The Charlotte Readers Podcast: Authors on Books and Writing!

My favorite Podcast is Charlotte Readers Podcast, hosted by Landis Wade, an author himself and “a recovering trial lawyer” who encourages authors to read and talk about their award-winning, published, and emerging works. This is the show where host, Landis Wade, visits with local, regional, national and international authors who read and discuss their work. The Charlotte Readers Podcast mission is to help authors give voice to their written words for listeners who love good books.

Host Landis Wade of The Charlotte Readers Podcast

The podcast’s community blog is populated with readerly and writerly content offered by talented writers. It contains nuggets of wisdom for readers and writers.

This week, I contribute to their Community Voices Blog with a short post about how I became a writer, and the link to the blog post, titled, There Is no There to Get to, is here:

There is No There to Get to – Charlotte Readers Podcast

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Authors, look at this!

Charlotte Readers Podcast wants to hear YOUR voice! Charlotte Readers Podcast is so grateful for the love writers are showing our blog, Community Voices, where we invite writers to submit their readerly and writerly voices to be featured on our website. The submission guidelines are simple, but must be followed for consideration. Read our latest posts, learn more about what we’re looking for, and submit your writing for consideration on our website: https://linktr.ee/CharlotteReadersPodcast

Here’s the Link to The Charlotte Readers Podcast Website:

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Patreon is a website where listeners can support the podcast, while getting exclusive content in return.

You can help authors give voice to their written words.

Become a Patreon Subscriber to receive exclusive content and other benefits.

I’ll see you at The Charlotte Readers Podcast!

https://linktr.ee/cffullerton

The Women in Publishing Summit Begins Next Week !

I’m delighted to be a part of the Women in Publishing Summit. It’s the first online writing and publishing conference dedicated to women, the Women in Publishing Summit is the biggest online conference for women in publishing, featuring over 70 authors, publishers, editors, graphic artists, marketers, book sellers, mindset coaches, & more! 

One Week of Featured Speakers of the Publishing Business
Held annually the first week of March we’ll end with a bang on International Women’s Day. The next event will be online March 1-8, 2021 and you must register to access. The Summit is a combination of guest expert interviews, panel discussions, tutorial presentations, and LIVE interviews, run completely online that you can enjoy from your phone, computer, or tablet. 
My talk will air on Friday March 5 at 2:00 PM Eastern Standard Time! In my talk, I explained how I prepared for the book launches of Mourning Dove and Little Tea. Both books are set in the Deep South and depict Southern culture, female friendships, coming of age, and the family dynamic! A lot of preparation went into the launch of both books, and I had a wonderful time explaining my launch strategy for the Women in Publishing Summit.
About Jane Friedman (quickly)
Jane Friedman has 20 years of experience in the publishing industry, with expertise in business strategy for authors and publishers. She’s the editor of The Hot Sheet, the essential industry newsletter for authors, and has previously worked for F+W Media and the Virginia Quarterly Review. In 2019, Jane was awarded Publishing Commentator of the Year by Digital Book World; her newsletter was awarded Media Outlet of the Year in 2020.
Jane’s newest book is The Business of Being a Writer (University of Chicago Press); Publishers Weekly said that it is “destined to become a staple reference book for writers and those interested in publishing careers.” Also, in collaboration with The Authors Guild, she wrote The Authors Guild Guide to Self-Publishing.
In addition to being a professor with The Great Courses, Jane maintains an award-winning blog for writers at JaneFriedman.com; her expertise has been featured by The New York Times, The Washington Post, Publishers Weekly, NPR, PBS, CBS, the National Press Club and many other outlets.
Jane has delivered keynotes and workshops on the digital era of authorship at worldwide industry events, including the Writer’s Digest annual conference, Stockholm Writers Festival, San Miguel Writers Conference, The Muse & The Marketplace, Frankfurt Book Fair, BookExpo America, and Digital Book World. She’s also served on grant panels for the National Endowment for the Arts and the Creative Work Fund, and has held positions as a professor of writing, media, and publishing at the University of Cincinnati and University of Virginia.
In her spare time, Jane writes creative nonfiction, which has been included in the anthologies Every Father’s Daughter and Drinking Diaries. If you look hard enough, you can also find her embarrassing college poetry
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Women In Publishing Mission & Vision

We celebrate the accomplishments of women in publishing – authors, publishers, editors, typesetters, cover designers, marketers, booksellers, everyone involved in creating and selling books and provide a community where we can share great resources, encouragement, tools, and mentorship for women who want to have their voices heard and stories told.

Get Your Ticket Now!

The Women in Publishing Summit was made for women, by women.

We’re featuring publishers, authors, editors, agents, marketing experts, graphic designers, tools you need for success, and MORE to provide expert advice and resources YOU NEED to write, publish, and sell more of your book!

Register for the event and you’ll receive information to access the content from the comfort of wherever you choose to watch!

Don’t miss it!2021 TICKET INFO

I’ll look forward to seeing you there!

https://linktr.ee/cffullerton

Postcards and Authors

Every so often, I come across a website that champions authors with glittering flair. Postcards and Authors is such a place and Anita, the woman behind the magic, is wonderful! She has a wide reputation with good reason for championing authors. What an author does is send in a postcard with an image that pertains either to where they live or telling of their book. Authors from all over the globe enter and Anita showcases their postcard and goes to wonderful lengths to feature their work.

I wanted to share this site and information with my fellow authors. Take a look at the links below that send you to the site and direct you on how to submit!

I hope to see many on Postcards and Authors!

Here is my feature that was posted yesterday!
Claire Fullerton was a recent guest on LA Talk Radio – The Writer’s Block to discuss her new novel, Little Tea. Midway the conversation, her host asked, “When you write, who controls the book, you or your characters?” The presumed answer was the characters. However, Claire, whose previous career was on-air in music radio, answered, “I confess I must be a control freak because I think I’m runnin’ the show. Nobody’s taking over my book, including who I’m writin’ about.”
Claire Fullerton has always considered herself a southerner, though born in Wayzata, Minnesota, and currently living in Malibu, California. When she was ten, her family moved to Memphis, Tennessee. It was where Claire innately watched people and absorbed the music of prolific musicians who flocked to experience the city’s aura and recording opportunities. All the while, Claire was sharpening her writer’s eye. She considers Memphis the last romantic culture on earth.
However, like much of the country, Memphis was experiencing social and cultural changes, and Claire Fullerton was witnessing and taking it in, including the fight for racial equality. It would be some of those memories that she injected into Little Tea.
The story begins with a girls’ getaway at a lake house in Heber Springs, Arkansas. Celia, Renny, and Ava, friends since childhood, meet to support Ava, who is having marital problems; however, before the three-day stay is over, Celia will be confronted with demons from her past.
When the time shifts in the novel, there is Little Tea (Thelonia), the daughter in a black family. Her mother is a maid, her father, a foreman, both for the white Wakefield family’s Como, Mississippi cotton farm in the 1980s – Celia’s family. The girls are ten-year-old friends who play together and are often joined by Hayward, Celia’s brother. Innocent and naive, this works well for the three of them, but they grow up… and people have opinions. The past and present come together with Little Tea at the core.
Reviews for Little Tea give an enticing glimpse into the story. Readers are awed by Claire Fullerton’s ability to interpret and depict southern characters in settings that epitomize the beauty of the terrain. Her previous multi-award winning novel, Mourning Dove, is also about a southern family set in Memphis, Tennessee. Excerpts and reviews for all of Claire’s books are on her website.
Visit Claire’s social media and sign up for her newsletter. (Scroll down for the links.) You’ll not only see great pictures of her writer’s life, but her three big German Shepard dogs, too!
Claire, Malibu seems a nice place to land after living in other cities in the U.S and abroad. Like you, I believe I can have an extra dose of inspiration with a daily ocean view! Maybe I’ll get to Malibu on my next California trip (being optimistic). It’s been a looong time since I’ve been to The Golden State. Thank you for the postcard. 🙂
~Anita~

How to Participate and Submit: https://postcardsandauthors.com/participate/

And here is the website! https://postcardsandauthors.com/

 

 

 

 

Where I Find Inspiration

May 1, 2020 | By Claire Fullerton
I was recently asked the following question in an interview: “As a writer, where do you go to find inspiration?” The interviewer cited the habit of Charles Dickens, who took to the streets of London every day in a five to six-mile stroll while looking for source material. I love the evocative image of this world-renowned writer cruising through London, his eyes darting as he tallied impressions, experiencing the common place of that city, taking mental notes.
Because I wanted to answer the question to the best of my ability, I visualized myself in Dickens’ place and pondered what he was really doing. I realized it wasn’t so much where he was as it was that he had his eyes open. The way I considered it, Dickens allowed himself to be influenced, and this is key for writers. The most seemingly inconsequential things can affect a writer, and by this I mean strike an emotional chord. That it typically happens in the blink of an eye doesn’t make it any less meaningful.
In the essay, Honeymoon: The Romance of Umbria, by Pat Conroy, which appears in The Pat Conroy Cookbook, Conroy writes of catching himself writing in his head instead of living in the moment as he stood inspired by an Umbrian sunset. With regard to writers, I believe this is a common habit. It’s a particular way of being in the world and at the heart of it is the desire to communicate coupled with love of language.
There might be shades of the longing to be understood, but I think it’s more a labor of love to help readers understand the world. After all, a writer’s task is to articulate, to put their impressions into words along with what they think and feel through the power of story.
I’ve heard it said that artists view the world through with a peculiar, particular lens.
They have the ability to engage with the world from the outside looking in, to be in it but not of it, stand apart in the middle of a crowd and act as witness. To many artists, this ability is a calling, be it acting, painting, dancing, or writing. In my opinion, writers are the archivists of the world, the interpreters of life who record events and impressions and are driven by the need to share their gift.
And yes, it all starts with finding inspiration, yet inspiration doesn’t so much reside without as it does within. The trick is to keep wide-eyed and aware as one goes about their days, to grab hold of inspiration’s cord once it’s struck and hang on until it resonates. Inspiration doesn’t have so much to do with location as it does the ability to access what’s within once it’s triggered. When it comes to writing, inspiration is a prompting that travels from the spirit of a writer to a blank page and results in a painstaking commitment to work built on hope and blind faith that it’s worth sharing.
In answer to that interviewer’s question of where I go to find inspiration, I tried my best to articulate my experience. I said rather than cite a locale, I can share what I do when inspired, and it has everything to do with discipline. I can be anywhere doing anything when inspiration comes from sight, sound, thought, mood or feeling. To me it’s all about listening to the voice within. The discipline starts with finding a pen

For Release news of my novel, Little Tea, the rest of this post continues here: http://booksbywomen.org/where-i-find-inspiration/

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Little Tea’s Universal Link:  https://books2read.com/u/3nvz0R
Claire Fullerton hails from Memphis, TN. and now lives in Malibu, CA. with her husband and 3 German shepherds. She is the author of Mourning Dove, a coming of age, Southern family saga set in 1970’s Memphis. Mourning Dove is a five-time award winner, including the Literary Classics Words on Wings for Book of the Year, and the Ippy Award silver medal in regional fiction ( Southeast.) Claire is also the author of Dancing to an Irish Reel, a Kindle Book Review and Readers’ Favorite award winner that is set on the west coast of Ireland, where she once lived. Claire’s first novel is a paranormal mystery set in two time periods titled, A Portal in Time, set in Carmel-by-the-Sea, California. She is a contributor to the book, A Southern Season with her novella, Through an Autumn Window, set at a Memphis funeral ( because something always goes wrong at a Southern funeral.) Little Tea is Claire’s 4th novel and is set in the Deep South. It is the story of the bonds of female friendship, healing the past, and outdated racial relations. Little Tea is the August selection of the Pulpwood Queens, a Faulkner Society finalist in the William Wisdom international competition, and a finalist in the Chanticleer Review’s Somerset award. She is represented by Julie Gwinn of the Seymour Literary

Follow her on Twitter @cfullerton3
Find out more about her on her website https://www.clairefullerton.com/

As Published on:

Women Writers, Women(‘s) Books
Online Magazine
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Gifting the Readers

It was an unusual path that led to the creation of my third novel, Mourning Dove, and the thought that spurred me on was gifting the reader with something to ponder.
Mourning Dove started as a poem, written rather cathartically, in verse that sought to put into words the repercussions of a personal experience. I wrote the poem but never shared it, thinking it would be enough to write it and leave it in my journal. Then, in 2013, I saw a call for submissions in the San Francisco Writers Conferences’ contest. In looking at the categories, I decided to tell the abbreviated story behind the poem in the requisite 3,000-word limit and enter it as narrative nonfiction. Because I liked the images and rhythm of the poem, I began my piece with the poem’s first stanza. As I wrote the nonfiction story, I remained true to the feel and flow of the poem. I reached the word limit swiftly and submitted it to the contest, under the title Mastering Ambiguity (there’s a good reason for that title.)
Three months later, I received notice that Mastering Ambiguity was a finalist in the contest, and, as I live in Malibu, I decided to make the trip to the 2013, San Francisco Writers Conference and attend the luncheon where the winner would be announced.
Entering the auditorium, I saw thirty-five, eight seated tables spaced on the floor before a stage. As I found a seat, I told myself that if anything ever came of Mastering Ambiguity, I’d turn it into a full-length novel. Mastering Ambiguity wasn’t pronounced the winner at that luncheon, but it came in as the runner-up. Knowing I had a good story, I kept my pledge and set to work turning Mastering Ambiguity into a novel.
But how to turn a 3,000-word, nonfiction piece into a novel that is essentially a coming- of -age and then some, Southern family saga? It occurred to me that if I focused on a sense of place, in this case, the genteel side of 1970’s and 1980’s Memphis, replete with characters exemplary of old-world social mores, I’d have a solid foundation for a cause and effect story.
I began by defining the aim of Mourning Dove, which would help me suggest its point. Once I had what I wanted to say in hand, I settled upon Mourning Dove’s themes, knowing, if I let them lead, I could write the novel in scenes that would lead to gifting the reader with an overarching point.
When a writer settles upon a theme, or themes in a novel, the idea is to make them universal, so that the reader will identify from the vantage point of their own life. In Mourning Dove’s case, I wanted to expand upon the idea of a search, for I believe all of us are searching for something, be it a daily search or over a lifetime.
Once I knew the beginning and end of Mourning Dove, I wrote the following in a composition book I keep by my keyboard, and allowed it to guide me:
A search for place/home
A search for identity
A search for meaning/God.

From there, I wrote the story of two siblings who were born in Minnesota but moved abruptly during their formative years to the Deep South, where they entered the traditionally Southern environment as outsiders. From here, the novel took on a life of its own and became not only about discovery, but about displacement and the navigational tools one employs, while trying to fit into a culture.
For the most part, writers write from what they know. They use their own impressions and experiences as fodder to one degree or another, in the process of telling a story. I believe this is inevitable and inescapable, and in writing Mourning Dove, I portrayed Memphis as I experienced it. Because I now live in California, the geographical distance afforded an objective eye with a sense of nostalgia for an era now gone by. Late 1970’s through 1980’s Memphis was well worth writing about because I am of a generation raised by those many call “the old guard.” These were the people born to a culture steeped in Southern social mores and tradition, who held to its ways as if manners and form were the template to society, so much so that it verged on stifling.
My aim in writing Mourning Dove was along the lines of depicting the culture the siblings came to as outsiders to show how its influence contributed to their psychological wiring. Because we are all products of our upbringing, it raises the question of nature versus nurture in influencing how a life turns out. It’s a complicated amalgam that contributes to how individuals end up as they do, and in writing Mourning Dove, I wanted to tell the story of siblings who share the same history but come to disparate ends.
Because readers are intelligent beings, I wanted to take the reader through a series of one telling scene to the next, so that they could divine for themselves how what happened in the end came to be.
It’s a give and take in being a writer. If a writer gifts a reader with something to ponder, the reader will take away their own conclusion.

 

Mourning Dove by Claire Fullerton is a Faulkner Society listed, and winner of the Bronze medal for Southern Fiction by Reader’s Favorite.

Enter to win the audiobook of Mourning Dove: https://audiobookwormpromotions.com/mourning-dove/

https//www.clairefullerton.com

Launching A Book Is Like A Wheel

It seems to me the release of a novel is like a wheel with its own life span. Though the elements that get a book out in the world happen in linear fashion, it feels as if they happen at once. This is what readers might not know as they read a book. There is a lot that goes into a book release. Within the time frame of getting my third novel, Mourning Dove, signed until its publication, it seemed every move I made was urgent, even though I knew, when I signed the contract, that Mourning Dove’s release was a year and a half away.
It all begins with a book’s contract negotiation. Promotion starts immediately, once the writer signs the contract. There is the business of sharing the news that a contract has been signed on social media to garner interest that the book is coming, that it will be winding its way from draft to print. And it is a winding way. What made Mourning Dove different for me is that when I signed the publishing contract, I had a literary agent. Because this wasn’t the case with my first two books, I didn’t know what to expect.
From the onset, my agent got to work. We talked about Mourning Dove’s genre, my brand as an author, whether to hire a publicist, which book festivals to submit to, which contests to enter, my presence on social media—all of this was planned once my editor sent me my publishers’ schedule. Because what a writer is doing pre-release is securing a foundation. A writer must know where they’re going and when. One has to create a launch pad well in advance of a book’s release that matches their publisher’s schedule. After the book has been edited, which in Mourning Dove’s case hinged on my editor’s schedule, and took three rounds, during six weeks, a writer waits for the advance review copy. There are magazines, contests, and online journals to submit to, each with their own schedule. A writer has to create their own schedule to keep track of what’s happening and when.
Once I had the advance review copy of Mourning Dove, I sent it to four well-known authors and two prestigious book magazines, in pursuit of book blurbs to appear on the finished book. Next came the selection of Mourning Dove’s book cover, which began with my written vision and went to my publisher’s art department and ended with the final version.
Once I had Mourning Dove’s book cover, I got to work in preparation for marketing. I had business cards printed with my website and contacts, post cards and bookmarks made with Mourning Dove’s cover and description. I created a glossy “one-sheet” with the book’s cover, its ISBN, Mourning Dove’s release date, my author bio, three book blurbs, and sent it to endless independent book stores, telling them that Mourning Dove was available for pre-order, and that it would be distributed through Ingrams. I joined the Southern Independent Booksellers Alliance in tandem with my publisher, since Mourning Dove is set in the South, and my brand is that I am a Southern writer, being, as it is, that I grew up in Memphis.
As Mourning Dove’s launch date drew near, I reached out to more magazines and book bloggers, then scheduled a book launch event. I sent invitations to the launch, and word to my local newspaper requesting they send a photographer out for coverage. Once Mourning Dove was out in the world, I continued to distribute my one sheet, and still do, as time allows. I remain engaged in social media daily about Mourning Dove, and as I do, I support other authors.
Mourning Dove was released one month ago today, and I continue to promote it daily. I will be travelling to book events starting next month, with an eye toward doing as much in person as possible. I am reaching out to book clubs and speakers’ organizations. I believe eye-to-eye contact with readers makes a difference, and it is my sincere honor and privilege to speak with any I meet. My travel schedule has already taken me into 2019, and I have Mourning Dove submitted to 2019 book festivals, from whom I am waiting to hear. There are book award contests I’ve entered that announce awards for books published in 2018, in the year 2019.
In the meantime, I have another release coming on November 1st of this year. Currently the wheel is turning for this. It is a novella; one of four novellas in a book titled A Southern Season—each novella set in the South, and promotion began six months ago.
When you hear writers say that writing is a full-time job, it’s because it is. Each release has its own life-span, which begins with a sense of urgency and continues as long as the author is willing to work it. But the good news is if an author has a backlist, all effort put into each release aids and abets the life of the backlist. In my mind, each release is an independent wheel that helps drive a writer’s career forward.

http://clairefullerton.com

 

 

Balance in A Writer’s Life

I exchanged messages this morning with Michelle James, whom I had the pleasure of meeting online years ago, when Dancing to an Irish Reel came out. This shows me the beauty of WordPress—there are wonderful friends here, and I’ve found the community to be extraordinarily engaging and supportive. And it’s not just about books that we talk about. Books may be the reason why we’re drawn to the page in the first place, but typically exchanges lead into other places, and this morning Michelle and I talked about Pilates.
Michelle and I both incorporate Pilates into our weekly schedule, and it caused me to think about why I do it. It’s because I spend so much time at this computer, and it occurred to me that a writer needs balance. In order to find balance, it takes the realization that balance is a requirement of a writer’s life.
I have a wheeled chair on a hardwood floor that fits up tightly under my desk. I am a little-bitty ol’ thing, and I’m in the habit of sitting Indian style (can I say this in this PC world? Apologies for any offense) for hours at a time. I go through phases when a project is pressing, even if the immediacy is of my own making. Looking back at the past five and a half years, it’s staggering to realize that I produced four novels, but part of the explanation is I got myself into it because one door opened then things happened at once, in a flurry that felt like putting out fires.
Which brings me back to the subject of Pilates. I’ll add ballet because I still go to class. I’m a believer in the adage that the mind and the body are one, and I’ve found that without finding a balance, I suffer. Without reading and writing, I am aimless, and without tempering the way I sit at my desk, there are particular areas in my lower back that tighten to the point where my whole body locks up. Basically, I have to undo what I create, after I spend so much times sitting in the form of a pretzel. But it’s more than that, really. It has something to do with needing to get out of my head and into my body, and I think it matters, with respect to grounding myself on God’s green earth.
I’m going to take this subject further and talk about a decision I made once I came up for air after completing the edits for my next book, which I wrote after Mourning Dove (This book is another Southern novel in the capable hands of my agent, and hopefully it will be signed somewhere!) Because I spent so much time during the week and then some in self-enforced isolation, save for the occasional social outing or doing whatever it takes to tend to home and hearth, I decided to switch priorities. I know a group of wonderful women who live near me in this seaside community, and every morning they meet to walk the beach. I had to wrestle with the hour of joining this group. 8:00 in the morning is a questionable hour to be up and out of the house, and I have a bad habit of getting coffee then going to my computer the second my feet hit the floor. Once at my computer, away I go.
My commitment to leaving the house was made in favor of physical and psychological balance. Once the decision was made, the effort was easy because I knew the stakes, otherwise. If I start the day by getting outside and walking by the ocean, it gives me a certain perspective. The enormity of the ocean; the people out walking their dogs; the surfers sizing up the waves; the conversation of friends; and the simple act of movement reminds me there’s a big world outside of my office, before it’s time to close myself off when I return to my desk.
I think balance is imperative in a writer’s life, and writer’s need to aim for it. It takes commitment to write, especially when one writes novels, but it also takes commitment to lead a well-balanced life.

On Rejections while looking for an Agent

I’m a woman of my word, and am therefore following through on a request from one of my WordPress friends to share a little something about the rejections I received, on the path that ultimately aligned me with my literary agent, concerning my third novel. I’m going to leave specific names out here, and know you’ll understand why.

The rejections I received were by and large voiceless, in that these days, most literary agents leave a qualifier on their submission page that simply says, “If I am interested in your query and want to request more, I will be in touch.” From this, one can safely assume if they don’t hear back from an agent, then the agent is not interested, for what could be many reasons ranging from the genre of the book, to its subject matter, to the possibility that the agency’s guidelines were not followed, or it could be the simple fact that the agent’s hands are full. And because my third novel is a Southern Family Saga set in 1970’s and 1980’s Memphis, the task, for me, became all about ferreting out exactly who is representing authors with books set in the South. But one has to cast wide, when looking for an agent. They have to get creative on where their book will fit. In the case of my third novel, I wrote to literary agents that represent Women’s Fiction, Literary Fiction, and commercial fiction, yet my focus was on those interested in or connected to the South. In reading the bio of each agent I queried, I read the fine print to ascertain which authors they represent, what their reading preference is, and paid close attention to those who revealed where they are from. Every time I discovered an agent either from the South or currently living in the South I took a chance; followed the submission guidelines to the letter; and e-mailed my query. If one keeps in mind that a query letter is basically a letter of introduction; that you are writing to say who you are, what your book is about, and where you have been published, then it is less daunting. Remember you, as the author, are also looking for a good fit!

And speaking of daunting, I’ll digress here to say that when I made the rounds with one of my first two books, I received a response from one agent, who wrote only this above my submission: “Show, don’t tell.” Ouch. At least that’s what I thought at the time. You should understand that I write in the first person, and am big on establishing the narrator’s voice, so after I got over the sting, I went to my bookshelf and revisited Anne Rivers Siddons “Peachtree Road,” which is roughly seventy-five percent of the most flawless narration ever written. I pressed on, and the book was published in 2015 as “Dancing to an Irish Reel.” This goes to show to each, their own, and again, you as the author are looking for a good fit.

And speaking of “Dancing to an Irish Reel,” all 59 of its reviews on Amazon are good ones, and I will always be proud of the book. It didn’t make an earth-shattering splash, but I am satisfied that it represents who I am as a writer, and remember, “A writer’s career is a marathon, not a sprint.” I’m mentioning this here because it ties in with another rejection I received for my third book, which is to report that an agent actually took the time to write me to say “You should have hired a publicist; your sales are anemic!” Ouch, again, but I pressed on, and I’ll tell you why: I think writers have a sense of the simple fact that they should be writing. I think this is the salient truth that spurs us on. And whatever one’s belief system is, regarding faith and luck and timing, to possess something of this, in whatever amount, is enough to foster the spirit of pressing on.

All told, I had three literary agents interested in the manuscript of my third book. Two of these agents were in the process of reading it, when joy of all joys, the agent, Julie Gwinn, of The Seymour Literary Agency, called me and offered me representation. Julie felt so right to me for many reasons. I’d done my homework on her, was awed by her background, learned that she lives in the South, and I happen to have a friend who is currently her happy client. The last agent called me after I signed with Julie Gwinn, and I am thrilled to report that I strongly believe the stars aligned with Julie, in the manner they should have all along.

In summation, if you embark upon the road to finding a literary agent, it helps to keep in mind that you are seeking a good fit. What you want to find is an agent who wants to work with you just as much as you want to work with them, for finding the right publisher is essentially a team effort.

To answer my WordPress friend’s request that I write about rejection, I will say it isn’t always easy to weather, but if you press on and keep the faith that the stars will align when and as they should, then one day you’ll come to see rejection as part of the process.

 

Women on Writing Author Interview

 

Meet Fall Flash Fiction Contest Runner Up Claire Fullerton, Author of “Metal Gray”

Claire Fullerton is a runner up in the WOW! Women on Writing Fall Flash Fiction Contest with the very beautiful story Metal Gray. She is the author of contemporary fiction, Dancing to an Irish Reel, set on the west coast of Ireland, and paranormal mystery, in two time frames, A Portal in Time, set in Carmel-by-the-Sea, California. Both books published by Vinspire Publishing. Claire’s third novel, Mourning Dove, is a Southern Family saga, set in Memphis, Tennessee, where Claire grew up. It will be published in June of 2018 by Firefly Southern Fiction. Claire has been published in multiple magazines, including Celtic Life International, Southern Writers Magazine, and The Dead Mule School of Southern Literature. Her essays have appeared in five of the Chicken Soup for the Soul books. Currently, Claire is writing her fourth novel. She lives in Malibu, California with her husband, two German shepherds, and one black cat.

Find out more about Claire by visiting her website www.clairefullerton.com, her blog, Writing Notes, and connect with her on Facebook and Twitter @cfullerton3.

Interview by Crystal J. Casavant-Otto

WOW!: Thank you so much for taking time out of your busy schedule for today’s interview. Congratulations again on your many accomplishments but most recently as a runner up in the WOW! Fall Flash Fiction Contest! So now down to business: where did you get the idea for the character of Ella in Metal Gray? You describe her so well it seems she must be part of your personal story as well? Please tell us more.

CLAIRE: I would love to tell you about Ella, thank you for asking. Ella is a significant character in my forthcoming novel, Mourning Dove, which is a southern family saga, set in Memphis, where I grew up. The book will be published by Firefly Southern Fiction in June of 2018. The background of Ella and this book is that I entered a 3,000 word piece in The 2013, San Francisco Writer’s Conferences’ contest, in the narrative nonfiction category. The piece came in as the runner up, and I will tell you now that when I entered the piece, it occurred to me that should anything in the slightest happen, I’d turn the piece into a novel, which I did. To clarify the obvious, a novel, of course, is fiction, yet I knew with my nonfiction piece that there was an entire world already there to work with, as long as I changed names, created scenes and other characters that contributed to the momentum of the story. I can report that Mourning Dove is fiction, but that the character of Ella as she appears in the book as well as in the flash-fiction piece I sent to WOW! is a composite of many women who populated my life while growing up in Memphis. Ella represents the voice of brass tacks reason, wherever she appears, in that she sees all, knows all, and keeps her lips tight. Ella is in it, but not of it, which provides fabulous objectivity. What I did when I entered WOW!’s flash fiction contest was give the description of Ella, then made up the ending to fit the 750 word guidelines, which means it needed to be unique, self-contained, and brief!

WOW!: So clearly, you are no stranger to Ella and no stranger to writing contests. What role do flash fiction pieces play in your writing life? Do you have advice for other authors as far as contests and flash fiction pieces are concerned?

CLAIRE: Yes, I love entering flash fiction contests, for it is a way of fine-tuning one’s craft. The art of brevity should be in each writer’s tool-kit, and I was thrilled when I discovered WOW!’s contest. To answer your question about advice I’d give to any author, I’d say getting in the traffic and staying in the traffic is very important. I’ll give you a personal example: Vinspire Publishing honored me and basically started my career by publishing my first two books back-to-back. My third novel, Mourning Dove, will not be out until 2018, so I have a gap, with regard to staying engaged with my readership. By entering contests, and hopefully placing somewhere, it gives me the opportunity to share my work as it is published. This, along with staying engaged with social media is the life-force of an author’s career. It also gives authors the opportunity to meet nice people like Crystal with WOW!

WOW!: Now I’m blushing – thank you so much! It certainly is sound advice about staying in the traffic. Wally Lamb is one of my favorite authors and I didn’t realize he had released a new book because he had such a gap and even though I’m an avid reader, he really fell off my map. I hope other authors take your advice and stay in the traffic (not to be confused with playing in traffic…giggle).

You recently wrote “I tend to be a stream of consciousness writer, in that I write whatever it is I’m thinking.”

Can you give us an example of when that wasn’t such a great idea or when it served you well?

CLAIRE: I think it has always served me well, and I’ll tell you why by answering this generally: I prefer writing in the first person. I think it lends immediate intimacy, and gives the reader the complete idea of who it is they’re listening to. I say I am a stream of consciousness writer because writing comes to me easily. I write the story from the voice within me, and very rarely labor. I think if a writer decides who the narrator is, with whatever nuances or backstory they may have, then they can assume the narrator’s voice, and write from there. Before I begin a novel, I know the story I want to tell. I know the beginning, middle and end, and let the rest create itself, though I do take notes along the way, when something comes to me that I think I should include, in order to drive the story forward by illustrating a point, or perhaps it is something wittily said that will lend flavor and help the reader better understand the narrator or other characters. Summarily, I think that, when writing, it is best to trust one’s own thoughts. I’d rather risk writing from an authentic place and having it misunderstood, than constructing something inauthentic only to realize it sounded contrived.

WOW!: I’m going to repeat what you just said because it’s worth repeating: “I’d rather risk writing from an authentic place and having it misunderstood, than constructing something inauthentic only to realize it sounded contrived.”

This is a quote to remember fellow writers. Thank you Claire for sharing this insight and truth.

Dancing to an Irish Reel will now be available in all the South Dublin Libraries and I’m curious
what part you played in making that happen? What advice can you give to other authors as far as getting their books into more libraries (in the states or outside the states)?

CLAIRE: I give full credit to the unlimited creativity and enthusiasm of Dancing to an Irish Reel’s publisher, Dawn Carrington of Vinspire Publishing. Dawn was well aware that I once lived in Ireland, and that Dancing to an Irish Reel is set on Ireland’s west coast. She wrote to many Irish library’s and simply introduced the book: it’s blurb, its cover, and much about me as its author. She embraced this book and got it out in the world, as she educated me on exactly how to be involved in the promotional process. I have learned that the promotional process is unending, and to me, it is actually fun. The process starts out in a small arena, by aligning with the obvious social media outlets ( FB, LinkedIn, Twitter, Instagram, Goodreads, etc.) but the thing is, once you’re aligned, it gets bigger! You end up meeting other authors through social media and by watching where they are and what they do, it triggers unending possibilities. I can tell you that after two novels that have been out in the world for a while, I am still discovering new places to promote because it is essentially a domino effect. But yes, library’s are a great avenue to explore, so I recommend that authors start locally, then get creative on the locations of libraries that may embrace the book, due to the book’s setting or subject matter.

WOW!: It’s nice to meet up with others who enjoy social media networking and all the endless possibilities!

I love your position of staying out of politics on social media (I too would rather talk about what unites us instead of what divides us). Have you ever approached a friend or colleague suggesting they tone down their political posts? How can we help spread the social media mentality of “See no evil…Hear no evil…Speak no evil” like Confucius

CLAIRE: Great question. I assume you saw the Word Press blog post I delicately wrote and hesitantly posted on this subject! I was torn over whether to post the piece or not! The impetus behind this came from too many months of vitriolic posts on Facebook during America’s recent presidential election. So many friends I’d been aligned with for years used Facebook as a forum to post their political views, and many of these friends are authors. I spoke to one author friend who was dismayed because one of her readers had taken her to task on something she posted concerning the election, and had declared she would unfollow her. I have pledged to never comment politically because I think it is polarizing. This isn’t to say that there is anything wrong with someone who chooses to do so, it’s just that many are so heated over the issues that a difference of political opinion can have unintended consequences for an author. I adore meeting readers and other authors via social media, but am clear why it is that they’re my friends, and what it is that brought us together. My overarching respect for books, authors, and readers makes it easy for me to leave politics alone.

WOW: That’s a good way to look at it – it’s out of respect! I love that!

Thanks so much for chatting with us today, Claire! Congratulations again on Metal Gray and best wishes to you all your future projects!

The Here and Now

It took me years to call myself a writer. For a long time, I thought in order to call myself a writer, I’d have to be making a living at writing; that many people had to know I exist. This is nowhere near the current case for me, and who’s to say if it ever will be? What’s on my mind in this moment is that twice, in the last month, I’ve read posts tap-dancing around the question of “When does a writer quit?” Quit because of what? I asked myself. The question sounded to me like a temper tantrum, like a challenge to the Gods to take our toys and go home should we not receive the gifts we expected in our timeframe. Who are writers trying to appeal to, and further, why? I think writers should ask themselves these questions so they don’t get frustrated, should it come down to the meager fruits of their labor. I use these questions as a reality check every so often, because I recall years ago thinking all I wanted was to be in the game; have a book available in the world; that it would be enough. And in this moment of blog post confession, I can honestly say having two books out in the world is enough, and what happens from here is not my business. Except that it is a business. I have to acknowledge that, having chosen the traditionally published route, with contracted books is responsibility. I have to do my part in joining the grid of how the game is played by engaging in social media, looking for public appearance opportunities and basically being creative in shouting from the rooftops that my books are out in the competitive field. These things are a given when a writer aligns with people who have a vested interest, and for me it comes down to upholding my end of the bargain. But recently, I’ve had an epiphany: enlightenment descended with the awareness that I truly love the writing lifestyle, even though by many people’s standards, I’m experiencing downtime. My second novel was released two years ago, and my third won’t be out for more than a year. There’s a good reason for this, which I’ll get to in another post, but I’ve asked myself a few times if I shot myself in the foot, with regard to momentum. I’ve seen a few authors I admire disappear for years then emerge apologetically for creating the gap. But the thing is I’m not a prominent enough writer for anyone to miss me, and I’m thinking my recent epiphany answers the question some writers ask of when to quit. My personal answer is never, and here’s why:  I love the writer’s lifestyle, and the proof is I’m spending my alleged downtime writing another book. Plainly and simply, writing is what I love to do. I’m also having a blast sharing what I’ve learned over the past few years with other writers. It’s a pay-it-forward- labor- of -love for me to help new authors in any way I can. And I’m just as enthusiastic over books my fellow authors are getting out in the world as I ever was for my own work. I love to watch some of the friends I’ve made through writing prosper, and it is my honor to share their work on all the social media outlets I established for my own books. Frankly, the writing lifestyle is my idea of fun, and I love everything about the arena. There are fascinating, talented authors out there generating the kind of work that inspires me. There are also authors now long deceased who set the bar for the rest of us, and the luxury of reading their work gives me something to aim for as I study what and how they write.

So it is the lifestyle that writing affords that is the gift to me. Many times on this blog I’ve written that the thing about writing is there is no there to get to. I’d like to go deeper with the message and offer another consideration: the “there” to get to with writing is the here and now. It is enough to love it, and if this is case, then why ever quit?

Claire Fullerton is the author of Contemporary Fiction Dancing to an Irish Reel, and paranormal mystery, A Portal in Time. http://www.clairefullerton.com