel discussion at both the 2017 Louisiana and Mississippi Book Festivals. In 2018, A Good Girl was nominated by the Institute of Mississippi Arts and Letters for Fiction of the Year and accepted into the Texas Center for the Book permanent collection. Her second novel, How We Came to Be, was released in 2018. It is a finalist in the 2017 Wisdom-Faulkner international Writing Competition. Chosen for panel discussion by the 2018 Louisiana Book Festival and the Mississippi Book Festival, it has received stellar reviews, including being named a “Must Read” by Southern Writers Magazine and listed as a 2018 Summer Reading List choice by Deep South Magazine. It was awarded the Summerall Book Prize by Lamar University in 2019. Johnnie’s third novel, Sister of the Undertow was named a book of the month by the international book club, The Pulpwood Queens. It was a featured novel for panel discussion at the 2020 AWP and chosen as Best of the University Presses, 100 Books by Literary Hub and the Association of University Presses. Johnnie was selected to be a speaker for the TEDWomen 2020: Fearless series. 

Johnnie Bernhard
AWARD-WINNING AUTHOR
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SISTERS OF THE UNDERTOW

“Johnnie Bernhard pierces the soul of sisterhood, revealing the poignant paradox that familial love does not always come naturally, but it always comes. Sisters is a heart-wrenching yet triumphant story about conquering your fate and learning to play the cards you were dealt.” 
Galveston Monthly

“Johnnie Bernhard has become one of the South’s finest writers. Sisters of the Undertow is a book you can’t and won’t put down, a story of sisterhood, love, and loss.” 
–Allen Mendenhall, Southern Literary Review

HOW WE CAME TO BE

“In How We Came to Be, Bernhard delivers a poignant exploration of life as a modern American woman. This complex story examines the many emotional layers of relationships, mothering, sisterhood, and the eternal search for self-worth in a society obsessed with the superficial. Within these pages, readers will experience love and loss, grace and redemption, forgiveness and faith. A heartwarming read that proves family comes in many forms.” 

–Julie Cantrell, New York Times and USA TODAY Bestselling Author of Perennials

A GOOD GIRL

“One of the great pleasures of reviewing books is that of discovering rare jewels, especially those written by up-and-coming Mississippi writers. One of 2017’s best will surely be A Good Girl by author Johnnie Bernhard, who as much as any writer since Flannery O’Connor and Walker Percy, offers a breathtaking tour of the human heart in conflict with itself, desperately searching for grace and redemption in the face of unremitting loss.” 

–Jim Frazier, The Sun Herald

A Good Girl is a raw, real and relatable gift to the soul on every level. Ms. Bernhard’s writing is so descriptive, reading this book is truly a visceral experience. One can not help but reflect on their own family legacy and life journey. Prepare to be rivetted by this heart- breaking, yet healing story about family, self discovery and learning how to love.” 

–Eva Steortz, Vita Creative and The Walt Disney Company

On Writing Fiction

HOW TO GET INTO FICTION WRITING

The Journey of Claire Fullerton from Memphis to Malibu

Thrive Global invites voices from many spheres to share their perspectives on our Community platform. Community stories are not commissioned by our editorial team, and opinions expressed by Community contributors do not reflect the opinions of Thrive Global or its employees. More information on our Community guidelines is available here. By Jose Angel Manaiza Jr, Tutor To The Stars at Malibu Education

Our Guest Expert is Author Claire Fullerton:

Claire Fullerton


Claire Fullerton is the traditionally published author of four novels and one novella. Her twenty book awards include the Literary Classics Book of the Year, the Independent Authors Network Book of the Year, and the International Book Awards Gold medal for Literary Fiction.  Her work has appeared in numerous magazines including Celtic Life International and Deep South Magazine.  Claire is a book reviewer for The New York Journal of Books. She is represented by Julie Gwinn of the Seymour Literary Agency and has recently completed her fifth manuscript. She hails from Memphis, Tennessee, and has lived in Western Malibu for twenty years.  Visit http://www.clairefullerton.com

Q: Tell me about your journey to your success as a writer: 


A:  A writer’s life is built incrementally. It begins by producing the work and submitting. I now look back and realize my career began with the discipline of keeping a journal from a very young age, which helped me develop as a writer.  I’ve always submitted to magazines, and I’ll now credit Malibu’s Anne Sobel of the Malibu Surfside News for inviting me to write a weekly column for a full year about life in Malibu, titled, In First Person, from 2009 to 2010. The task taught me about the fine art of brevity and the precise use of language.  I am a storyteller, in that I write fiction, and yet I love writing first person narratives.  My first novel, A Portal in Time was published by a small press in 2013. That press published Dancing to an Irish Reel in 2016. In 2017, I signed with a literary agent, and my novel, Mourning Dove, a family saga,  set on the genteel side of 1970’s Memphis, was published by Firefly Southern Fiction the following year. Mourning Dove helped me gain wider readership and went on to receive fifteen book awards. In May of 2020, Firefly Southern Fiction published my novel, Little Tea, whose title refers to one of its characters and which is about the power of female friendships, also set in the Deep South. I am now in the editing phase of my firth manuscript, and all told, I am grateful to do the work I love and am always thrilled to meet my readers!


Q: What advice would you give to young women and girls who’d like to follow in your writer footsteps? 

A: The first thing I’d say to encourage a fiction writer is remain open to finding the story you’d like to tell. Commit to the work. An author’s career is all about balancing inspiration and discipline. Most of the work goes into revision. There is an adage that says, “Writing is re-writing,” and I’ve found that to be true.  Submit your stories to magazines online, and in print. Build your resume. Confer with other writers, find your writing community, stay engaged.  Establish an online presence. If you’d like to be traditionally published, do your homework on writing as a business. Learn how to look for a compatible literary agent and master the query letter.  And once again, writers learn much from those who write as a career.  It’s important for writers to find their tribe, on the way to finding their readership. 


Q: What is your vision for the next five years? 

A: I’d love the grace to continue doing what I love, day in and day out.  What I’ve learned about writing is there is no “there” to get to. There is only the progress made as you stay the course of the path.

Click here for the full audio interview on Spotify: http://www.tinyurl.com/ClaireFullerton— Published on September 22, 2021

Jose Angel Manaiza Jr, Tutor To The Stars at Malibu Education

MATHEMATICIAN JOSE ANGEL MANAIZA, JR.

Former Child Star in La Ceiba, Honduras. Jose Angel Manaiza Jr. is known as “The Tutor to The Stars” from Malibu to Beverly Hills.Teaching the children of Hollywood celebrities to achieve success. Mr. Manaiza has helped over 1,200 students. Including NCAA student-athletes from schools such as UCLA, USC, and Pepperdine University.His patented speed-reading system is endorsed by three former U.S. presidents, and he has been honored in The White House.In 2018, Jose was knighted by the order of the OSJ in NYC. He was the first SAT Instructor to be published  in The Huffington Post on the topic of “The New SAT Exam.”   58 of his students received an overall average score of 1456 on the SAT exam, and earned admissions with full scholarships.He has also been given a special recognition for his work from the City of Los Angeles, and the State Of California.Mr. Manaiza served as The Speaker Program Director for The California’s Women Conference in 2019, where past keynote speakers have included Oprah Winfrey, Norma T. Hollis, Michelle Obama, Dame Mabel Katz, Laura Bush and Arianna Huffington. He is official biographer of Garifuna Writer & Historian Santos Centeno Garcia. Mr. Manaiza is a professional speechwriter who has written over 6000 speech scripts to CEOs, world leaders, and professional speakers. His famous workshop entitled “Presidential Speechwrititng” has helped many on how to write speeches.Mr. Manaiza resides in Malibu, CA and enjoys his weekends sailing in Marina Del Rey. For more information, visit http://www.tinyurl.com/Malibu90265Style

The Charlotte Readers Podcast: Authors on Books and Writing!

My favorite Podcast is Charlotte Readers Podcast, hosted by Landis Wade, an author himself and “a recovering trial lawyer” who encourages authors to read and talk about their award-winning, published, and emerging works. This is the show where host, Landis Wade, visits with local, regional, national and international authors who read and discuss their work. The Charlotte Readers Podcast mission is to help authors give voice to their written words for listeners who love good books.

Host Landis Wade of The Charlotte Readers Podcast

The podcast’s community blog is populated with readerly and writerly content offered by talented writers. It contains nuggets of wisdom for readers and writers.

This week, I contribute to their Community Voices Blog with a short post about how I became a writer, and the link to the blog post, titled, There Is no There to Get to, is here:

There is No There to Get to – Charlotte Readers Podcast

crp-siteheader-small

Authors, look at this!

Charlotte Readers Podcast wants to hear YOUR voice! Charlotte Readers Podcast is so grateful for the love writers are showing our blog, Community Voices, where we invite writers to submit their readerly and writerly voices to be featured on our website. The submission guidelines are simple, but must be followed for consideration. Read our latest posts, learn more about what we’re looking for, and submit your writing for consideration on our website: https://linktr.ee/CharlotteReadersPodcast

Here’s the Link to The Charlotte Readers Podcast Website:

Charlotte Readers Podcast

Charlotte Readers Podcast Social Media Links:

https://facebook.com/charlottereaderspodcast

https://instagram.com/charlottereaderspodcast

https://www.youtube.com/channel/UCGo_wZGJDD60JqAhEtzRM4A/

Support the Written Word

Wondering how you can support Charlotte Readers Podcast?

Patreon is a website where listeners can support the podcast, while getting exclusive content in return.

You can help authors give voice to their written words.

Become a Patreon Subscriber to receive exclusive content and other benefits.

I’ll see you at The Charlotte Readers Podcast!

https://linktr.ee/cffullerton

The Women in Publishing Summit Begins Next Week !

I’m delighted to be a part of the Women in Publishing Summit. It’s the first online writing and publishing conference dedicated to women, the Women in Publishing Summit is the biggest online conference for women in publishing, featuring over 70 authors, publishers, editors, graphic artists, marketers, book sellers, mindset coaches, & more! 

One Week of Featured Speakers of the Publishing Business
Held annually the first week of March we’ll end with a bang on International Women’s Day. The next event will be online March 1-8, 2021 and you must register to access. The Summit is a combination of guest expert interviews, panel discussions, tutorial presentations, and LIVE interviews, run completely online that you can enjoy from your phone, computer, or tablet. 
My talk will air on Friday March 5 at 2:00 PM Eastern Standard Time! In my talk, I explained how I prepared for the book launches of Mourning Dove and Little Tea. Both books are set in the Deep South and depict Southern culture, female friendships, coming of age, and the family dynamic! A lot of preparation went into the launch of both books, and I had a wonderful time explaining my launch strategy for the Women in Publishing Summit.
About Jane Friedman (quickly)
Jane Friedman has 20 years of experience in the publishing industry, with expertise in business strategy for authors and publishers. She’s the editor of The Hot Sheet, the essential industry newsletter for authors, and has previously worked for F+W Media and the Virginia Quarterly Review. In 2019, Jane was awarded Publishing Commentator of the Year by Digital Book World; her newsletter was awarded Media Outlet of the Year in 2020.
Jane’s newest book is The Business of Being a Writer (University of Chicago Press); Publishers Weekly said that it is “destined to become a staple reference book for writers and those interested in publishing careers.” Also, in collaboration with The Authors Guild, she wrote The Authors Guild Guide to Self-Publishing.
In addition to being a professor with The Great Courses, Jane maintains an award-winning blog for writers at JaneFriedman.com; her expertise has been featured by The New York Times, The Washington Post, Publishers Weekly, NPR, PBS, CBS, the National Press Club and many other outlets.
Jane has delivered keynotes and workshops on the digital era of authorship at worldwide industry events, including the Writer’s Digest annual conference, Stockholm Writers Festival, San Miguel Writers Conference, The Muse & The Marketplace, Frankfurt Book Fair, BookExpo America, and Digital Book World. She’s also served on grant panels for the National Endowment for the Arts and the Creative Work Fund, and has held positions as a professor of writing, media, and publishing at the University of Cincinnati and University of Virginia.
In her spare time, Jane writes creative nonfiction, which has been included in the anthologies Every Father’s Daughter and Drinking Diaries. If you look hard enough, you can also find her embarrassing college poetry
.

Women In Publishing Mission & Vision

We celebrate the accomplishments of women in publishing – authors, publishers, editors, typesetters, cover designers, marketers, booksellers, everyone involved in creating and selling books and provide a community where we can share great resources, encouragement, tools, and mentorship for women who want to have their voices heard and stories told.

Get Your Ticket Now!

The Women in Publishing Summit was made for women, by women.

We’re featuring publishers, authors, editors, agents, marketing experts, graphic designers, tools you need for success, and MORE to provide expert advice and resources YOU NEED to write, publish, and sell more of your book!

Register for the event and you’ll receive information to access the content from the comfort of wherever you choose to watch!

Don’t miss it!2021 TICKET INFO

I’ll look forward to seeing you there!

https://linktr.ee/cffullerton

Postcards and Authors

Every so often, I come across a website that champions authors with glittering flair. Postcards and Authors is such a place and Anita, the woman behind the magic, is wonderful! She has a wide reputation with good reason for championing authors. What an author does is send in a postcard with an image that pertains either to where they live or telling of their book. Authors from all over the globe enter and Anita showcases their postcard and goes to wonderful lengths to feature their work.

I wanted to share this site and information with my fellow authors. Take a look at the links below that send you to the site and direct you on how to submit!

I hope to see many on Postcards and Authors!

Here is my feature that was posted yesterday!
Claire Fullerton was a recent guest on LA Talk Radio – The Writer’s Block to discuss her new novel, Little Tea. Midway the conversation, her host asked, “When you write, who controls the book, you or your characters?” The presumed answer was the characters. However, Claire, whose previous career was on-air in music radio, answered, “I confess I must be a control freak because I think I’m runnin’ the show. Nobody’s taking over my book, including who I’m writin’ about.”
Claire Fullerton has always considered herself a southerner, though born in Wayzata, Minnesota, and currently living in Malibu, California. When she was ten, her family moved to Memphis, Tennessee. It was where Claire innately watched people and absorbed the music of prolific musicians who flocked to experience the city’s aura and recording opportunities. All the while, Claire was sharpening her writer’s eye. She considers Memphis the last romantic culture on earth.
However, like much of the country, Memphis was experiencing social and cultural changes, and Claire Fullerton was witnessing and taking it in, including the fight for racial equality. It would be some of those memories that she injected into Little Tea.
The story begins with a girls’ getaway at a lake house in Heber Springs, Arkansas. Celia, Renny, and Ava, friends since childhood, meet to support Ava, who is having marital problems; however, before the three-day stay is over, Celia will be confronted with demons from her past.
When the time shifts in the novel, there is Little Tea (Thelonia), the daughter in a black family. Her mother is a maid, her father, a foreman, both for the white Wakefield family’s Como, Mississippi cotton farm in the 1980s – Celia’s family. The girls are ten-year-old friends who play together and are often joined by Hayward, Celia’s brother. Innocent and naive, this works well for the three of them, but they grow up… and people have opinions. The past and present come together with Little Tea at the core.
Reviews for Little Tea give an enticing glimpse into the story. Readers are awed by Claire Fullerton’s ability to interpret and depict southern characters in settings that epitomize the beauty of the terrain. Her previous multi-award winning novel, Mourning Dove, is also about a southern family set in Memphis, Tennessee. Excerpts and reviews for all of Claire’s books are on her website.
Visit Claire’s social media and sign up for her newsletter. (Scroll down for the links.) You’ll not only see great pictures of her writer’s life, but her three big German Shepard dogs, too!
Claire, Malibu seems a nice place to land after living in other cities in the U.S and abroad. Like you, I believe I can have an extra dose of inspiration with a daily ocean view! Maybe I’ll get to Malibu on my next California trip (being optimistic). It’s been a looong time since I’ve been to The Golden State. Thank you for the postcard. 🙂
~Anita~

How to Participate and Submit: https://postcardsandauthors.com/participate/

And here is the website! https://postcardsandauthors.com/

 

 

 

 

Where I Find Inspiration

May 1, 2020 | By Claire Fullerton
I was recently asked the following question in an interview: “As a writer, where do you go to find inspiration?” The interviewer cited the habit of Charles Dickens, who took to the streets of London every day in a five to six-mile stroll while looking for source material. I love the evocative image of this world-renowned writer cruising through London, his eyes darting as he tallied impressions, experiencing the common place of that city, taking mental notes.
Because I wanted to answer the question to the best of my ability, I visualized myself in Dickens’ place and pondered what he was really doing. I realized it wasn’t so much where he was as it was that he had his eyes open. The way I considered it, Dickens allowed himself to be influenced, and this is key for writers. The most seemingly inconsequential things can affect a writer, and by this I mean strike an emotional chord. That it typically happens in the blink of an eye doesn’t make it any less meaningful.
In the essay, Honeymoon: The Romance of Umbria, by Pat Conroy, which appears in The Pat Conroy Cookbook, Conroy writes of catching himself writing in his head instead of living in the moment as he stood inspired by an Umbrian sunset. With regard to writers, I believe this is a common habit. It’s a particular way of being in the world and at the heart of it is the desire to communicate coupled with love of language.
There might be shades of the longing to be understood, but I think it’s more a labor of love to help readers understand the world. After all, a writer’s task is to articulate, to put their impressions into words along with what they think and feel through the power of story.
I’ve heard it said that artists view the world through with a peculiar, particular lens.
They have the ability to engage with the world from the outside looking in, to be in it but not of it, stand apart in the middle of a crowd and act as witness. To many artists, this ability is a calling, be it acting, painting, dancing, or writing. In my opinion, writers are the archivists of the world, the interpreters of life who record events and impressions and are driven by the need to share their gift.
And yes, it all starts with finding inspiration, yet inspiration doesn’t so much reside without as it does within. The trick is to keep wide-eyed and aware as one goes about their days, to grab hold of inspiration’s cord once it’s struck and hang on until it resonates. Inspiration doesn’t have so much to do with location as it does the ability to access what’s within once it’s triggered. When it comes to writing, inspiration is a prompting that travels from the spirit of a writer to a blank page and results in a painstaking commitment to work built on hope and blind faith that it’s worth sharing.
In answer to that interviewer’s question of where I go to find inspiration, I tried my best to articulate my experience. I said rather than cite a locale, I can share what I do when inspired, and it has everything to do with discipline. I can be anywhere doing anything when inspiration comes from sight, sound, thought, mood or feeling. To me it’s all about listening to the voice within. The discipline starts with finding a pen

For Release news of my novel, Little Tea, the rest of this post continues here: http://booksbywomen.org/where-i-find-inspiration/

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Little Tea’s Universal Link:  https://books2read.com/u/3nvz0R
Claire Fullerton hails from Memphis, TN. and now lives in Malibu, CA. with her husband and 3 German shepherds. She is the author of Mourning Dove, a coming of age, Southern family saga set in 1970’s Memphis. Mourning Dove is a five-time award winner, including the Literary Classics Words on Wings for Book of the Year, and the Ippy Award silver medal in regional fiction ( Southeast.) Claire is also the author of Dancing to an Irish Reel, a Kindle Book Review and Readers’ Favorite award winner that is set on the west coast of Ireland, where she once lived. Claire’s first novel is a paranormal mystery set in two time periods titled, A Portal in Time, set in Carmel-by-the-Sea, California. She is a contributor to the book, A Southern Season with her novella, Through an Autumn Window, set at a Memphis funeral ( because something always goes wrong at a Southern funeral.) Little Tea is Claire’s 4th novel and is set in the Deep South. It is the story of the bonds of female friendship, healing the past, and outdated racial relations. Little Tea is the August selection of the Pulpwood Queens, a Faulkner Society finalist in the William Wisdom international competition, and a finalist in the Chanticleer Review’s Somerset award. She is represented by Julie Gwinn of the Seymour Literary

Follow her on Twitter @cfullerton3
Find out more about her on her website https://www.clairefullerton.com/

As Published on:

Women Writers, Women(‘s) Books
Online Magazine
http://www.booksbywomen.org
Twitter @womenwriters
Facebook Women Writers Women(‘s) Books

Gifting the Readers

It was an unusual path that led to the creation of my third novel, Mourning Dove, and the thought that spurred me on was gifting the reader with something to ponder.
Mourning Dove started as a poem, written rather cathartically, in verse that sought to put into words the repercussions of a personal experience. I wrote the poem but never shared it, thinking it would be enough to write it and leave it in my journal. Then, in 2013, I saw a call for submissions in the San Francisco Writers Conferences’ contest. In looking at the categories, I decided to tell the abbreviated story behind the poem in the requisite 3,000-word limit and enter it as narrative nonfiction. Because I liked the images and rhythm of the poem, I began my piece with the poem’s first stanza. As I wrote the nonfiction story, I remained true to the feel and flow of the poem. I reached the word limit swiftly and submitted it to the contest, under the title Mastering Ambiguity (there’s a good reason for that title.)
Three months later, I received notice that Mastering Ambiguity was a finalist in the contest, and, as I live in Malibu, I decided to make the trip to the 2013, San Francisco Writers Conference and attend the luncheon where the winner would be announced.
Entering the auditorium, I saw thirty-five, eight seated tables spaced on the floor before a stage. As I found a seat, I told myself that if anything ever came of Mastering Ambiguity, I’d turn it into a full-length novel. Mastering Ambiguity wasn’t pronounced the winner at that luncheon, but it came in as the runner-up. Knowing I had a good story, I kept my pledge and set to work turning Mastering Ambiguity into a novel.
But how to turn a 3,000-word, nonfiction piece into a novel that is essentially a coming- of -age and then some, Southern family saga? It occurred to me that if I focused on a sense of place, in this case, the genteel side of 1970’s and 1980’s Memphis, replete with characters exemplary of old-world social mores, I’d have a solid foundation for a cause and effect story.
I began by defining the aim of Mourning Dove, which would help me suggest its point. Once I had what I wanted to say in hand, I settled upon Mourning Dove’s themes, knowing, if I let them lead, I could write the novel in scenes that would lead to gifting the reader with an overarching point.
When a writer settles upon a theme, or themes in a novel, the idea is to make them universal, so that the reader will identify from the vantage point of their own life. In Mourning Dove’s case, I wanted to expand upon the idea of a search, for I believe all of us are searching for something, be it a daily search or over a lifetime.
Once I knew the beginning and end of Mourning Dove, I wrote the following in a composition book I keep by my keyboard, and allowed it to guide me:
A search for place/home
A search for identity
A search for meaning/God.

From there, I wrote the story of two siblings who were born in Minnesota but moved abruptly during their formative years to the Deep South, where they entered the traditionally Southern environment as outsiders. From here, the novel took on a life of its own and became not only about discovery, but about displacement and the navigational tools one employs, while trying to fit into a culture.
For the most part, writers write from what they know. They use their own impressions and experiences as fodder to one degree or another, in the process of telling a story. I believe this is inevitable and inescapable, and in writing Mourning Dove, I portrayed Memphis as I experienced it. Because I now live in California, the geographical distance afforded an objective eye with a sense of nostalgia for an era now gone by. Late 1970’s through 1980’s Memphis was well worth writing about because I am of a generation raised by those many call “the old guard.” These were the people born to a culture steeped in Southern social mores and tradition, who held to its ways as if manners and form were the template to society, so much so that it verged on stifling.
My aim in writing Mourning Dove was along the lines of depicting the culture the siblings came to as outsiders to show how its influence contributed to their psychological wiring. Because we are all products of our upbringing, it raises the question of nature versus nurture in influencing how a life turns out. It’s a complicated amalgam that contributes to how individuals end up as they do, and in writing Mourning Dove, I wanted to tell the story of siblings who share the same history but come to disparate ends.
Because readers are intelligent beings, I wanted to take the reader through a series of one telling scene to the next, so that they could divine for themselves how what happened in the end came to be.
It’s a give and take in being a writer. If a writer gifts a reader with something to ponder, the reader will take away their own conclusion.

 

Mourning Dove by Claire Fullerton is a Faulkner Society listed, and winner of the Bronze medal for Southern Fiction by Reader’s Favorite.

Enter to win the audiobook of Mourning Dove: https://audiobookwormpromotions.com/mourning-dove/

https//www.clairefullerton.com

Launching A Book Is Like A Wheel

It seems to me the release of a novel is like a wheel with its own life span. Though the elements that get a book out in the world happen in linear fashion, it feels as if they happen at once. This is what readers might not know as they read a book. There is a lot that goes into a book release. Within the time frame of getting my third novel, Mourning Dove, signed until its publication, it seemed every move I made was urgent, even though I knew, when I signed the contract, that Mourning Dove’s release was a year and a half away.
It all begins with a book’s contract negotiation. Promotion starts immediately, once the writer signs the contract. There is the business of sharing the news that a contract has been signed on social media to garner interest that the book is coming, that it will be winding its way from draft to print. And it is a winding way. What made Mourning Dove different for me is that when I signed the publishing contract, I had a literary agent. Because this wasn’t the case with my first two books, I didn’t know what to expect.
From the onset, my agent got to work. We talked about Mourning Dove’s genre, my brand as an author, whether to hire a publicist, which book festivals to submit to, which contests to enter, my presence on social media—all of this was planned once my editor sent me my publishers’ schedule. Because what a writer is doing pre-release is securing a foundation. A writer must know where they’re going and when. One has to create a launch pad well in advance of a book’s release that matches their publisher’s schedule. After the book has been edited, which in Mourning Dove’s case hinged on my editor’s schedule, and took three rounds, during six weeks, a writer waits for the advance review copy. There are magazines, contests, and online journals to submit to, each with their own schedule. A writer has to create their own schedule to keep track of what’s happening and when.
Once I had the advance review copy of Mourning Dove, I sent it to four well-known authors and two prestigious book magazines, in pursuit of book blurbs to appear on the finished book. Next came the selection of Mourning Dove’s book cover, which began with my written vision and went to my publisher’s art department and ended with the final version.
Once I had Mourning Dove’s book cover, I got to work in preparation for marketing. I had business cards printed with my website and contacts, post cards and bookmarks made with Mourning Dove’s cover and description. I created a glossy “one-sheet” with the book’s cover, its ISBN, Mourning Dove’s release date, my author bio, three book blurbs, and sent it to endless independent book stores, telling them that Mourning Dove was available for pre-order, and that it would be distributed through Ingrams. I joined the Southern Independent Booksellers Alliance in tandem with my publisher, since Mourning Dove is set in the South, and my brand is that I am a Southern writer, being, as it is, that I grew up in Memphis.
As Mourning Dove’s launch date drew near, I reached out to more magazines and book bloggers, then scheduled a book launch event. I sent invitations to the launch, and word to my local newspaper requesting they send a photographer out for coverage. Once Mourning Dove was out in the world, I continued to distribute my one sheet, and still do, as time allows. I remain engaged in social media daily about Mourning Dove, and as I do, I support other authors.
Mourning Dove was released one month ago today, and I continue to promote it daily. I will be travelling to book events starting next month, with an eye toward doing as much in person as possible. I am reaching out to book clubs and speakers’ organizations. I believe eye-to-eye contact with readers makes a difference, and it is my sincere honor and privilege to speak with any I meet. My travel schedule has already taken me into 2019, and I have Mourning Dove submitted to 2019 book festivals, from whom I am waiting to hear. There are book award contests I’ve entered that announce awards for books published in 2018, in the year 2019.
In the meantime, I have another release coming on November 1st of this year. Currently the wheel is turning for this. It is a novella; one of four novellas in a book titled A Southern Season—each novella set in the South, and promotion began six months ago.
When you hear writers say that writing is a full-time job, it’s because it is. Each release has its own life-span, which begins with a sense of urgency and continues as long as the author is willing to work it. But the good news is if an author has a backlist, all effort put into each release aids and abets the life of the backlist. In my mind, each release is an independent wheel that helps drive a writer’s career forward.

http://clairefullerton.com