I’m taking the opportunity to share why I wrote Mourning Dove. Plain and simply, I grew up in Memphis, in an era that I think was run by the last of the great Southern belles. Most of them are gone from the South, now, as am I, for I now live in Malibu, California. I have a conflicted relationship with the South. It’s a strange mixture of gratitude for having outgrown it and weepy nostalgia for the place in which I came of age. I can’t say if I’m nostalgic for the actual place or if it’s nostalgia for the innocence and endless possibilities that one carries in youth, but emotionally, I think they’re tied together. It’s the people of Memphis I miss the most, and when I think of Memphis, I think of its women. Never was there a cast of more glittering woman than those who populated my youth. They were fun, dynamic, refined, and rarely serious. They walked like queens and spoke in lyrical tones so compelling that I’m offended by other accents to this day. I set Mourning Dove in 1970’s and 1980’s Memphis because, back then, the particular Southern, social milieu was rife with nuance and tradition anchored by southern matriarchs who ran the social strata. I did not write about the side of the South where people drive pick-up trucks down dirt roads to the family farm while dodging a coon dog or two, I wanted to write about that side of the South that was coiffed and manicured; where people had an innate elegance that mattered. There is much to be drawn in a setting such as this, and what fascinated me most growing up was the cultural way of denial. In the Memphis I knew, they kept things light and airy. If something was unpleasant or unseemly, it simply wasn’t discussed. But what of two siblings born up north who come to the Deep South as outsiders? And how can they share the same history yet come to disparate ends? What unhinging happens in the delicate wiring of one but somehow misses the other? Is it nature or nurture, and how are we to ever know? In the end, all one is left with is the story. This was my aim in writing Mourning Dove. Always and forever, it will all come down to the story.
The Inspiration For Mourning Dove

What a beautiful telling Claire. I’m am so behind in my TBR but I really want to get to one of your books soon. ❤
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I hope you read Mourning Dove, DG Kaye! It’ll take you straight to the Deep South, and as you’re in Canada, you’re overdue on a visit!
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On my list Claire!!!!! Looking forward 🙂 x
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Thank you for the backstory about why you wrote Mourning Dove and how you selected your focus on women of Memphis. Your vested interest in the city and its people will lend a deep insight into how the place molded the people and how the people, especially the women, evolved from the heart of the city.
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Thank you for you comment , Sharon. The Memphis in which I grew up was much smaller than it is now. It seemed to me everybody knew everyone, and the women were the pillars of Memphis society, with an aim toward preserving its social customs. This fascinated me then, and in hindsight, I am equally as enthralled. This is the Memphis I wanted to write about in Mourning Dove.
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